Resultados Editorial "Blackstone Publishing" en Narrativa femenina

When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat’s secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society’s homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila?

Nina is a photographer who really appreciates control. She likes to set up just the right shot with the perfect composition, but life is not always as pretty as her pictures. The lighting is off, the timing is wrong, and the subjects just won’t do like she wants them to. She’s engaged to her ex-husband, her teenage daughter is testing all the boundaries, and her childhood memories have a For-Sale sign on them. She’s also keeping a secret about the chance of a lifetime, but what she’ll have to give up to get it might not be worth it.

Laura, a student from a modest background, escapes her small town to join the ranks of the academic elite on a Weatherfield fellowship to study at Oxford University. She enthusiastically throws herself into her coursework, yet she is never able to escape a feeling of unease and dislocation. Years later, back in the United States with a PhD and dissertation on Henry James, she loses her job as an adjunct and reconnects with the Weatherfield Foundation. Commissioned to write a history for its centennial, she becomes obsessed by the Gilded Age origins of the Weatherfield fortune.

Labor and delivery nurse Penelope is an expert at her job, but a complete mess when it comes to her personal life. Despite avoiding relationships in the past, now all she wants is for her boyfriend to leave his wife. But soon after he dumps her in favor of his marriage, Penelope discovers she’s pregnant. Suddenly, she doesn’t feel like such an expert anymore. What happens when women tell the truth about themselves, their desires, and the sacrifices they’re willing—or unwilling—to make?

Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the listener in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves.

Lily grew up on a farm and always considered herself resilient. But when the small town’s high school football hero is arrested and convicted for the attack, Lily and her family suffer retaliation from some of the community, enticing Lily to wrap herself in an opioid cloud. When she puts her daughters’ lives in jeopardy, the wake-up call motivates Lily to flush the narcotics and clean up her life. But the clarity she expects is overshadowed by unnerving memory lapses.

Maggie Dolin is 45 and isn’t dealing with getting older very well. Seventeen years ago, she gave up her job in publishing to raise her daughter, Gia—but now her only child is about to leave for college, and Maggie isn’t sure what her new purpose will be. She’s been the caretaker and nurturer for so long that she can’t even remember the last time someone took care of her. She wishes Jim, her husband of 19 years, would take that role on—but he’s been distracted and disconnected, and she’s convinced he’s hiding something from her.

Chéri and its sequel, The End of Chéri, mark Colette’s finest achievements, in their brilliant, subtle, and frank investigations of love and power. Set in the Parisian demimonde in the last days of the Belle Époque, Chéri tells the story of Léa, a courtesan at the end of a successful career, and her lover, the beautiful but emotionally opaque Chéri. Chéri will soon enter into an arranged marriage, ending their six-year affair, which—they will each realize too late—has been the one real love of their lives.

Jess and Nina, Nina and Jess … to everyone else they’re typical best friends, sharing closeness and confidences in their own little world. But Nina and Jess have a secret. Simply by touching their foreheads together, they can swap bodies. In Jess’s assertive persona, self-conscious Nina turns bolder, free to say what she’s frightened to voice on her own. Inhabiting Nina, Jess becomes part of the loving, stable family she craves. Now, in crisis after her father’s death, Jess has reentered Nina’s life following a long separation.

A Mouthful of Air is a compassionate and wrenching portrait of Julie Davis, a young wife and mother torn between the love she feels for her family and the voice in her head that insists they’d be better off without her. We meet Julie several weeks after her suicide attempt, on the eve of her son’s first birthday. Grateful to be alive, Julie tries her best to appreciate every moment — “this tree, that passing car, the pretzel guy up ahead on the corner. She has, for whatever reason, been given a second chance” — but her emotional demons are unrelenting.

What Pretty Girls Are Made Of breaks the lipstick seal of silence in this thinly veiled tell-all about what it’s like working in the cosmetic trenches. Roth’s roman-a-clef centers around the indefatigable Alison Kraft, who lands a new career in the cutthroat world of high-end makeup, ensnared under a new boss who could give even Miranda Priestly a run for her money.

This wickedly fun debut is a stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives intertwine over the course of a summer, by a sharp new voice in fiction.

In the stratified world of ancient Rome, there are citizens and slaves, soldiers and senators, priests and priestesses - and Caesar Augustus rules them all. Yet his authority holds only as long as the people believe the gods of Rome support him, particularly the beloved goddess of the home and hearth, Vesta. As chief Vestal Virgin, Pomponia continues to devote her life to protecting her order and the eternal flame of Vesta. She has risen to a position of esteem in Rome and is a valued member of Caesar’s inner circle. But now a contagion ravages the city and tension rises....

When Jennifer Smiley’s grandmother, Ginny, leaves her an old farmhouse on Edgewater Road in seemingly quiet Ross County, Ohio, Jennifer can’t pass up the opportunity for a new beginning. Almost immediately, she meets a group of men who generously help her move in. When she realizes that they work for Lincoln Bennett, her next-door neighbor, she’s intrigued. Lincoln is gorgeous and has dark lapis-blue eyes she could get lost in...but he doesn’t seem all that friendly. She’s torn between getting to know him and sticking with the solitude she knows so well.

Laura Neale is grieving. A year after her beloved husband’s death, she is still left with far too many questions and is struggling with feelings of guilt, anger, and grief. Hoping to rebuild her life and her children’s, she moves to Wychwood-on-Lea with her two troubled kids. The warm community of women who have lived in Willoughby Close welcome her with open arms, and their friendship helps Laura find a semblance of peace. But when she finds herself with an entirely unexpected attraction to her son’s teacher, James Hill, Laura is gobsmacked.

Willy Cherrymill and his stepdaughter, Lacey, are deeply bruised by a past brimming with unanswered questions. It’s been 30 years since May DuBerry, Willy’s young wife and Lacey’s mother, abandoned them both, leaving Willy to raise Lacey alone. Lacey Cherrymill is smart, stubborn, and focused. She’s also single mother to a young daughter recently diagnosed with a devastating illness. The last thing she needs to think about right now is the betrayal that rocked her childhood. Reluctantly, she has returned to her rural beginnings, a former dairy farm in the Maryland countryside.

In the summer of 1932, Americans are coming to realize that the financial crash of 1929 was only the beginning of hard times. May Marshall has returned from Paris to settle at her family home in rural Keswick, Virginia. She struggles to keep her family farm and market afloat through the economic downturn. May finds herself juggling her marriage with a tempting opportunity to revamp the family business to adapt to changing times.

Anna Holley, the third of four sisters, has always felt a little bit forgotten. A family tragedy when she was a child had her retreating deep into shyness, and social anxiety kept her on the fringes of the cozy chaos of the busy vicarage. After several years away from home, Anna returns for Christmas, and an important announcement from her father. As much as she once loved the village, coming back is hard and puts Anna’s social capabilities to the test. Avoiding her sisters’ bossy questions, she heads out to the local pub one night, and meets a handsome stranger nursing a pint.

Alice James has been a drifter her whole life, working her way through several foster homes before ending up in Wychwood-on-Lea, feeling anchorless and invisible. When a chance encounter leads to Alice accepting a position as a caretaker and companion to Lady Stokeley, she starts to feel as if she might finally be able to put down some roots and live the way other people do. Then, Lady Stokeley’s nephew, city banker Henry Trent, storms into Willoughby Manor, seeming to find fault with everything, including Alice.

When novelist Mia Gladwell attempts to reinvent herself by moving into the house of a famous writer, she discovers that life there is not what she expected.