Resultados Editorial "Audible Studios" en Alemania

Georg Elser was just an ordinary working-class citizen living in Munich, Germany. He was employed as a carpenter and had spent some time working in a watch factory. That all changed when he took it upon himself, without telling his family or friends, to single-handedly attempt to assassinate the most powerful man in all of Germany: the Führer, Adolph Hitler.

The Austro-Hungarian army that marched east and south to confront the Russians and Serbs in the opening campaigns of World War I had a glorious past but a pitiful present. Speaking a mystifying array of languages and lugging outdated weapons, the Austrian troops were hopelessly unprepared for the industrialized warfare that would shortly consume Europe.

This absorbing history by a brilliant scholar and writer deepens our understanding of how censorship works. With his uncanny ability to spark life in the past, Robert Darnton re-creates three historical worlds in which censorship shaped literary expression in distinctive ways. In 18th-century France, censors, authors, and booksellers collaborated in making literature by navigating the intricate culture of royal privilege.

The pope wanted it, Montesquieu used it, and the Nazis pilfered an Italian noble's villa to get it: the Germania, by the Roman historian Tacitus, took on a life of its own as both an object and an ideology. When Tacitus wrote a not-very-flattering little book about the ancient Germans in 98 CE, at the height of the Roman Empire, he could not have foreseen that the Nazis would extol it as "a bible", nor that Heinrich Himmler, the engineer of the Holocaust, would vow to resurrect Germany on its grounds. But the Germania inspired - and polarized - people long before the rise of the Third Reich.

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself - obsessed with movies and their power to shape public opinion.

The codebreakers at Bletchley Park have been immortalised in films such as The Imitation Game and Enigma, but the Germans were also breaking Allied ciphers. The Third Reich Is Listening is the comprehensive account of the successes, failures and science of Germany's codebreaking and signals intelligence operations from 1935 to 1945. This fast-moving blend of modern history and popular science is told through colourful personal accounts of the Germans at the heart of the story.