Títulos en Artistas, arquitectos y fotógrafos

Jean-Remy von Matt ist der kreative Kopf von Deutschland bekanntester Werbeagentur Jung von Matt. Als Werber und Texter war er immer gefordert zu verdichten. Jetzt erzählt er in originellen und erhellenden Anekdoten, wo und wie er Kreativität gelebt und erlebt hat. Das erste Hörbuch, das von Anfang bis Ende immer schlechter wird – mit Vorsatz. Wer früh abschaltet, hat also das Beste gehört. Vielleicht. Oder auch nicht. Ungekürzt gelesen von Julian Horeyseck und mit einem Vor- und Nachwort des Autors Jean-Remy von Matt.

1985: Der Violinist Béla Tambrea trifft eine schwere Entscheidung. Um seiner Familie ein besseres Leben zu ermöglichen, kehrt er nach einer Konzertreise nicht mehr nach Rumänien zurück. Zwei Jahre später folgen ihm Sabin und seine Schwester Alina mit ihrer Mutter Rodica nach Deutschland, kurz vor dem Ende des Ceaușescu-Regimes.

Tout quitter du jour au lendemain pour aller chercher, seule, au fin fond de la Chine communiste, les secrets oubliés de l'art antique chinois, était-ce bien raisonnable ? Fabienne Verdier ne s'est pas posé la question : en ce début des années 80, la jeune et brillante étudiante des Beaux-Arts est comme aimantée par le désir d'apprendre cet art pictural et calligraphique dévasté par la Révolution culturelle. Et lorsque, étrangère et perdue dans la province du Sichuan, elle se retrouve dans une école artistique régie par le Parti, elle est déterminée à affronter tous les obstacles.

Scrittrice, attrice di teatro, giornalista, donna emancipata e femme fatale: la francese Colette fu una delle donne più seducenti della prima metà del XX secolo. Una biografia ne racconta il lato più intimo e segreto.

Aprile 1975, Pùbol, Gerona. Gala Éluard Dalì si ritira per una settimana in solitudine nel castello che il suo secondo marito, Salvador Dalì, le ha regalato. Una notte una ragazza bussa alla sua porta: è una giovane studentessa dell'Università di Torino che sta lavorando alla sua tesi di laurea. Si apre così un incontro causale, ma forse necessario per entrambe, che si svolge all'interno di quello che Dalì considerò il suo più grande capolavoro.

Un ritratto inedito di Federico Fellini. Stefania Parmeggiani traccia un itinerario alla scoperta di Rimini, la città del regista entrata nella storia del cinema con Amarcord. Dal molo di levante con le note di Nino Rota in sottofondo, al cimitero monumentale dove un giorno di novembre i riminesi accompagnarono Fellini per l’ultima volta. In mezzo le viuzze del vecchio borgo di pescatori e quelle del centro storico, il tempietto dove le "baffone" andavano a benedire gli animali, il maestoso Grand Hotel, il cinema Fulgor e l’antico Castel Sismondo, oggi votato al culto felliniano.

Leonardo da Vinci recibe en su estudio de Florencia a Mona Lisa Ghirardini para realizar un retrato por encargo de su marido. Da Vinci retiene esta pintura en su poder, nunca se la entrega al cliente y la lleva consigo en todas sus mudanzas hasta el final de su vida. Fue un largo idilio con la mujer ideal que se prolongó durante el resto de su vida a través de más de 20 años de retoques permanentes.

It’s 1966 and unaware of the brewing counterculture tsunami, Lora arrives in Berkeley, California where she is introduced to egg tempera, a homemade paint that combines colorful pigments with egg yolk. She falls in love with the luminous medium but cannot find a teacher to unravel its mysteries. Art and love converge when Lora falls for a tender, charismatic artist. But after their eight-month immersion in the great museums of Europe, she follows him into a commune that she later realizes has become a cult.

Nuremberg, 1945. As the trials of Nazi war criminals begin, some of the world's most famous writers and reporters gather in the ruined German city. Crammed together in the press camp at Schloss Faber-Castell, where reporters sleep ten to a room, complain about the food and argue in the lively bar, they each try to find words for the unprecedented events they are witnessing.

