Resultados Editorial "Dreamscape Media" en Literatura y ficción

When divorced mom of two Amelia Marsh relocates to a northern suburb of Houston, all she wants is a bit of normalcy for her children. The last thing she needs is to be the center of community gossip. But when a disagreement between Amelia and the HOA representative over whether or not her children's garden gnome violates the association's rules surfaces, Amelia doesn't back down. 

Charlotte feels shell-shocked as she takes in the scene before her. To the left is her (ex?) fiancé’s retreating figure as he hotfoots it back to civilization; in front, the crumbling Greek island farmhouse she thought was their shared dream; and just below, a goat munching merrily on her sunhat….

Paul is a recently demoted adjunct instructor of freshman comp, a divorced but doting Brooklyn father, and a self-desc­ribed “curmudgeonly crank” cataloging his resentment of the priorities of modern life in a book called The Luddite Manifesto. Outraged by the authoritarian creeps ruining the country, he is determined to better the future for his young daughter, one aggrieved lecture at a time.

It is 1993, the last year of school, and Laurie’s final spring before adulthood. She works part time at a restaurant and looks after Cindy, her neglected potty-mouthed little neighbor. Like her mother, Laurie devours books and dreams big. Her father works at a garage, where she constantly struggles to keep her car running.

After years of struggling to make ends meet, Ginny, a single mom from Queens, falls for sweet divorced Jeff and relishes the idea of moving with her quirky eleven-year-old daughter Harri to his home in an upscale New Jersey suburb. Even though she's never been impressed by material things, she is thrilled that getting a second chance at love comes with the added bonus of finally giving Harri everything she never could before. Ginny is quickly thrust into the complicated realities of a neighborhood defined by ever-shifting alliances of PTA moms and their mean-girl daughters.

Dive into the life of a normal man with a normal family in this humorous novel told in diary entries from one Charles Pooter: husband, father, and someone who experiences relatable social embarrassments and humiliations. As he chronicles a year in his life, he discusses his 20-year-old son's foray into the dating scene, the couple's attempts at blending in with higher society, and his general interactions with friends and coworkers.

The sequel to Daddy-Long-Legs finds Judy Abbott's best friend, Sallie McBride, taking total control over the John Grier Home, the orphanage where Judy grew up. Chronicling her hilarious yet heartfelt day-to-day interactions with the permanent residents of the John Grier Home, Sallie spills her heart out in letter after letter to multiple recipients, including the doctor of the JGH - one Robin MacRae, whom she has deemed her enemy and refers to him as such in her letters.

One of the most popular novels released in the 1920s on the hedonistic Jazz Age, Gentlement Prefer Blondes was declared "the great American novel" by Edith Wharton. Told from the point of view of a blonde flapper named Lorelei in the form of her diary, this novel follows her adventures around the world in search of a gentleman companion who can elevate her position within society. As Lorelei cycles through multiple men, she discovers things about herself and the way that she lives her life in retrospection....

Told from five points of view, this novel takes place over the three wild days in which these lives intersect.

Jerusha "Judy" Abbott's life is drastically changed one day when a mysterious and rich benefactor scoops her up from an orphanage - the only home she has ever known - and offers to pay her way through college. Her benefactor has many requests, the two most important being that she uses this opportunity to become a writer, and that she writes him monthly to update him on her studies.

Despite the end of her marriage, Diane still has plenty of love to give. Determined not to waste her days - that’s just not her style - she finds a job in a daycare and solace in cocktails with her best friend, Claudine, who convinces Diane her love life is not over. Diane wants romance and sees no reason why she shouldn’t have it, but she soon discovers, in her typically chaotic and hilarious manner, that the task is not as simple for a woman approaching her 50s as it is for a man.

Lions, Komodo dragons, dogs, monkeys, and pheasants - all have shared spotlights and tabloid headlines with celebrities such as Sharon Stone, Thomas Edison, and David Hasselhoff. In this critically acclaimed collection, Lydia Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with famous people and pop culture.

Angela Richman, Chouteau County death investigator, finds herself deep in the Missouri woods on a perfect spring day. But there is nothing idyllic about her grim walk - a body has been discovered in a muddy creek, and Detective Jace Budewitz wants Angela on the scene. 

Annie and her devoted but comically incompetent childhood sweetheart, Sam, are the owners and operators of Annie's, a gourmet sandwich shop, home to the legendary Paul Bunyan Special Sandwich - their nutritionally challenged continual source of income and marital harmony and local fame. But into their mostly charmed marriage comes a scary medical diagnosis for Annie - and the overwhelming challenge of finding a way to help Sam go on without her. Annie decides to leave Sam step-by-step instructions for a future without her and considers her own replacement in his heart and their bed.

Sold-out concerts, screaming fans, TV shows, Number Ones. This is the rock and roll dream, and the Wonderkids are living it. But something's wrong. The gigs are sold out, sure, but the halls are packed with little kids - not sexy hipsters. Edward Lear, the Wonderkids' lead singer, songwriter, and resident mad genius Blake Lear has always written lyrics as silly as they are infectious. Rock and roll has always been for the kids, right?

George Entmen just turned 40, and he can't complain. As the James Lydecker chair of hermeneutics in the English department at Northwestern, he is honored in his field, beloved by friends and family, and ready to drift quietly into tenured middle age. But then he discovers he can fly. Sure, he can only fly very, very slowly - he needs to have his hands thrust out in front of him like Superman - and he only flies three or four inches above the ground. But why does this nonetheless amazing phenomenon drive so many people into a rage?

God is dead. Died and fell into the sea. That's what Raphael, a despondent angel with luminous white wings and a blinking halo, tells Anthony Van Horne on his 50th birthday. Soon, Van Horne is charged with captaining the supertanker Carpco Valparaiso (flying the colors of the Vatican) as it tows the two-mile-long corpse through the Atlantic toward the Arctic, in order to preserve Him from sharks and decomposition.

As the United States sinks into apocalypse, two people fight to preserve life and sanity. One is Nora Burkhart, a schoolteacher who will stop at nothing to save her son. The other is genius sculptor Gerard Korty, who struggles to create a masterwork that will heal the metaphysical wounds of the age. Highlights include a bloody battle on a New Jersey golf course between Jews and anti-Semites, a debate between Martin Luther and Erasmus, and a chilling villain in the personage of Dr. Adrian Lucido - founder of a new pagan church in Mexico and inventor of a cure worse than any disease.

God's just been in a deep-freeze coma in the Arctic. Strapped for cash, the Vatican has sold the body (a bargain at $1.3 billion!) to Baptists in Florida. Enterprising souls that they are, they’ve turned the Corpus Dei into a popular two-mile-long theme-park attraction at Orlando’s Celestial City USA - hooked up to the largest life-support system on earth. Then things get weird....

Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of 40, they are both working jobs that they're not even sure they believe in anymore, but with significantly varying returns. Ana is successful; Joe is floundering; both are in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.