Resultados Editorial "Spiders' House Audio" en Clásicos

Ambrose Bierce's collection of short stories of the supernatural and macabre Can Such Things Be? was first published in 1893 and republished in a revised edition in 1910. One of its most notable inclusions is "The Death of Halpin Frayser" a gothic tale of the murder of the fated hero by the reanimated corpse of his beloved mother.

M. R. James (1862-1936) was provost of King's College, Cambridge, and Eton College. He was a highly regarded scholar and academic in his time but today is remembered for his ghost stories, which are considered among the finest in the genre. Here is one of them: "A Warning to the Curious".

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the United States. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded.

M.R. James (1862-1936) was provost of King's College, Cambridge, and Eton College. He was a highly regarded scholar and academic in his time but today is remembered for his ghost stories, which are considered among the finest in the genre. The seven stories in this Volume One are: "A School Story", "Rats", "A Warning to the Curious", "Two Doctors", "The Haunted Doll's House", "Casting the Runes", "There Was a Man Dwelt by a Churchyard".

E.F. Benson (1867-1940) is probably best known today for his sparkling, comic Lucia novels. In his own day, it was his ghost stories which were his most popular works. This collection of 10 stories exemplifies Benson's fine literary style and his ability to create the most frightening of ghostly and macabre tales.

E. Nesbit is best known for her children's books such as The Railway Children, the Psammead series, and the stories of the Bastable family. She was also a poet and wrote many works for adults including short stories in the genre of the supernatural and the macabre. "The Head" is one of her most strange and disturbing.

H. G. Wells, best known for his science fiction novels, wrote many short stories which had the same engaging qualities as his major works. Strange, disturbing, but full of wit and humour, here are nine of them: "The Moth", "In the Avu Observatory", "The Stolen Bacillus", "The Flowering of the Strange Orchid", and five more.

Fitz-James O'Brien, born in Cork, Ireland, in 1826, is considered an important early writer of science-fiction. His three probably best-known stories are included in this volume. They are “The Diamond Lens”, “What Was It?”, and “The Lost Room”.

Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Tell-Tale Heart” is one of his most famous. In it, the narrator tells how, without any motive, but merely because he is obsessed with his eye (“The eye of a vulture”), he murders an old man, and of the consequences when the murdered man's heart seeks revenge.

Edgar Allan Poe (1809-1849) is renowned for his tales of the macabre and the supernatural. "William Wilson" is the disturbing story of a doppelganger and how he leads the eponymous narrator through a series of experiences that annoy, infuriate, and finally drive him to a violent reaction with a fatal conclusion.

Sir Arthur Conan Doyle is of course famous for his creation of the great Sherlock Holmes. The stories of the master detective are justifiably well known but he also wrote many short stories which are not so well known but deserve to be. The four stories in this recording were first published singly in magazines, principally The Strand. They later appeared in the collection “The Great Keinplatz Experiment and Other Tales of Twilight and the Unseen” in 1919. They are: “The Brown Hand”, “Playing with Fire”, “How It Happened”, and “De Profundis”.

The creator of Dracula, Bram Stoker, wrote many other novels and works of short fiction. Here are four of his short stories which have some of the same weird, unsettling, and entertaining qualities as his gothic masterpiece. They are "The Judge's House", "The Secret of the Growing Gold", "The Squaw", and "A Dream of Red Hands."

The "Songs of Innocence" were published in 1789 and republished in 1794 together with the "Songs of Experience". They represent Blake's two perspectives on the world, that of the child (innocence) and that of the adult (experience). Blake's poetical works were largely neglected in their own time but are today considered some of the most brilliant of English verse. The "songs" are presented here together with "Auguries of Innocence".

Another collection of 16 classic tales of the macabre and supernatural by some of the best-known writers in these genres.

A collection of 17 classic tales of the macabre and supernatural by some of the best known writers in these genres.

Although Edgar Allan Poe (1809-1849) is known mainly for his tales of the macabre and the supernatural, and is an acknowledged master of those genres, he thought of himself primarily as a poet. Here is a collection of over 30 of his poems, including two of the best known: "The Raven" and "Annabel Lee".

Charles Dickens saw his fictional work in print for the first time in 1833 when he was only 21. It was a story called "Mr Minns and his Cousin" and was published in the Morning Chronicle. He wrote more tales and sketches for newspapers and magazines, which were collected and published in book form in two series in 1836 as Sketches by Boz. Here are nine of them.

Here is a collection of nine tales of the macabre and the supernatural from the acknowledged master of these genres. They are: "The Black Cat", "The Tell-Tale Heart", "The Facts in the Case of M. Valdemar", "The Premature Burial", "The Pit and the Pendulum", "The Cask of Amontillado", "The Oval Portrait", "Berenice", and "Ligeia".

Edgar Allan Poe (1809-1849) is celebrated as a master of the gothic tale of the macabre and the supernatural, but he also wrote a number of humorous and satirical tales, seven of which are presented here.

The narrator is in deep sorrow, mourning his lost love, and is slowly sinking into despair when he is visited by a talking raven from whom he seeks comfort and hope, but whose only utterance is a single portentous word - "nevermore."