Resultados Editorial "Audible Studios" en Artes escénicas

Randy and Jason Sklar have a knack for exploring what makes America’s cities unique and wonderful, whether it’s finding out who in San Diego serves the best burritos, why basketball is so popular among those in Bloomington, or why the people of Portland can't let go of their old airport carpeting.

There was a time when Ralphie May was one of the biggest stand-up comedians in the country, both by ticket sales and by tonnage. While some things changed - Ralphie lost half his body weight - others did not: He will be remembered as one of the most successful comics of his time. Completed just months before his untimely passing, in This Might Get a Little Heavy, Ralphie takes listeners on a behind-the-scenes tour of his life and career, one that winds across the country, over obstacles, beyond heartbreak, and through the golden age of stand-up.

Steve Patterson's The Book of Letters I Didn't Know Where to Send is a collection of - wait for it - letters, written by award-winning stand-up comedian - you guessed it - Steve Patterson. The host of CBC Radio's The Debaters since 2007, Steve Patterson has become a household name, with more than 700,000 listeners tuning in each week. Patterson's letters may not change the world, but frankly, it's too early to tell. In these letters, he pleads, begs, cajoles, grovels, and always makes a compelling argument.

Hello there. Welcome to my autobiography. Throughout this audiobook I talk about my life and work, including Little Britain, Come Fly with Me, Bridesmaids, Les Miserables, Alice in Wonderland and, of course, Shooting Stars. The thing is, this is a bit different to most memoirs you may have listened to, because it comes in the form of an A-Z. Anyway, I hope you buy it at least twice. Thank you.

From 2011 up until his death at the end of 2016, the inimitable AA Gill reigned supreme as Uncle Dysfunctional, Esquire's resident advice columnist. In this raffish, hilarious, scathing yet often surprisingly humane collection, Gill applies his unmatched wit to the largest and smallest issues of our time. Whether you're struggling to satisfy your other half, having a crisis over your baldness, don't like your daughter's boyfriend or need the definitive rules on shorts, leather jackets and man-bags, AA Gill has all the answers - but you'd better brace yourself first.

In 2005, Dave Chappelle left show business at the height of his fame, giving up a small fortune and the hottest new television show in many years. In so doing, he transformed from being one of the greatest comics of his generation into one of the most enigmatic ever. In Searching for Dave Chappelle, Jason Zinoman, the first comedy critic in the history of The New York Times, sorts through the myriad theories and examines what happened to this singular artist.

The Stephen Leacock Memorial Medal for Humour is Canada's top award for humour - and nobody has won it more times than Arthur Black, who carried off his third medal in June 2006. Now, in case there is anyone left standing who still disputes Black's claim to the title of Canada's funniest man, Harbour presents the laughing proof: a retrospective of Black's best hits, high-graded from eleven previous collections stretching back over the past 20 years.

Since it began several years ago Hugo Rifkind's dazzling My Week column has been satirising the high profile and the famous, and basically anyone foolish or unfortunate enough to find themselves at the top of the news agenda that week. The column itself is a fictional diary parodying their movements over seven days in a rarely flattering but always hilarious manner. Rifkind's victims are as diverse and as headline-grabbing as David Cameron, Beyoncé, Oprah Winfrey, Edwina Currie, Barack Obama and Pippa Middleton.

Once in a lifetime a venue comes along that changes show business dramatically, that fosters growth and camaraderie, experimentation and freedom. The Comic Strip is one of those places, and Make ’Em Laugh is an inside look at how it all happened, straight from the mouths of the stars who built their careers on its stage.

Sie sagen ständig "Sorry", können uns in den Wahnsinn smalltalken und sind zugleich Olympiasieger im obszönen Fluchen. Sie haben die halbe Welt kolonisiert und beschweren sich jetzt über die ganzen Fremden in ihrem Land. Die Briten sind die Nachbarn, über die wir uns am liebsten wundern. Mit seinem Bestseller "Wie man Deutscher wird in 50 einfachen Schritten" hat Adam Fletcher den Deutschen den Spiegel vorgehalten. In diesem respektlosen, wunderbar komischen Hörbuch zeigt er uns jetzt sein eigenes Land, wie es wirklich ist. Gut möglich, dass Sie einen Regenschirm brauchen.

In The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over 200 original interviews and extensive archival research, Nesteroff's groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past 100 years.

From breakout stand-up comedian Iliza Shlesinger comes a subversively funny collection of essays and observations on a confident woman's approach to friendship, singlehood, and relationships. "Girl Logic" is Iliza's term for the way women obsess over details and situations that men don't necessarily even notice. She describes it as a characteristically female way of thinking that appears to be contradictory and circuitous but is actually a complicated and highly evolved way of looking at the world.

Authors Keegan-Michael Key and Elle Key build on the popularity of their 2022 Webby Award-winning podcast and delve deeper into the world of sketch, helped along with new essays created expressly for the book by comedy greats.

Ian Moore is a stand-up comedian in the UK and a husband, father of three boys, farmhand and chutney-maker in France. He is a mod in both walks of life and most of his time is spent travelling grumpily between the two. Comedian, mod and professional grump Ian Moore has had enough. Tired of being unable to park anywhere near his cramped house in a noisy town he doesn’t like, he hatches a plan to move his wife and young son to a remote corner of the Loire Valley in search of serenity and space.

Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working-class kids and the white-collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs, and one very memorable candy bar, but the movie we all know and love didn't start out that way, and everyone who made it certainly didn't have the word classic in mind as the cameras were rolling.

In "Kützel & Röppen" erzählen sich Anja Rützel und Jan Köppen, was gerade schon wieder passiert ist in ihrem Leben: reichlich ulkige, überraschende, manchmal auch rührende Dinge nämlich. Ein Original Podcast wie das zufällig mitgehörte, schräg-unterhaltsame Gespräch am Nebentisch, bei dem man sich am liebsten dazu setzen würde, um keinen schrulligen Schnörkel zu verpassen. Die Journalistin und der Moderator diskutieren über Kostümpartys, Ameisenbären und japanische Performance-Kunst, über Rapperhosen und Datingshow-Mimosen.

Sex, Stachelschweine, Allmachtsfantasien, Ozeane aus Erdbeerjoghurt, das Abitur ohne Hose: Die Menschheit träumt die wildesten Sachen. Und kratzt sich nach dem Aufwachen verwundert am Kopf: Was soll das alles denn bitte bedeuten? Haben wir ein göttliches Orakel im Kopf oder leben wir nur in Neuronengewittern? Sind das Visionen oder kann das weg?

L’infanzia fiorentina in una famiglia particolarmente moderna e illuminata, con la mamma maestra montessoriana che gli permetteva di leggere libri pornografici perché consapevole dell’importanza della lettura tout court. La precocissima folgorazione per il teatro che lo fa trasferire a Roma poco più che ventenne. I primi passi nel cinema e nei fotoromanzi, che interpretava indossando le giacche rubate a Franco Zeffirelli. La gaia atmosfera della Dolce Vita. Le avventure mondane con Laura Betti, l’affinità elettiva con Federico Fellini, la severità di Pier Paolo Pasolini.