Resultados Editorial "Recorded Books" en Arte

In this revealing compendium, acclaimed writer Diana Gabaldon shares her invaluable lessons for creating an immersive reading experience, from evoking a mood to using the power of emotions to communicate physical intimacy. You'll learn the difference between gratuitous sex and genuine encounters that move the story forward and how to handle less-than-savory acts that nevertheless serve a narrative purpose. Gabaldon also notes that sex can be conveyed instead of described.

Anyone who has ever loved a book will relish this playful, yet deeply literate collection of essays celebrating the joy of reading. From building castles with books as a child, to the trauma of joining her library with her husband's, the author reveals, with much warmth and humor, the intimate details of her lifelong affair with books. For Anne Fadiman, books are not built for function, and certainly not for decoration. They are close personal friends who never fail to delight and amaze.

In this engaging series of lectures, Carroll William Westfall, the University of Notre Dame's Frank Montana Professor of Architecture, delves into the classical principles of Western architecture. Exploring features such as ornamentation, decoration, and innovation, Professor Westfall shows how architecture is derived from the very principles that form the cornerstones of our civilization - and, with scholarly precision, he also demonstrates how this field of endeavor is rooted in nature itself.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.

Liberation Literature also features a foreword by Laura Pegram, founder of Kweli, and an introduction by Dr. Rudine Sims Bishop, the "mother of" multicultural children's literature. It is a must-have for anyone interested in writing, the history of African American representation, children's literature, and literature overall.

In The Paper Garden, celebrated poet Molly Peacock explores the remarkable life of 18th-century British gentlewoman-turned-artist Mary Delany. In the 1770s, at the age of 72, the twice-widowed and nearly broke Delany turned her interest in botany into beautiful paper “mosaick” flowers still revered today.

One of our most brilliant social critics - author of the best-selling The Middle Mind - presents a scathing critique of the "delusions" of science alongside a rousing defense of the tradition of Romanticism and the "big" questions. With the rise of religion critics such as Richard Dawkins, and of pseudo-science advocates such as Malcolm Gladwell and Jonah Lehrer, you' re likely to become a subject of ridicule if you wonder "Why is there something instead of nothing?" or "What is our purpose on Earth?"

Rembrandt's life has always been an enigma. How did a miller's son from a provincial Dutch town become the greatest artist in the world? To find out, Onno Blom immersed himself in the world, the country, the city, and the house in which Rembrandt was born in 1606 and where he spent the first 25 years of his life. The result is a fascinating portrait of the artist as a young man, rich in local and biographical detail, and restless in its efforts to seek out the roots of his genius.

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

In this splendid account of the world’s oldest and richest auction house, Lacey brings to life the personalities, ambition and shrewd business dealings behind the glamour and the glitz. From its beginning in 18th century London as a modest book dealer, Sotheby’s owes its rise to a succession of clever and colourful entrepreneurs who knew how to read the winds of economic change and sniff out buyers and sellers of the moment.

When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli.

Common perceptions of Ancient Rome are plentiful, whether they take the form of crazy emperors hosting lavish feasts, scenes of chariot races and gladiatorial combat, or processions of conquering armies. But that is only half the story.

Why does the cinema have the power to move the heart, stimulate the mind, and dazzle the imagination? How did the art of film develop from its origins to the present day? This course covers the history and aesthetics of the movies. It traces the experiments and innovations that gave rise to the modern cinema, developing a vocabulary that helps explain the variety of choices filmmakers make when they construct shots and edit them together.

I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.

Emerging from the intersection of pandemic and uprising, The Déjà Vu activates forms both new and ancestral, drawing movement, speech, and lyric essay into performance memoir. As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life.

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

"Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided 20th-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. But who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity?

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer?

Law Roach is the mastermind behind looks that have broken the Internet time and again—from Zendaya at the Met Gala to Anya Taylor-Joy at the Golden Globes, from Lewis Hamilton’s iconic streetwear to Céline Dion’s style renaissance. Nobody knows better than Law how to turn an outfit into a moment of fashion history. Now, for the first time ever, Law shares the secrets of his approach. With How to Build a Fashion Icon, he takes listeners behind the scenes of his process and journey.