Resultados Editorial "Charles River Editors" en Celebridades del entretenimiento

The 1930s were, without a doubt, the height of the classical Hollywood era. It is no accident that 1939 has historically been designated as the pinnacle of Hollywood film history. The era was known for its lavish studio productions, with MGM, RKO, Warner Brothers, Paramount, and 20th Century Fox all operating at the height of their powers.

In the 1920s, the burgeoning movie industry was starting to come into its own. Alongside actor and director Charlie Chaplin, Buster Keaton was at the peak of Hollywood. It’s no surprise that Keaton was so effective in silent films. He had been practicing comedy in his family’s vaudeville acts as “The Little Boy Who Can’t Be Damaged”, and became a popular performer by the age of 5.

At the peak of the Golden Era of Hollywood, one of the film industry's most popular genres was the screwball comedy, making stars out of young actresses like Jean Harlow and helping pave the way for future ones like Marilyn Monroe. But at the height of the era of the screwball comedy, the actress most associated with them was Jean Arthur, whose ability to portray everyday women made her incredibly popular in the 1930s and 1940s.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees?

A certain inevitability characterizes the rise to fame of Aretha Franklin. Indeed, while it is true that neither of her parents were pop singers, they were each talented vocalists - Aretha's father, C.L., was a particularly famous preacher, with a voice so melodic that his sermons effectively doubled as musical performances. Moreover, in an age in which economic opportunities were particularly limited for African-Americans, Aretha was fortunate enough to grow up in a household of relative comfort.

Walter Matthau and Jack Lemmon are probably best remembered for their films together, but both were clearly established actors in Hollywood by the time they appeared in their first film together. The great film director Billy Wilder once noted of Jack Lemmon that Lemmon "was my everyman", and Lemmon did indeed represent a great everyman to American audiences during the latter half of the 20th century.

In the early 20th century, Germany's most renowned film directors were pioneering the genre known as "expressionism", and within it, Fritz Lang was known as the "Master of Darkness". Together with his eventual wife Thea von Harbou, Lang wrote a number of acclaimed movies. Some of his well-known films include Dr. Mabuse the Gambler (1922), Die Nibelungen (1924), Metropolis (1927), and Woman in the Moon (1929).

When it comes to the entertainment world and movie business, few names are as recognizable as Walt Disney, a versatile writer, producer, director, artist, and voice actor who literally turned his name into a billion-dollar business. Whether it was through the creation of iconic cartoons like Mickey Mouse or America's favorite theme parks, Disney and his assorted businesses have entertained countless numbers of people across the globe, particularly young kids.

During the golden era of Hollywood, few actresses proved as versatile as Lana Turner, who got her start playing the wholesome, innocent young beauty as a teenager before shifting to femme fatale roles and starring in horror classics like Dr. Jekyll and Mr. Hyde.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

While performing, Louis Armstrong appeared lost in a reverie. It was a condition that imbued his performances with a kind of mythical flair, as if one were watching a man consumed by a moment of transcendence.

If one assembled a list of the most iconic actors of the film noir genre, Robert Mitchum would surely rank at the top of the list. With his deadpan façade and slow, monotone verbal delivery, Mitchum encapsulated the disillusioned hero of the postwar crime genre.

In the history of television programming, no show was as consistently excellent in the ratings as The Ed Sullivan Show, a variety show that brought on all kinds of acts, from dancers to artists and singers. It was the longest-running show to maintain one time slot, and today it is widely remembered for introducing the nation to the likes of Elvis Presley and the Beatles. When Elvis was on the show in 1956, over 82% of the nation's entire television audience tuned in, a rating that would make even the Super Bowl blush.

In the 1920s, the burgeoning movie industry was starting to come into its own, and virtually no actor was as famous - or infamous - as John Barrymore. Like many other film stars his age, Barrymore’s career had started in other forms of entertainment, in his case theater. By the time movies were becoming popular, Barrymore was one of the world’s foremost Shakespearean actors.

While actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. Together, they starred in 14 films, including the 1934 box office hit, The Thin Man.

Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. The fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence. History for Kids: An Illustrated Biography of Charlie Chaplin for Children comprehensively examines Chaplin’s life and films, exploring the controversies and the ways in which his life and works are mutually informative.

By the time Willie Hughes Nelson was born in 1933, several of the genres he would later cover and dominate had already passed through an entire generation of pioneering artists. The tradition of authentic country music was handed down by such groups as the Carter family, and the boundaries of style and sound were well set by the time Nelson picked up his first guitar.

The leading men of the 1940s and ‘50s ably represented the visual and cultural expectations of those decades in their iconic films. Some were handsome and glib with quasi-classical dialogue, some could sing, and a few could dance, while others brought an imposing athletic presence to thrillers, westerns, and urban crime dramas.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, “Steve is the prototypical cool American male. He's the guy on his horse, the guy alone."

By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in "Oh What a Beautiful Morning" and "Out of My Dreams".