Resultados Editorial "HighBridge, a division of Recorded Books" en Música

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

After he died in the backseat of a Cadillac at the age of 29, Hank Williams - a frail, flawed man who had become country music's first real star - instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression, and tainted love, he would, with that outlaw swagger, become in death a template for the rock generation to follow.

When he died suddenly at the age of 26, Otis Redding (1941-1967) had already become the conscience of a new kind of music. Sure, Berry Gordy might have built the first black-owned music empire at Motown, but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story - still largely untold - is one of great conquest but, sadly, grand tragedy.

Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most - Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others - while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction.

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.

Growing up around music, young George was inspired to piece together a makeshift drum set and teach himself to play as he practiced in the dark, dank basement of his rundown New Jersey townhouse. He soon joined forces with his friends to form a group called the Jazziacs, which then evolved into Kool & The Gang, a band that began charting hits while its members were still teenagers. In Too Hot, drummer, keyboardist, and primary songwriter George Brown describes life in and out of the band, including a raucous life on the road as the band's popularity grew.

William Henry "Chick" Webb (1905-39) was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the "Savoy King," who reigned at Harlem's world-famous Savoy Ballroom. Along with the likes of Duke Ellington, Fletcher Henderson, and Cab Calloway, Webb helped create the popular dance and music culture, known as Swing, that swept the United States during and after the Great Depression and left an indelible impact on American culture.

How to Make It in the New Music Business, since its first publication in 2016, has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world and considered "the best how-to book of its kind" (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that "big break" and take matters into their own hands.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

A concentrated study of Johann Sebastian Bach's creative output and greatest pieces, capturing the essence of his art.

Levon is the dazzling, epic biography of Levon Helm - the beloved, legendary drummer and singer of The Band.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.