Resultados Editorial "Audible Studios" en Epopeyas

Drake Sharazi, disgraced former captain of the Royal Guard, has spent the past seven years chasing fugitives as a hawker. He has never failed to complete an assignment, and this new runner will not be an exception. But being able to do a thing does not mean you should. Now he is forced to question the world around him as never before.

The endgame draws near. Drake and Lenora must brave the unknown wilderness in order to help the Nelwyn throw down their foes - the Bomar. The survival of Vale hinges on success. One misstep and thousands will perish - slaughtered by the mad king, Salazar. Drake will soon hold the fate of three races in his hands. And when the moment arrives, he must possess the courage to do what is right. Not only for himself and for Vale...but for the entire world.

Shapechangers. They were the Cheysuli, a race of magical warriors gifted with the ability to assume animal shape at will. For centuries they had been allies to the King of Homana, treasured champions of the realm. Until a king’s daughter ran away with a Cheysuli liege man and caused a war of annihilation against the Cheysuli race. Twenty-five years later the Cheysuli were hunted exiles in their own land, feared for their sorcery, their shapechanging.

Nearly a century has passed since the Prophecy of the Firstborn was set in motion—the generational quest to recreate the magical race which once held sway in the lands ruled by Homana's Mujar. Now, Kellin, heir to Homana's throne, has only to sire an offspring with an Ihlini woman to reach this goal. But Kellin wants nothing of prophecy, nor even of his own magical heritage. Embittered by tragedy, he refuses the sacred lir-bonding, becoming anathema in the eyes of his Cheysuli kin.

For five long years the land of Homana had been strangling in the grasp of a usurper king—its people ravaged by strife, poverty and despair; its magical race, the Cheysuli, forced to flee or face extermination at the hands of their evil counterparts, the sorcerous Ilhini. The time had come for Prince Carillon, Homana's rightful ruler, to return from exile with his Cheysuli liege man, free his land from the evil domination of the tyrant Bellam and his villainous magicians, restore the Cheysuli to their rightful position of grace, and claim his birthright.

She is Keely, twin sister to Corin, and daughter to Niall, the ruler of Homana, and she alone has the power to shapechange into any form - a power akin to that of the Firstborn. Like her brothers, Keely has been chosen to play a crucial part in the Firstborn's prophecy.

For decades, the magical race of shapeshifters called the Cheysuli have been feared and hated exiles in their own land, a land they rightfully should rule. Victims of a vengeful monarch's war of annihilation and a usurper king's tyrannical reign, the Cheysuli clans have nearly vanished from the world. Now in the aftermath of the revolution which overthrew the hated tyrant, Prince Donal is being trained as the first Cheysuli in generations to assume the throne. But will he be able to overcome the prejudice of a populace afraid of his special magic and succeed in uniting the realm?

Soon after the events of Jhereg, Vlad becomes embroiled in a struggle between the House of the Jhereg and a group of revolutionaries that his wife has joined.

House Jhereg, Dragaera's organized crime syndicate, is still hunting Vlad Taltos. There's a big price on his head in Dragaera City. Then he hears disturbing news. Aliera - longtime friend, sometime ally - has been arrested by the Empire on a charge of practicing elder sorcery, a capital crime. It doesn't make sense. Everybody knows Aliera's been dabbling in elder sorcery for ages. Why is the Empire down on her now? Why aren't her powerful friends - Morrolan, Sethra, the Empress Zerika - coming to her rescue? And most to the point, why has she utterly refused to do anything about her own defense?

This is the story of the conspiracy against the Empire that begins in the mean streets of the Underside and flourishes in the courtly politics of the Palace where Khaavren has loyally served in the Guards this past half-millenium.It is the tale of the Dragonlord Adron’s overweening schemes, of his brilliant daughter Aliera, and of the eldritch Sethra Lavode.

Fresh from the collapse of his marriage, and with the criminal Jhereg organization out to eliminate him, Vlad decides to hide out among his relatives in faraway Fenario. All he knows about them is that their family name is Merss and that they live in a papermaking industrial town called Burz. At first Burz isn’t such a bad place, though the paper mill reeks to high heaven. But the longer he stays there, the stranger it becomes. No one will tell him where to find his relatives.

In which Vlad Taltos and his Jhereg learn how the love of a good woman can turn a cold-blooded killer into a real mean SOB.... Vlad tells the story of his early days in the House Jhereg, how he found himself in a Jhereg war, and how he fell in love with the wonderful woman, Yendi, who killed him.

Lord Vlad Taltos returns in the prequel to Jhereg, Yendi and Teckla. In this fantastic adventure, listeners learn what really happened when Vlad found himself walking the Paths of the Dead.

Vlad Taltos, a mobster and assassin in the magical metropolis of Adrilankha, is given the largest contract of his career, but the job is even more complicated than he expects.

With the help of his two jhereg, sorcerer and former assassin-for-hire Vlad Taltos takes on the corrupt House of the Orca as he sets out to uncover a huge financial scandal.

Brust has returned to the Khaavren epic, first with last year's The Paths of the Dead, and now with its direct continuation, The Lord of Castle Black, a novel that gives Vlad Taltos and Khaavren fans alike a new look at one of Brust's most popular characters, the Dragonlord Morrolan. Along the way, we'll also encounter swordplay, intrigues, quests, battles, romance, snappy dialogue, and the missing heir to the Imperial Throne. It's an old-fashioned adventure, moving at a 21st-century pace.

She's the oldest person in the Dragaeran Empire, a military genius and master of sorcery whose own story stretches back to before the dawn of history. She's Sethra Lavode, the undead Enchantress of Dzur Mountain. Now, after a long absence, she's returned to take an active role in the Empire's affairs-and the affairs of her friends Khaavren, Pel, Tazendra, Aerich, and all their friends and relations.

Once, Vlad Taltos knew his trade: he killed people for a living. That skill got him his foothold in House Jhereg, running the rackets for a chunk of urban Adrilankha. Later, things happened that left Vlad a changed man, on the run from the Jhereg and frequently involved in the affairs of Dragonlords, Empresses, and even Jenoine. Far more involved than the average human. Meanwhile, in the very distant past, one of the gods fashioned an artifact - a silver figurine of a tiassa, a winged panther-like animal.

Vlad Taltos, short-statured, short-lived human in an Empire of tall, long-lived Dragaerans, has always had to keep his wits about him. Long ago, he made a place for himself as a captain of the Jhereg, the noble house that runs the rackets in the great imperial city of Adrilankha. But love, revolution, betrayal, and revenge ensued, and for years now Vlad has been a man on the run, struggling to stay a step ahead of the Jhereg who would kill him without hesitation.

Now Vlad's back in Adrilankha. The rackets he used to run are now under the control of the mysterious "Left Hand of the Jhereg" - a secretive cabal of women who report to no man.

Two hundred years after Adron’s Disaster, in which Dragaera City was accidentally reduced to an ocean of chaos by an experiment in wizardry gone wrong, the Empire isn’t what it used to be. Deprived at a single blow of their Emperor, of the Orb that is the focus of the Empire’s power, of their capital city with its Impe-rial bureaucracy, and of a great many of their late fellow citizens, the surviving Dragaerans have been limping through a long Interregnum, bereft even of the simple magic and sorcery they were accustomed to use in everyday life.