Resultados Editorial "Audible Studios" en Escritores

American Libraries editor in chief Leonard Kniffel offers a compelling collection of interviews with prominent figures--all of whom have special connections to libraries. From President Barack Obama to actress Julie Andrews; from basketball star Kareem Abdul-Jabbar to former First Lady and librarian Laura Bush and many others, stars of literature, politics, entertainment, and the public arena speak with Kniffel about the ways libraries have been critical in their lives.

Throughout her childhood, Marion Farrant heard exotic stories of the sophisticated life her mother, Nancy, led aboard cruise ships and in Australia. Nancy’s world of furs, jewels, cigarette holders, and handsome men seemed miles away from the west-coast hamlet of Cordova Bay, where Marion lived with her aunt and uncle, running wild on the beach with her friends and enjoying weekend visits with her devoted father. But things changed the year she entered her teens. First, a package from Nancy arrived in the maila gift of sexy lingerie.

Ben Mattlin lives a normal, independent life. Why is that interesting? Because Mattlin was born with spinal muscular atrophy, a congenital weakness from which he was expected to die in childhood. Not only did Mattlin live through childhood, he became one of the first students in a wheelchair to attend Harvard, from which he graduated and became a professional writer. His advantage?

Reading was so important to Marcel Proust that it sometimes seems he was unable to create a personage without a book in hand. Everybody in his work reads: servants and masters, children and parents, artists and physicians. In this wonderfully entertaining audiobook, scholar and biographer Anka Muhlstein, the author of Balzac’s Omelette, draws out these themes in Proust's work and life, thus providing exciting highlights of some of the finest work in French literature.

Beth Lisick started out as a homecoming princess with a Crisco-aided tan and a bad perm. And then everything changed. Plunging headlong into America's deepest subcultures, while keeping both feet firmly planted in her parents' Leave It to Beaver values, Lisick makes her adult home on the fringe of mainstream culture and finds it rich with paradox and humor. Fans of David Sedaris and Sarah Vowell will relish Lisick's scathingly funny, smart, very real take on the effluvia of daily living.

If Only You People Could Follow Directions is a spellbinding debut by Jessica Hendry Nelson. In linked autobiographical essays, Nelson has reimagined the memoir with her thoroughly original voice, fearless writing, and hypnotic storytelling. At its center, the book is the story of three people: Nelson’s mother Susan, her brother Eric, and Jessica herself.

Using hundreds of primary sources, Charles Dickens in Love narrates the story of the most intense romances of Charles Dickens’ life and shows how his novels both testify to his own strongest affections and serve as memorials to the young women he loved all too well, if not always wisely. Charles Dickens has no rival as the most fertile creative imagination since William Shakespeare, and no one influenced his imagination more powerfully than these three women, his muses and teachers in the school of love.

Best-selling author Frank Delaney deconstructs the Vampire myth through the ages, and shows us how Stoker’s 1897 novel, one of the most widely read books of all time, heightened the allure of sex, the glamour of blood, and the defeat of death in a way that continues to pulse - and faster than ever - on the page and on the screen.

Penned by one of Nichol’s numerous literary collaborators, this account reveals the close connections among the writer’s various activities, particularly how the autobiographical inquiries and Freudian dream theory linked with the young poet’s biographical self-awareness. The audiobook demonstrates how the subject’s main psychoanalytic client was his own writing, following Nichol as he explored its slips, accidental puns, and "unintended" meanings and implications for the communal future of the human species - both in high literature and comical prime time television.

Au début des années soixante, Thompson, alors journaliste à San Francisco, est fasciné par les Hell's Angels. Son article sur ces seigneurs de la route fait sensation, il se lance dans la version longue : un an passé à rouler et à écrire à leurs côtés. Mais l'équipée se termine sauvagement : parce qu'il refuse de partager ses royalties, les Angels abandonnent l'homme de lettres sur une route, à moitié mort et le crâne défoncé à coups de pierres.

Nancy K. Miller describes her friendships with three well-known scholars and literary critics: Carolyn Heilbrun, Diane Middlebrook, and Naomi Schor. Their relationships were simultaneously intimate and professional, emotional and intellectual, animated by the ferment of the women’s movement. Friendships like these sustained the generation of women whose entrance into male-dominated professions is still reshaping American society. The stories of their intertwined lives and books embody feminism’s belief in the political importance of personal experience.

Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short stories he wrote following his migration to Lahore in newly formed Pakistan. Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll.

Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: Her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives.

"How lucky I was, arriving in New York just as everything was about to go to hell." That would be in the autumn of 1972, when a very young and green James Wolcott arrived from Maryland, full of literary dreams, equipped with a letter of introduction from Norman Mailer, and having no idea what was about to hit him. Landing at a time of accelerating municipal squalor and, paradoxically, gathering cultural energy in all spheres as "Downtown" became a category of art and life unto itself, he embarked upon his sentimental education, seventies New York style.

William Humphrey’s acclaimed memoir is a richly detailed portrait of small-town Texas and a poignant account of the tragedy that shaped the author’s life. At three o’clock in the morning on July 5, 1937, William Humphrey awoke to his mother’s urgent cry: "Get dressed as quick as you can! Your daddy has been hurt." Rushing to the doctor’s office, mother and son arrived to find Clarence Humphrey battered beyond recognition: his chest crushed, his face bruised black and caked with blood, his teeth shattered. He soon drew his final breath.

A passionate advocate for preserving wilderness and fighting the bureaucratic and business forces that would destroy it, Edward Abbey (1927-1989) wrote fierce, polemical books such as Desert Solitaire and The Monkey Wrench Gang that continue to inspire environmental activists.

Ciò che fa di Edgardo Franzosini uno scrittore diverso da qualsiasi altro è la sua capacità di raccontarci storie vere di personaggi, generalmente poco noti, che sembrano inventati per quanto sono fuori del comune.

Dopo il ritratto di Alan Blair in "Sveglia, Sir!" e quello autobiografico di "Veloce come la notte", Ames si mette a nudo senza pudore. Insicuro nei rapporti con le donne, angosciato dalla depressione, ossessionato dalla calvizie e dall'impotenza, si rivela una sorta di antieroe in cerca di un'identità, ma soprattutto in lotta con se stesso per non farsi tentare dal Prozac e dal Viagra. Le sue bizzarre manie diventano il filo rosso di un esilarante viaggio, dall'adolescenza alla "immaturità", nei suoi problemi con il sesso, dovuti all'incapacità di accettare il proprio corpo.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.