Die Schauspielerin Angela Winkler führt mehr als ein Leben: für die Bühne, für den Film – und gleichermaßen für ihre Familie. In Mein blaues Zimmer erzählt sie von diesen Leben und nimmt uns mit hinter die Kulissen ihres geliebten Theaters. Sie erinnert sich an ihre Anfänge als Schauspielerin in Castrop-Rauxel und beim Neuen Deutschen Film, an die vielen fast verfallenen Häuser in Italien und Frankreich, die sie gemeinsam mit ihrem Mann umgebaut und zum Leben erweckt hat, und lässt uns an ihrer Liebe zur Natur teilhaben.

Bringing together the author’s written reflections and his paintings, drawings, and photographs, Art Is invites us to see the world in prismatic and diverse lights, helping us navigate the fractured, divisive times we live in.

Who built the Empire State Building? Astonishingly, no list of workmen on this historic landmark was ever compiled. While the names of the owners, architects, and contractors are well known, and Lewis Hine's legendary portraits left us indelible images of the workers, their identities—the last generation of workmen still practicing these time-honored trades, have not been identified until author Glenn Kurtz unearthed their individual stories for this book.

In this unique oral biography, Bachardy recounts his astonishing story, providing illuminating recollections of celebrity portrait sittings and revelations about his thirty-year relationship with Christopher Isherwood. From their meeting in the 1950s until Isherwood's death in 1986, theirs was a legendary love story, courageous and uncompromising for its time, and remarkable in any era for the creative collaborations and art it continues to inspire.

He died broke, bleeding, and unknown. Now he’s priceless. Van Gogh: A Life in Color, Pain, and Immortality isn’t your typical artist biography. It’s a raw, unfiltered journey into the soul of a man we turned into a myth — and what we lost when we did. This book peels away the poster boy tragedy, the swirling clichés, and the pop-culture memes to reveal the real Vincent: a failed preacher, a frantic letter-writer, a man who lived on bread crusts and absinthe — and painted like the stars were screaming.

You’ve heard the names. You’ve seen the paintings. Maybe you even thought they were just Ninja Turtles. But behind the marble and oil paint were four real men—Leonardo da Vinci, Michelangelo, Raphael, and Donatello—who didn’t just create art. They rewired civilization. This isn’t a sleepy art history book. It’s a front-row seat to the most creative, competitive, and gloriously petty era in human history. Rivals, patrons, popes, politics, and power—it’s all here.

In 1495, Leonardo da Vinci began what would become one of history’s most influential works of art—The Last Supper. After a decade at the court of Lodovico Sforza, the duke of Milan, Leonardo was at a low point: at forty-three, he had failed, despite a number of prestigious commissions, to complete anything that truly fulfilled his astonishing promise. His latest failure was a giant bronze horse to honor Sforza’s father, made with material expropriated by the military.

Telefonieren mit Marlene Dietrich, Momente mit Lauren Bacall oder Eartha Kitt. Ein geplatzter Reißverschluss am Kleid von Verona Feldbusch, ein Song von Cindy Crawford, ein guter Rat von Greta Garbo und eine brenzlige Fotosession mit Pamela Anderson. Sharon Stone und Katarina Witt im Fahrstuhl, 44 Jahre wahre Freundschaft mit Lilo Wanders, und auch Isabella Rossellini, Ute Lemper, Joan Collins, Gianni Versace, Wolfgang Joop, Barbara Becker, Heidi Klum, Brad Pitt, Jennifer Rush oder Christopher Lee stand er gegenüber. Und was hat das alles mit Marianne Rosenberg zu tun?

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women. Now in The Club, curator, art historian, and podcast host Jennifer Dasal presents the never-before-told story of the Club.

Neste livro, o jornalista Sérgio Cabral, amigo pessoal de Ataulfo, apresenta a trajetória de vida e as grandes obras que consagraram o compositor como um dos maiores expoentes do samba no país. Além de curiosidades e grandes histórias, a obra registra toda a musicografia do artista, que...