Resultados Editorial "Blackstone Publishing" en Mujeres

Hillary Leftwich weaves together the stories of her life to create startlingly raw memories that are both personal and profoundly universal. She explores the devastating impact of patriarchy in her own life while searching for answers in witchcraft, womanhood, and motherhood. Urgently portrayed and deeply felt, Aura is a complex tapestry. Her story is a vivid confrontation against an unforgiving world that traps women and children in the systems meant to save them. This is a story for seekers, searchers, and anyone in the process of saving themselves and their loved ones.

Warned not to write—and certainly not to bite—these women put pen to paper anyway and wrote themselves into history. From the fourteenth century through to the present day, women who write have been understood as mad, undisciplined, or dangerous. Female writers have always had to find ways to overcome or challenge these beliefs. Some were cautious and discreet, some didn’t give a damn, but all lived complex, eventful, and often controversial lives.

In the middle of the Great Depression, Montana native Julia Bennett arrived in New York City with no money and an audacious business plan: to identify and visit easterners who could afford to spend their summers at her brand new dude ranch near Ennis, Montana. Julia, a big-game hunter whom friends described as “a clever shot with both rifle and shotgun,” flouted gender conventions to build guest ranches in Montana and Arizona that attracted world-renowned entertainers and artists.

Born in the mid-nineteenth century, Sophie Lyons was a master thief, con artist, blackmailer and smuggler. Much of her success as a criminal was due to the fact that she was fearless, reckless, sharp and cunning—everything a woman of her time was not supposed to be. As a young child, Sophie’s parents forced her to steal when she showed a talent for pickpocketing. Strong-willed and smart, she blossomed into a beautiful teenager who caught the eye of many men in the underworld of New York City.

In elegant prose, Hilary A. Hallett traces Elinor Glyn’s meteoric rise from a depressed society darling to a world-renowned celebrity author who consorted with world leaders from St. Petersburg to Cairo to New York. After reporting from the trenches during World War I, the author was lured by American movie producers from Paris to Los Angeles for her remarkable third act. Weaving together years of deep archival research, Hallett movingly conveys how Glyn, more than any other individual during the Roaring Twenties, crafted early Hollywood’s glamorous romantic aesthetic.

Imagine being born into a world where everything about you—the shape of your nose, the look of your hair, the place of your birth—designates you as an undesirable, an inferior, a menace, no better than a cockroach, something to be driven away and ultimately exterminated. Imagine being thousands of miles away while your family and friends are brutally and methodically slaughtered. Imagine being entrusted by your parents with the mission of leaving everything you know and finding some way to survive, in the name of your family and your people.

When Lou Henry married Herbert Hoover in February 1899, she looked forward to a partnership of equality and a life of adventure. She could fire a rifle and sit a horse as well as any man. The Quaker community of Whittier, California, where she lived as a teen, reinforced the egalitarian spirit of her upbringing. But history had other ideas for Lou Henry Hoover. Conveying Lou’s humor, personality, and intelligence, A Woman of Adventure takes a fresh look at the first lady who preceded Eleanor Roosevelt and her also-extraordinary accomplishments.

A powerful meditation on identity and belonging, Sejal Shah explores the tension of being both invisible and hyper-visible in a country that struggles with race. The daughter of immigrants from India and Kenya, Shah wrestles with her experiences growing up in—and returning to—western New York, an area of stark racial and socioeconomic segregation. Her work illuminates how we are all marked by family and place; by the limits of our bodies; by our losses and regrets; by who and what we love; by our ambivalences and our silences.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

One frosty winter morning in 1995, Jennifer Vogel opened the newspaper and read that her father had gone on the run. John Vogel, 52, had been arrested for single-handedly counterfeiting nearly $20 million in US currency - the fourth-largest sum ever seized by federal agents - and then had been released pending trial. Though Jennifer hadn’t spoken to her father in more than four years, the police suspected he might turn up at her Minneapolis apartment. She examined the shadows outside her building, and thought she spotted him at the grocery store and the bus stop.

Alison Wright covered human conflict with her camera until her own life was nearly cut short during a horrific bus accident with a logging truck on a remote jungle road in Laos. Suffering from excruciating life-threatening injuries, she drew upon her years of meditation practice, concentrating upon each breath, believing it to be her last.

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII - in and out of uniform, for theirs is a legacy destined to embolden generations of women to come.

A powerful collection of stories about women who murdered - for revenge, for love, and even for pleasure - rife with historical details that will have any true-crime junkie on the edge of their seat, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.

Recruited to the Secret Service as one of its first five female agents, Kathryn Clark Childers would surprise many people, including herself. Her duties included undercover work, protective details for Jacqueline Kennedy and her children, and attending state dinners where she met world leaders, including Prince Juan Carlos of Spain. In addition, she had to figure out how to disguise the .357 Magnum revolver that she carried at all times, whether wearing jogging clothes, a business suit, or an evening gown.

Born in the late 1880s to a gritty mining magnate who made his millions in the California gold rush and a well-bred mother descended from one of New York’s distinguished families, society beauty Louise Arner Boyd was raised during a glittering era. After inheriting a staggering family fortune, she began leading a double life. She fell under the spell of the north in the late 1920s after a sailing excursion to the Arctic Ocean. Over the next three decades, she achieved international notoriety as a rugged and audacious polar explorer while maintaining her lifestyle as a society woman.

Brooke Berman moved to New York as a wide-eyed 18-year-old, eager to call the big city home. Candid, funny, and thoughtful, in No Place Like Home, we follow Brooke’s adventures as she crisscrosses town trying to make ends meet and make her dreams of a life in the theater come true. With each apartment, from the heavenly to the horrible, she learns more about how to heal the past, let go of excess, and keep a sense of humor while trying to stay flexible in the search for stability.

A memoir from the editor of Burn It Down: Women Writing About Anger, Negative Space explores Dancyger’s own anger, grief, and artistic inheritance as she sets out to illuminate the darkness her father hid from her, as well as her own.

In Hadassah, Lieberman pens the compelling story of her extraordinary life: from her family’s experience in Eastern Europe to their move to Gardner, Massachusetts; forging her career; experiencing divorce; and, following her remarriage, her life on the national political stage. By offering insight into her identity as an immigrant, an American Jew, a working woman, and a wife, mother, and grandmother, Lieberman’s moving memoir speaks to many of the major issues of our time, from immigration to gender politics.

Jacqueline Saper, named after Jacqueline Kennedy, was born in Tehran to Iranian and British parents. At 18 she witnessed the civil unrest of the 1979 Iranian revolution and continued to live in the Islamic Republic during its most volatile times, including the Iran-Iraq War. In a deeply intimate and personal story, Saper recounts her privileged childhood in prerevolutionary Iran and how she gradually became aware of the paradoxes in her life and community - primarily the disparate religions and cultures.

The collected memoirs of a 1913 San Francisco sex worker, their effect on society at the time, and where they fit in today’s world.