Resultados Editorial "Valancourt Books" en Clásicos

After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses loom over the shimmering beach. Two of the houses are habitable, while the third is slowly and mysteriously being buried beneath an enormous dune of blindingly white sand. But though long uninhabited, the third house is not empty.

Once passionate about the theatre, playwright Martin Cheveril is now disillusioned and contemplating a change of career. His new play, a bitter and cynical piece, is about to premiere when something strange happens. After stumbling upon an old pamphlet about a talented young actress named Jenny Villiers who died in 1846, Cheveril dozes off and finds himself somehow transported back to the theatre of her day. By some mysterious means, he will find himself a spectator of the tragedy of Jenny's life and death-a tragedy whose effects will echo strangely into the present day.

Originally published during the height of World War II, J. B. Priestley's classic spy thriller Blackout in Gretley (1942) is both a highly entertaining story and a fascinating window into British life during the war. This new edition joins ten other Priestley novels published by Valancourt and reveals yet another side of one of the most popular English authors of the 20th century.

Astronomers in England and America have made a terrifying discovery: an ominous black cloud the size of Jupiter is travelling straight towards our solar system. If their calculations are correct, the cloud’s path will bring it between the Earth and the Sun, blocking out the Sun’s rays and threatening unimaginable consequences for our planet.

Sir Charles Ravenstreet, in his mid-50s, is unmarried, childless, and lives only for his work in the fast-paced world of business. When he is forced out of his job to make room for someone younger, Sir Charles finds himself at a loose end and facing the dismal prospect of an empty future.

Charles Lumley feels that he has been born in captivity - the captivity of his smugly conventional bourgeois upbringing. Now he has just graduated from university, only to make the discouraging discovery that his education has rendered him unfit for any kind of useful employment. Wondering what to do with the rest of his life and longing to escape, a chance remark overheard in a pub sets him off on a picaresque and hilarious tour of 1950s Britain. He undergoes a string of comic misadventures as he works as a window cleaner, a drug trafficker, a hospital orderly, and a chauffeur.

When Woodsley, a young English painter, arrives in Barbados and finds no lodging available, he thinks himself fortunate to be invited to stay at Eltonsbrody, a mansion belonging to the eccentric widow Mrs Scaife. But behind the locked doors of the house’s disused rooms lurk terrible secrets, and soon strange and blood-curdling events begin to unfold. The tension builds towards a shocking and unforgettable conclusion, when the full horror of Eltonsbrody will be revealed.

Gerard Sorme thinks the key to a more meaningful life lies in an expansion of human consciousness, and he believes that one way to expand it is through sexual experiences. He sets out to record in diary form his sexual encounters with various women: the middle-aged Gertrude, her teenage niece Caroline, and Diana, the wife of a mad composer determined to adapt Varney the Vampire into an opera. But Sorme finds his beliefs and ideas challenged when he meets the fascinating and dangerous Caradoc Cunningham.

Charles Ripley has a good job as an engineer, a pretty wife, and an expensive house in a fashionable San Diego suburb. But it isn't until Ruskin Marsh moves in next door that Ripley realizes how passionless his life really is. Marsh, a connoisseur of the arts, high-powered lawyer, model husband and father, and effortless seducer of women, is so supremely alive that Ripley finds himself irresistibly drawn to him. But after Marsh's arrival, local girls begin to vanish, marriages end violently, and horribly mutilated corpses are found.

Having escaped being burnt at the stake, the reluctant sorcerer Fursey is back in this sequel, trying to make a quiet life for himself as a grocer in the realm of King Ethelwulf. But when his old enemies seize his wife, Fursey resolves to embrace evil and return to Ireland to reclaim her. Along the way, he'll have to contend with bloodthirsty Vikings, a melancholy vampire, an alcoholic wizard, a lovesick cow, and Satan himself, who is more determined than ever to get his hands on Fursey's soul.

To Florence Hackett and her daughters Elinor and Louisa, Richard Baurie, a handsome young bookstore clerk and aspiring poet, seems a little odd but harmless enough. With his amusing conversation and his eager-to-please attitude, Richard works his way into the Hacketts' confidence until he is almost one of the family. When he suggests they rent Wisteria Cottage, a charming seaside residence, it seems to promise a summer of pleasant companionship and fun.

A female killer stalks the streets of London, sleeping with young men before slashing their throats and mutilating their bodies. The crimes have baffled the police and enraged Londoners, who demand the murderer's arrest. Mary, Duchess of Dove, a gentle young widow who is beloved by all who know her, seems an unlikely suspect, but the clues all point to her. The police have a variety of theories - perhaps the Duchess has been hypnotized or drugged, maybe she has an evil double, or could it be a Communist plot to discredit the peerage?

Gregory Dawson, a middle-aged and disillusioned writer, is holed up in a Cornish hotel working on a film script he must finish. A chance encounter with an old acquaintance in the bar sends him back to the England of 1913, when he was just 18 and longed to enter the seemingly magical world of the glamorous Alington family and its three lovely daughters.

What Wendy Ross wants is simple - to live and love openly as a modern, independent woman. The problem is that according to her birth certificate her name is Roy Clark and she is a boy. Mistreated by her father, who is appalled at having such a child, misunderstood by her sister, whose clothes she has stolen, and committed to a mental hospital where she is mistaken for a homosexual, Wendy finally gets her chance to escape when she turns 21 and inherits a small legacy.