Resultados Editorial "audible studios" en Celebridades del entretenimiento

David Morrell is best known for his acclaimed thrillers, including The Brotherhood of the Rose, Creepers, Murder as a Fine Art, and his debut novel, First Blood, in which Rambo first appeared. But Morrell is also a master of nonfiction. Twenty of his essays about iconic writers, actors, and singers are collected in Stars in My Eyes: My Love Affair with Books, Movies, and Music.

Ayn Rand’s complicated notoriety as popular writer, leader of a political and philosophical cult, reviled intellectual, and ostentatious public figure endured beyond her death in 1982. In the 21st century, she has been resurrected as a serious reference point for mainstream figures, especially those on the political right, from Paul Ryan to Donald Trump. Mean Girl follows Rand’s trail through the 20th century from the Russian Revolution to the Cold War and traces her posthumous appeal and the influence of her novels via her cruel, surly, sexy heroes.

Alfredo Bini è l'uomo che ha reso possibile il cinema di Pier Paolo Pasolini. Questa autobiografia è la storia di uno dei più grandi produttori cinematografici italiani e il romanzo di una vita vissuta a perdifiato, dall'infanzia sulle colline toscane alla guerra in Grecia e Albania, dalle luci della ribalta dei festival a un oblio inspiegabile e amaro. È un album fotografico in cui si incontrano i volti di Claudia Cardinale e Anna Magnani, di Gina Lollobrigida e Marcello Mastroianni, di Totò e Federico Fellini.

James Gandolfini: The Real Life of the Man Who Made Tony Soprano is the first biography of the actor, who died in June 2013 at age 51, widely recognized as one of the best - and most defining - actors of his generation. The audiobook, as performed by Gandolfini's Sopranos co-star John Ventimiglia (Artie Bucco), is informed by fresh interviews with Sopranos actors, HBO executives, the star’s acting teachers and coaches, his childhood friends, buddies from his days as a nightclub bouncer, and Hollywood figures including the directors of his posthumously released films.

Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues. "Taken together," as the editor Ignacio Echevarra remarks in his introduction, they provide “a personal cartography of the writer: The closest thing, among all his writings, to a kind of fragmented 'autobiography.'"

This hilarious, whip-smart collection of essays from a top writer and producer of Six Feet Under crisscrosses from the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them). Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and - best of all - Jill Soloway.

Diane Guerrero, the television actress from the megahit Orange Is the New Black and Jane the Virgin, was just 14 years old on the day her parents were detained and deported while she was at school. Born in the US, Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family.

Doug Stanhope is one of the most critically acclaimed and stridently unrepentant comedians of his generation. What will surprise some is that he owes so much of his dark and sometimes uncomfortably honest sense of humor to his mother, Bonnie.

In 1984, at the age of 20, Duff McKagan left his native Seattle - partly to pursue music, but mainly to get away from a host of heroin overdoses then-decimating his closest group of friends in the local punk scene. In LA only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as "Slash." Soon after, the most dangerous band in the world was born. Guns N' Roses went on to sell more than 100 million albums worldwide.

In the 1950s, at the age of 14, Little Freddie King hopped a southbound freight train in McComb, Mississippi, fleeing the life of a sharecropper’s son in what was then the "worst part of the most intransigent state" in Jim Crow-era Dixie. Landing in New Orleans, he taught himself to play blues guitar, then found work performing at the city’s corner nightclubs, including one nicknamed the Bucket of Blood for its nightly eruptions of violence. Dodging bullets and drinking with abandon, he became a fixture in the subterranean blues scene.

In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records.

Award-winning indie film director Jay Duplass is "Josh", music producer and middle Pfefferman child. Here, he discusses his character's difficulty adjusting to his father's transition and what it's like to go from relaxed dude to chair-throwing rage in under 60 seconds.

Music supervisor Bruce Gilbert (Orange is the New Black, Children's Hospital) reveals the back story of how music became a critical element for the evolution of Transparent. He goes into detail on how he chooses the right song for the right scene, the importance of creating playlists and mixtapes for the cast and crew, and his early childhood attempts at music supervision that paved the way for his future.

Series creator, director, and writer Jill Soloway (Six Feet Under, The United States of Tara) shares the very personal story of how her own father inspired Transparent’s germination. Next, Jill describes shooting a particularly controversial sex scene that subverted cinema’s traditional “male gaze” into her own pioneering female perspective/

Jim Frohna, Transparent’s veteran Director of Photography, shares uncommon insight into what it’s like to literally step into a dramatic character’s shoes with a camera on your back. Frohna also describes those thrilling moments when it seems like the universe is perfectly aligned and the perfect shot is created by circumstance.

Amy Landecker is "Sarah", the oldest Pfefferman child, who rethinks her family life and her sexuality when she reconnects with her old girlfriend Tammy.

Frank Muller was one of the most talented narrators to ever record a book. As Stephen King said, "[When Frank reads], the blind will see, the lame will walk, and the deaf will hear."

Nisha Ganatra is a consulting producer who took the director’s chair for Episodes 4, 5, and 9, when creator Jill Soloway asked Nisha to take some of their most controversial scenes up a notch, whether it was in the bedroom or the powder room.

Groundbreaking transgender actress Alexandra Billings is “Davina”, Maura Pfefferman’s mentor, inspiration, and best friend. Alexandra discusses her own experiences while transitioning in the late 1970s, what it was like to be the first trans woman to play a transgender character on TV, and how an episode of The Phil Donahue Show may well have saved her life.

Claudio Baglioni racconta se stesso attraverso le note di un diario che lo ha accompagnato in trent'anni di viaggi, di carriera, di vita. L'autore alterna cenni biografici e narrativi, racconti, bozzetti, riflessioni sui temi della guerra e la fine del secondo millennio, considerazioni sulla vita dell'artista girovago, sferzanti critiche musicali e sociali, intensi appunti che hanno seguito il suo primo tour in Africa, Sud America ed Est Europeo. Claudio Baglioni offre nelle pagine di questo libro uno sguardo inedito sul rapporto trentennale tra un cantore e il suo secolo.