Resultados Editorial "Blackstone Publishing" en Literatura y ficción

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

Nivedita (a.k.a. Identitti), a well-known blogger and doctoral student, is in awe of her supervisor—postcolonial and race studies professor Saraswati. But her life and sense of self are turned upside down when it emerges that Saraswati is actually white. Nivedita’s praise of Saraswati during a radio interview just hours before the news breaks calls into question her own reputation as a young activist. Following the uproar, Nivedita is forced to reflect on the key moments in her life, when she doubted her identity and her place in the world.

Mr. Montessori and his family return home from a trip to the beach to discover that their sofa is different. Once dark and contemporary, it’s now antique, green and yellow, and smelling faintly of damp. Its appearance and origins are a mystery. A joke? An inverted theft? A break in the fabric of reality? Yes, the police take the “crime” seriously. But what happens next lies outside their expertise. Strange sounds in the night. A half-bathroom toilet with a mind of its own. Odd, fleeting glimpses of something (or someone) in mirrors.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.

Coalville is on fire—from below. The old mines are burning, and everyone has poison gas in their brain. Maybe that’s why the town is so corrupt. Now that he’s a Benedictine monk, Tommy Martini never wants to see the place again—hell-raisers there hold a grudge till they die, and he’s on their wish list. But a girl he once loved has gone missing, and his best friend from childhood has been murdered. Among the living is a shy girl from Tommy’s past, who wants to help. Together, they learn the secret of the elephant’s graveyard, and it’s not in Africa.

Faulkner’s second novel follows a bohemian cast of artists, socialites, and dilettantes as they set sail on a four-day excursion aboard the Nausikaa. Faulkner’s quick wit and endless appetite for satire make this audiobook a fascinating exploration of character, as well as a rare glimpse into the author himself. The novel explores questions of sex and sexuality, as well as the societal role of the artist. Inspired by his own participation in the arts community in New Orleans, Mosquitoes is an engaging and delightful novel from one of America’s greatest writers.

Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000.

When he first meets Najwa at a lecture by Siri Hustvedt—whom he’s never read—our hero discovers a whole new world of feminist thought. Determined to impress her, he sets out sincerely on his journey to allyship. His mother confides in him about the dreams she had to sacrifice because of the patriarchy, and he laments the violence and oppression women face. But he can’t help but notice that they’re going about their activism the wrong way.

Franny Steinberg knows there’s powerful magic in laughter. She’s witnessed it. With the men of Chicago off fighting WWII on distant shores, Franny has watched the women of the city taking charge of the war effort. But amidst the war bond sales and factory shifts, something surprising has emerged, something Franny could never have expected. A new marvel that has women flocking to comedy clubs across the nation: the Showstopper.

Two weeks before his twenty-first birthday, Las Vegas native Bobby Ingersoll finds out he’s inherited a crushing gambling debt from his scumbag father. The debt is owed to an even scummier bag named Fraser Ruphart who oversees his bottom-rung criminal empire from the classy-adjacent Trump International Hotel. Bobby’s prospects of paying off the note, which comes due the day he turns twenty-one, are about as dim as the sign on the tower’s façade.

Meet Vanessa Salomon, a privileged and misanthropic French-American translator hailing from a wealthy Parisian family. Her twin sister is a famous movie star, which Vanessa resents deeply and daily. The only man Vanessa ever loved recently killed himself by jumping off the roof of her building. It’s a full life. Vanessa has just started working on an English translation of a titillating, experimental thriller by a dead author when she’s offered a more prominent gig: translating the latest book by an Extremely Famous French Writer who is not in any way based on Michel Houellebecq.

Wang Er, a twenty-one-year-old ox herder, is shamed by the local authorities and forced to write a confession of his crimes, but he instead takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence.

Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters—not because she wants to but because it’s the right thing to do—does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie. As they begin spending time together, getting pedicures and drinking martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century.

Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new.

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse. Replaying recent history through a distorting glass, The Visitors charts the last days of a broken status quo as the path is cleared for something new.

Angus is a reformed ne’er-do-well looking forward to the birth of his first child when he’s murdered by a man who is in love with his pregnant wife, Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife—a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get very crowded and Angus finds a way to reconnect with his wife, Gracie, and maybe even seek revenge on his murderer.

In these wonderfully funny and poignant stories, Willett’s eccentric, complex characters think and do the unconventional. Soft, euphonic women gradually grow old; weak, unhappy men confront love and their own mortality; and abominable children desperately try to grow up with grace. With a unique voice and dry humor, Willett gives us a new insight into human existence, showing us those specific moments in relationships when life suddenly becomes visible. Critically acclaimed when it was first published, Jenny and the Jaws of Life is being brought back due to popular demand.

A beautifully crafted collection of eight short stories by Edna Ferber: In Gigolo, Edna Ferber delves into the minds of eight diverse characters from all walks and stages of life.