Resultados Editorial "Blackstone Publishing" en Narrativa femenina

In A Very Cold Winter, it is 1946 and Milan is in ruins. A woman named Camilla opens her illegally occupied attic to her extended family as they rebuild their lives among the rubble. The absence of men—lost to war, death, or abandonment—leaves the burden of survival to the women, who use the attic to incubate fragile futures: Camilla works to carry the family toward dignity and normalcy; Lalla dreams of becoming a novelist to escape their grim reality; Regina, widowed by the war, pins her hopes on her infant daughter; Alba chases independence and love.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

An alpha among the wolves of Wall Street, Kennedy Dawson rose to the top of the pack by striking the right contracts at the right times. But there's one deal that's been giving him a run for his money - a pact to never again let his assistant, Kate, get under his skin. She may be smart, gorgeous, and sharp as a whip, but she's definitely off-limits.

Blindsided by her mother’s sudden death and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she has been writing for six years. At 31, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life.

Working at Bliss, Sarah Harrison deals with all sorts of...interesting clientele. Yet no one sparks her interest more than Jared Gaines, the ultra-rich, ultra-sexy businessman who frequents her shop, buying delicate little “gifts” for the women in his life. But one day, Jared sends Sarah a gift from Bliss. Then another - and another. So when Sarah walks into his office demanding to know why, he makes her an offer she somehow can’t refuse: be his fake girlfriend for the weekend while attending his brother’s engagement party.

Lola Sheridan is the youngest Sheridan sister: a whip-smart journalist with a flair for the dramatic. As her older sisters settle into new lives on the Vineyard, Lola demands more out of the summer season with a fantastical sailing expedition up from the Florida Keys to Martha’s Vineyard. The sailor who takes her? The mysterious, dark-eyed loner, Tommy Gasbarro—the ex-stepson of the Sheridan sisters’ greatest enemy. He represents so much of what went wrong in Lola’s life—and knows secrets about her mother that she was never allowed to learn.

Sally Jay Gorce is a woman with a mission. It’s the 1950s, she’s young, and she’s in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational program that includes an affair with a married man (which fizzles out when she realizes he’s single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted “citizens of the world”; an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador.

1924. May Marshall is determined to spend the dog days of summer in self-imposed exile at her father’s farm in Keswick, Virginia. Following a naive dalliance that led to heartbreak and her expulsion from Mary Baldwin College, May returns home with a shameful secret only to find her father’s orchard is now the site of a lucrative moonshining enterprise. Despite warnings from the one man she trusts - her childhood friend Byrd - she joins her father’s illegal business. When authorities close in and her father, Henry, is arrested, May goes on the run.

Istanbul, 2001. Maya Duran is a single mother struggling to balance a demanding job at Istanbul University with the challenges of raising a teenage son. Her worries increase when she is tasked with looking after the enigmatic Maximilian Wagner, an elderly German-born Harvard professor visiting the city at the university’s invitation. Although he is distant at first, Maya gradually learns of the tragic circumstances that brought him to Istanbul 60 years before, and the dark realities that continue to haunt him.

Although the Arabic world is as diverse as any other region, customs and traditions endure. Injustices continue. And then there is Laila. Trapped in a marriage to a man she finds physically revolting, Laila begins to realize secret truths about her sexuality, about her very identity as a modern Jordanian woman. “Good” Arab women may have occasional lurid fantasies about dominating men in bed … but Laila actually finds the strength to do it. And when she dies suddenly in an encounter with a lover, the stakes for the survivors become a matter of life and death.

Noora’s life is a little off track. She’s an aspiring writer and amateur blogger in New York―which is a nice way of saying that she tutors rich Upper East Side kids and is currently crashing on her sister’s couch. But that’s okay. Noora has Leila, who has always been her rock, and now she has another major influence to lean on: Vinyl magazine. The pages of Vinyl practically raised Noora, teaching her everything from how to properly insert a tampon to which political ideology she subscribes to.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Since her sister’s death, 20-year-old Paisley Donovan, who shares her sister’s heart condition, is treated like delicate glass by her parents. But nothing will stop her from completing her Bucket List - even if it kills her. And it almost does, until Jagger Bateman pulls her from the ocean and breathes more than air into her lungs - he sets her soul on fire.

Miriam Salisbury escapes to Oregon to avoid a boyfriend who won’t take no for an answer, killing her beloved cat to prove it. When her father sends Clay Browning to protect her, she’s certain he’s lost his mind. As far as she’s concerned, Clay’s experience is limited to posing for the camera, charming women, and making fun of her. He’s been teasing her since they were children, and she’s never gotten over the way he threw crawdads at her at church picnics.

Dedicated to keeping her home immaculate and organized, Evangeline Knapp runs a tight ship, with the Knapp family constantly on edge. Meanwhile, her husband Lester, a dreamer, drifts through his bookkeeping job. Both feel depressed and out of place. Suddenly, after a near-fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. Evangeline dedicates herself to improvement and customer service, something she learned working in her father’s store as a child.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Angie Mangiamele runs a film company in Hoboken, New Jersey—a long way (in more ways than one) from Ogilvie, Georgia. But a new project has brought her to this small Southern town, where she stands out like a fire truck in a flower garden. She’s been invited to Ogilvie by Miss Zula Bragg, the intensely private literary legend who’s agreed to appear in a documentary made by Angie’s highly unconventional crew. And there’s someone else in own Angie looks forward to seeing: John Grant, a descendant of Ogilvie’s founders with whom she had a long-ago summer romance.

Still grieving the death of her mother, 29-year-old Akiko is single and lives in self-imposed isolation in Tokyo. Then one evening, she unexpectedly runs into Kento, her first love from school. Kento now leads a reclusive life as a hikikomori, only venturing out at night.

On the eve of the First World War, sociology student Vandyck Jennings goes on an expedition with two of his friends to search for a society rumored to consist only of women. On the way to what they will name “Herland,” Van and his friends ponder the type of women they hope or expect to see when they get there … but they find no fantasies when they arrive. Herland is an all-female, community-driven utopia. Van and his friends are skeptical of a society that doesn’t even need men to procreate, but women and girls who live there have been raised in a world removed the patriarchy of the world.

Penny Crenshaw’s divorce and her husband’s swift remarriage to a much younger woman have been hot topics around Atlanta’s social circles. After a year of enduring the cruel gossip, Penny leaps from the frying pan into the fire by heading back to Kentucky to settle her grandmother’s estate. Reluctantly, Penny travels to her hometown of Camden, knowing she will be stirring up all the ghosts from her turbulent childhood. But not all her problems stem from a dysfunctional family. One of Penny’s greatest sources of pain lives just down the street: Bradley Hitchens.