Títulos en Biografías y memorias

In The Future Is Disabled, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled—and what if that's not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it's possible to survive fascism, climate change, and pandemics and to bring about liberation?

Paul Burston wasn’t always the iconic voice of LGBTQ+ London that he is today. Paul came out in the mid-1980s, when ‘gay’ still felt like a dirty word, especially in the small Welsh town where he grew up. He moved to London hoping for a happier life, only to watch in horror as his new-found community was decimated by AIDS. But even in the depths of his grief, Paul vowed never to stop fighting back on behalf of his young friends whose lives were cut tragically short.

Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the center of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us?

Jonathan is thirty-one-years-old, living in Milan with his boyfriend of three years and their two cats when he gets a fever. But unlike most, this fever doesn’t go away. After spending weeks Googling his symptoms and documenting his illness, he finally sees a doctor. A series of blood tests, hospital visits, and repeated misdiagnoses ensue, until the truth is finally revealed: Jonathan is HIV-positive. In the vein of Edouard Louis, Fever is at once a deeply personal story and a searing examination of class, poverty, prejudice, and opportunity in modern Europe.

Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds.  

The body that Robyn Henderson-Espinoza inhabits is a nonbinary body, a trans body, a body in two races—and a body continually in discovery. Theirs is also a body on sojourn invested in experience, body understanding, and engagement in and for human thriving. Henderson-Espinoza relates coming into a new body story, beginning with the deep emotional work of connecting the abstract intelligence of their mind with their body's intelligence, to explore the relationship between living and becoming, doing and listening.

As much music history as biography, Awop Bop Aloo Mop celebrates "Little" Richard Wayne Penniman, who burst onto the American scene in 1955 with his mega-hit "Tutti Frutti." Almost by himself, Little Richard wrote the anti-rules and poured the concrete for the foundation of a new musical art...

What happens when your gender doesn't fit neatly into the categories of male or female? Even mundane interactions like filling out a form or using a public bathroom can be a struggle when these designations prove inadequate. In this groundbreaking book, 30 authors highlight how our experiences are shaped by a deeply entrenched gender binary.

The world was not the least bit surprised when Branden James became a finalist on season eight of America's Got Talent, receiving high praise from the judges for his emotional, operatic vocals. Coming out and sharing intimate details of his broken ties with his religious family on the show, he received countless messages from fans who could relate to his personal struggles.

After author Harlyn Aizley gave birth to her daughter, she watched in unanticipated horror as her partner scooped up the baby and said, "I'm your new mommy!" While they both had worked to find the perfect sperm donor, Aizley had spent nine months carrying the baby and hours in labor, so how could her partner claim to be their child's mommy? Many diapers later, Aizley began to appreciate the complexity of her partner's new role as the other mother. Together, they searched for stories about families like their own.

Does Jesus Really Love Me?: A Gay Christian's Pilgrimage in Search of God in America is part memoir and part investigative analysis that explores the explosive and confusing intersection of faith, politics, and sexuality in Christian America. The quest to find an answer is at the heart of Does Jesus Really Love Me? - a personal journey of belief, an investigation, and a portrait of a faith and a nation at odds by award-winning reporter Jeff Chu.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Harvey Milk - eloquent, charismatic, and a smart-aleck - was elected to the San Francisco Board of Supervisors in 1977, but he had not even served a full year in office when he was shot by a homophobic fellow supervisor. Milk's assassination at the age of 48 made him the most famous gay man in modern history; 20 years later, Time magazine included him on its list of the hundred most influential individuals of the 20th century. 

Eve Adams was a rebel. Born Chawa Zloczewer into a Jewish family in Poland, Adams emigrated to the United States in 1912. The young woman befriended anarchists, sold radical publications, took a new name, and ran lesbian-and-gay-friendly speakeasies in Chicago and New York. Then, in 1925, Adams risked all to write and publish a book titled Lesbian Love. In The Daring Life and Deadly Times of Eve Adams, acclaimed historian Jonathan Ned Katz has recovered the extraordinary story of an early daring activist. 

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn’t fit in. 

In 1991, when he was 13 years old, Lenny Duncan stepped out of his house in West Philadelphia, walked to the Greyhound station, and bought a ticket - the start of his great American adventure. Today Duncan, who inspired and challenged audiences with his breakout first book, Dear Church, brings us a deeply personal story about growing up Black and queer in the US. In his characteristically powerful voice, he recounts hitchhiking across the country, spending time in solitary confinement, battling for sobriety, and discovering a deep faith.

Corey, born in the early 90s to an unhappy couple who would often go on to describe him as a mistake, would go on to live his life full of very bizarre and unfortunate situations, whether it's through living in supposed haunted houses or many awkward sexual encounters, all whilst having to face continuous anxiety and depression on a daily basis. To say his life is eventful would be an understatement; it's so eventful, to the point that he would always be told by those who are aware of his story that he should write a book, and so here we are—the book has been written.

The story of humanity cannot be told truthfully without the voices of those who lived outside the boundaries society tried to impose. For centuries, LGBTQ+ individuals shaped culture, politics, science, and art, even when their identities were hidden, erased, or condemned. This book brings their stories into the light, honouring ten figures who stood at the intersection of courage and change.

For most of his life, Korrenzo Smith has been fighting battles he never asked for—against family expectations, societal norms, religious dogma, and perhaps most powerfully, against himself. In this raw, unfiltered memoir, he reflects on those struggles with honesty, vulnerability, and hard-won accountability. From a self-conscious boy in rural Arkansas to a man who now walks in peace and authenticity, Korrenzo vs. Scooby chronicles a journey of identity, healing, and self-acceptance.

Offen, kraftvoll und berührend berichtet Alex Mariah Peter von Kindheit und Einsamkeit, Herkunft und Identität, von Schönheit und Schmerz, Übergriffigkeit, Verlust und einem medialen Rampenlicht, das nicht immer wärmt. In einer Welt, die ständig definiert, wer man sein darf, wagt sie den mutigsten Schritt: ihre Geschichte selbst zu erzählen, um als ganze Person gesehen zu werden – nicht trotz, sondern wegen allem, was dazugehört.