Resultados Editorial "University Press Audiobooks" en Música

For 25 years, the Rock and Roll Hall of Fame has defined Cleveland’s image as the “Rock and Roll Capital of the World.” But while the Rock Hall has become an iconic landmark for the city of Cleveland and for fans of rock and roll around the world, it was just one missed phone call away from never being built in Cleveland. If the prominent singer and actress Lesley Gore hadn’t contacted radio personality Norm N. Nite in August 1983, the Hall of Fame would not be in Cleveland—period.

Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.

New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the listener behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices—many sadly deceased—and reveal the changes in styles, the connections between performers, and the evolution of New York blues.

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes - the innocent mountain girl and the voluptuous sex symbol. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates.

This is the first serious biography of a man widely considered one of Texas’ - and America’s - greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour.

A delightful biography of a celebrated Stradivarius cello and an inviting overview of cello music and musicians by world-famous concert cellist Carlos Prieto.

How do globalization and internationalization impact music education around the world? By acknowledging different cultural values and priorities, Alexandra Kertz-Welzel’s vision challenges the current state of international music education and higher education, which has been dominated by English-language scholarship.

Bob Dylan is many things to many people. Each Bob Dylan joins a collective cast that has made up his persona for more than 50 years. No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contrary - a tireless and enterprising antiquarian; a creator of singular texts and sounds through promiscuous poaching; an artist of innovation and uncanny renewal. The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

In a delightfully self-conscious philosophical "mash-up", Randall Everett Allsup provides alternatives for the traditional master-apprentice teaching model that has characterized music education. By providing examples across the arts and humanities, Allsup promotes a vision of education that is open, changing, and adventurous at heart. He contends that the imperative of growth at the core of all teaching and learning relationships is made richer, though less certain, when it is fused with a student's self-initiated quest.

Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings.

Born into poverty in Mississippi at the close of the 19th century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists - one white, one black - who moved beyond their humble origins to change the face of American music.

James and Annetta White opened the Broken Spoke in 1964, then a mile south of the Austin city limits, and for more than 50 years, the Broken Spoke has served up, in the words of White’s well-worn opening speech, “...cold beer, good whiskey, the best chicken fried steak in town...and good country music.” White paid 32 dollars to his first opening act, D. G. Burrow and the Western Melodies, back in 1964. Today the original rustic, barn-style building still sits on South Lamar, a tribute and remembrance to an Austin that has almost vanished.

William Vacchiano (1912 - 2005) was principal trumpet with the New York Philharmonic from 1942 to 1973. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein, and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching. Two of his better known students are Miles Davis and Wynton Marsalis.