Títulos en Biografías y memorias

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

In a gay nightclub in Orlando on June 12, 2016, the shooter, Omar Mateen, murdered 49 people and wounded 53 others. The attack was the deadliest act of violence against the LGBTQ+ community in US history and the deadliest terrorist attack in the United States since 9/11. But there’s a story you haven’t heard. The FBI had a secret history with the shooter and his father. To obscure that history, the FBI pushed a false story that the media dutifully carried—that the attacker was a secretly gay Islamist extremist who had chosen to target Pulse and planned the attack for weeks.

Through her own – often bloody-minded – determination and the medical skill of others, April Ashley became the woman she had always believed herself to be. And for half a dozen decades she soared around, over and above momentous and turbulent times, difficult, and changing times when, finally, who you wanted to be and who you could be became the cultural topic of the day. She overcame opprobrium and penury and became renowned and celebrated for one specific achievement: being April Ashley.

Weaving together memoir and cutting-edge science, Mothership is not just a queer coming-of-age story. It's a deeply researched account of how coral reefs and a psychedelic tea called ayahuasca helped Greg heal from complex PTSD—a disorder of trust, which makes the very act of bonding with someone else panic-inducing. From the tide pools in Florida where he grew up, to Indonesia's Raja Ampat archipelago and the Amazon rainforest, this is his search for wholeness when talk therapy and pharmaceuticals did little to help.

Suzette Mullen had been raised to play it safe—and she hated causing others pain. With college and law degrees, a kind and successful husband, two thriving adult sons, and an ocean-view vacation home, she lived a life many people would envy. But beneath the happy facade was a woman who watched her friends walk boldly through their lives and wondered what was holding her back from doing the same.

"An intimate and important memoir of deconstructing and reconstructing faith after abuse ... a spiritual memoir that does not shy away from abuse, queerness, or the multifaceted character of God." —Kirkus Reviews (starred review) A courageous, vulnerable, and spellbinding memoir that explores...

For 60 years, Mr George Leo John Lucas led a double life. By day, he was a civil servant at the Board of Trade, but by night—unable to live openly as a gay man before the Sexual Offences Act of 1967—he was a fixture of London's colorful underground gay scene, a twilight world of petty crime, louche pubs and public lavatories. He was also an obsessive diary writer.

In No Son of Mine, Corcoran traces his messy estrangement from his mother through lost geographies as well as the lost relationships with friends and family and the sense of home that were stripped away when she said he was no longer her son. Through grief, anger, questioning, and growth, Corcoran explores the entwined yet separate histories and identities of his mother and himself.

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

Chicago is a world-class city, but it is also a city in crisis. Crime is up, schools have repeatedly shut down due to conflict between City Hall and the powerful teachers' union, and COVID-19 only deepened the entrenched poverty, institutional racism, and endless tug of war between the city's haves and have nots. For four years, the person at the center of this storm was Lori Lightfoot.

This quietly powerful memoir of longing and acceptance casts a humanizing eye on a little-understood American religious tradition and a woman's striving to grow within and beyond it.

The joy is in the journey! We all have our own journey in life with ups and downs. Sometimes it feels like things will never go our way, yet if we are bold enough to face our fears, learn from our failures and heal from our pain, then we can find the overflowing joy. This story is about my journey, which has led me to the realization that yes, the joy is in the journey.

From choirboy to drag act, grandson to mentor, poet to lover, Dean Atta has played many roles in his life. In this formally inventive, candid and courageous book, he explores what he has carried in his body: wins and losses, shame and pride, pain and joy. Dean also investigates how radical self-acceptance and a willingness to abide with discomfort open up the possibility of a life lived beyond definition: a person unlimited.

Transland is a fiery and revealing memoir that delves into what happens when a non-binary person goes looking for self-worth and a sense of belonging in fetish subculture, only to find that fetish communities come with just as many problematic rules, expectations, and hierarchies as mainstream ones.

While we can all recall Martin Luther King Jr. giving his "I Have a Dream" speech in front of a massive crowd at Lincoln Memorial, few of us remember the man who organized this watershed nonviolent protest in eight short weeks: Bayard Rustin. This was far from Rustin's first foray into the fight for civil rights. As a world-traveling pacifist, he brought Gandhi's protest techniques to the forefront of US civil rights demonstrations, helped build the Southern Christian Leadership Conference, led the fight for economic justice, and played a deeply influential role in the life of Dr. King.

On election day, Joan Gelfand casts her vote for George McGovern and boards a plane from New York to California. With one introduction to a woman musician, Joan’s journey to become a writer is born. Embraced by a thriving women’s community of artists, filmmakers, musicians, poets, and writers, Joan is encouraged to find her voice. Mentored by paradigm-changing writers, Joan finds the courage to face her darkest fears through poetry and art, mining the trauma she experienced after losing her father and questioning her Jewish identity.

This stirring and intimate collection brings together 30 unique narratives to paint a vivid portrait of what it means to be a queer Nigerian woman. Covering an array of experiences—the joy and excitement of first love, the agony of lost love and betrayal, the sometimes-fraught relationship between sexuality and spirituality, addiction and suicide, childhood games and laughter—She Called Me Woman sheds light on how Nigerian queer women, despite their differences, attempt to build a life together in a climate of fear.

When a mass shooter killed five people in an LGBTQ nightclub in Colorado Springs, grieving people graffitied James Dobson's Focus on the Family headquarters with the words "Their blood is on your hands." Such an accusation comes as no surprise to Amber Cantorna-Wylde, whose father is a Focus on the Family executive and cast Amber out of her family when she came out in 2012.

Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much. Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived.

When Maeve DuVally came out as a transgender woman while working as a corporate communications manager at Goldman Sachs, she knew she couldn't do it quietly. DuVally intimately documents her struggle to be herself in this environment, initially keeping her identity a secret with wardrobe changes in the lobby bathroom after work. Eventually she declares herself and, to her surprise, Goldman Sachs embraces the effort. Surgery follows. When DuVally finally takes those first steps on heels through the corridors of this institution on the way to her first meeting as a woman, the listener cheers.