Resultados Editorial "Charles River Editors" en Celebridades del entretenimiento

Many Americans remember Burns today as the funny comedian who lived (and worked) for an incredibly long time, but Burns' prolific career, which lasted almost the last 75 years of the 20th century, not only demonstrates the enduring influence of vaudeville on radio, television, and cinema but also evidences important ideological developments, particularly related to ethnicity and gender.

Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres.

In Edward Montgomery Clift, the public not only discovered an unusually gifted actor, but a persistent and stoical anti-authoritarian, an extreme non-conformist in a conformist age and a personal enigma who has remained the target of prying Hollywood reporting since his death. Described as the first "method" actor in Hollywood, he was to co-create and develop this lonely, unwilling, and uncertain American hero, filled with deep personal ambiguities, a conflicting will, vulnerable and sensitive.

Recent research has revealed that the richest person of all time lived in the 14th century in West Africa and went by many names, including Kankan Musa Keita, Emir of Melle, Lord of the Mines of Wangara, Conqueror of Ghanata, and the Lion of Mali II, but today he is usually referred to as Mansa Musa. Adjusting his wealth to modern values, he was worth about an estimated $400 billion as the Sultan of ancient Mali, which controlled the trade routes across the Sahara Desert.

From a young girl growing up in the slums of Missouri who hired herself out as a maid at 12 to the lead dancer in the Folies Bergere idolized by Parisians, Josephine Baker danced to the beat of her own drum. She was ahead of her time in many ways, which is probably why she still resonates so strongly with many people today. As a multi-dimensional woman who lived a life with hardly a dull moment, Josephine Baker steps out of the pages of history and continues to capture people's interest.

It is something of a cliché to say that an actor’s life was like a movie he or she might have starred in, but in the case of Myrna Loy, the cliché is true. It is easy to picture her as a little girl, riding the range with her rancher father, sitting around the table and participating charmingly in family discussions of current events.

In 1940, the 4th most popular star in the US was a foreign actor from Australia, and unlike other movie stars, he was more notorious for his pursuits off the screen than on it. In an era long before social media, Errol Flynn represented the epitome of a swashbuckling playboy, with enough mystery and intrigue surrounding him and his background to fascinate even those who didn’t see his movies.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, “Steve is the prototypical cool American male. He's the guy on his horse, the guy alone."

By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in "Oh What a Beautiful Morning" and "Out of My Dreams".

Hollywood has never lacked leading men who could captivate viewers with dramatic performances that depict them as suave romantics or dashing heroes, especially during the Golden Age of Hollywood, when stars like Humphrey Bogart, Clark Gable, and Cary Grant graced screens. But in the mid-20th century, one of the most popular stars was a man who’s been frequently overlooked.

Exhibitionism and narcissism coupled with talent are not the sole property of modern entertainment, as some might suppose. From the beginnings of American theater and film, various personality types prone to self-intoxication by the status of their own careers have acted-out at will in their public lives. For them, there is no barrier between the professional and the private.

In terms of original choreography, it was the age of Jerome Robbins that marked the first real departure from traditional dance on stage and in film. Only 10 years Robbins’ junior, Robert Louis Fosse, better known as Bob Fosse, followed his colleague’s example by mixing daring new jazz forms with virtually every traditional and popular genre to produce previously unseen modes of dance expression on Broadway and in film. Fosse forever changed the way the modern audience viewed dance on stage and film.

The “Golden Age” of American film that began in the pre-World War II years has never truly ended, moving from its early connection with “film noir” to the epics of the 1960s and beyond. Similarly, movie stars still enjoy a degree of exoticism they have possessed since the days of silent film. However, in the modern day, the screen actor is not so narrowly constrained by public image as to prevent the leading of a double life, once impermissible for powerful studio heads.