Títulos en Artistas, arquitectos y fotógrafos

Stay Om! è nato per gioco e per scommessa nei giorni drammatici e complicati del lockdown, del distanziamento sociale e della quarantena di tutto il Paese. Gioco e scommessa non sono due concetti stonati nell'ora più buia, hanno senso se accogliamo una notizia fondamentale: quella che le nostre vite non sono sospese, che anche nello spazio chiuso delle mura casalinghe continuano, così come continua la necessità di confrontarsi e imparare, di pensare e applicare il pensiero laterale, quello che aggira ostacoli concreti.

Stay Om! è nato per gioco e per scommessa nei giorni drammatici e complicati del lockdown, del distanziamento sociale e della quarantena di tutto il Paese. Gioco e scommessa non sono due concetti stonati nell'ora più buia, hanno senso se accogliamo una notizia fondamentale: quella che le nostre vite non sono sospese, che anche nello spazio chiuso delle mura casalinghe continuano, così come continua la necessità di confrontarsi e imparare, di pensare e applicare il pensiero laterale, quello che aggira ostacoli concreti.

Stay Om! è nato per gioco e per scommessa nei giorni drammatici e complicati del lockdown, del distanziamento sociale e della quarantena di tutto il Paese. Gioco e scommessa non sono due concetti stonati nell'ora più buia, hanno senso se accogliamo una notizia fondamentale: quella che le nostre vite non sono sospese, che anche nello spazio chiuso delle mura casalinghe continuano, così come continua la necessità di confrontarsi e imparare, di pensare e applicare il pensiero laterale, quello che aggira ostacoli concreti.

Lion Feuchtwangers Leben ist ein einzigartiges Spiegelbild der ersten Hälfte des 20. Jahrhunderts: Als Erfolgsautor aus der Heimat vertrieben, war er einer von wenigen auch im Exil bedeutenden und anerkannten Schriftstellern. Gesellschaftlich verkehrte er mit Künstlern und Politikern und frönte im Privaten der Abenteuer- und Lebenslust. Seine Tagebücher der Jahre 1906 bis 1940 wurden Anfang der 1990er-Jahre in der Wohnung seiner Sekretärin entdeckt.

À l’origine de ce récit, il y a un journal tenu il y a une douzaine d’années. L’acteur y consignait observations, réminiscences, réflexions et instantanés de vie, composant au fil des pages une déambulation sans itinéraire défini, à la manière de Journal intime, le film de Nanni Moretti.

Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school - in her 60s - to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful, demands of a life fully lived.

In the tradition of Geoffrey Wolf’s The Duke of Deception and Jeanette Walls’ The Glass Castle, John-Ivan Palmer’s Master of Deception takes listeners on the road with his magician father and his mother, the lovely assistant, as they travel from Elks Lodges to County Fairs, performing alongside contortionists, ventriloquists, and every manner of screwball act that passed for variety entertainment before television drove us all indoors and away from one another.

In the 1990s, Megan Margulies' Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street", who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five - including some loud personalities - eventually occupying the 550-square-foot space.

Donna Seaman brings to dazzling life seven forgotten artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self-portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture; Christina Ramberg, who drew on pop culture and advertising; and Louise Nevelson, an art-world superstar.

We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.

Diane Arbus was one of the most brilliant and revered photographers in the history of American art. Her portraits, in stark black and white, seemed to reveal the psychological truths of their subjects. But after she committed suicide at the age of 48, the presumed chaos and darkness of her own inner life became, for many viewers, inextricable from her work. In the spirit of Janet Malcolm's classic examination of Sylvia Plath, The Silent Woman, William Todd Schultz's An Emergency in Slow Motion reveals the creative and personal struggles of Diane Arbus.

Lucky in Cyprus is a coming-of-age story set in the Middle East during the height of the Cold War. An American teenager - son of a CIA operative - is inspired by grand events and a Greek Cypriot teacher to learn about survival and his art. He witnesses earthquakes and riots and terrorist attacks, but in the end it is his teacher's gentle lessons that keep him whole.

George W. Bush arrived in the White House an untested governor with an unfortunate habit of tripping over his own tongue, presiding over an economy slipping into recession, and a nation more obsessed with reality television than with the reality of international terrorism. He was considered by many opinion-leaders a dupe, an illiterate, a cowboy, a preppie, a child of privilege. Now, it is clear to John Podhoretz that Bush has become, and will be remembered, as one of this nation's strongest leaders.

The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman...

The second half of William Feaver's Baillie Gifford Prize-shortlisted work of biography: the definitive story of the epic life of one of the 20th century's most important artists. William Feaver, Lucian Freud’s collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, ‘our novel’. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor’s bills.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

Now a docuseries from Ken Burns on PBS! The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and...

A self-professed "comprehensive anticipatory design scientist", the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller's creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car to a bathroom requiring neither plumbing nor sewage. Yet in spite of his brilliant mind and lifelong devotion to serving mankind, Fuller's expansive ideas were often dismissed, and have faded from public memory since his death.

Rob Spillman has devoted his life to the rebellious pursuit of artistic authenticity. Born in Germany to two driven musicians, his childhood was spent among the West Berlin cognoscenti in a city 200 miles behind the Iron Curtain. There, the Berlin Wall stood as a stark reminder of the split between East and West, between suppressed dreams and freedom of expression.

Brothers Barry and Tommy Moser were born of the same parents in Chattanooga, Tennessee, slept in the same bedroom, went to the same school, and were both poisoned by their family's deep racism and anti-Semitism. But as they grew older, their perspectives and their paths grew further and further apart. Barry left Chattanooga for New England and a life in the arts; Tommy stayed put and became a mortgage banker.