Resultados Editorial "Fourth Estate" en Literatura de género

A dazzling new collection of short stories, spanning 15 years of writing, from Yiyun Li, the prize-winning author of The Book of Goose and Where Reasons End.

‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream...

Ambitious and hardworking Tracy Flick feels underappreciated and stuck. Her job as a high school assistant principal isn’t the political career she dreamed of as an over-achieving teen, so when the longtime principal abruptly announces his retirement, offering a rare chance of promotion, Tracy is filled with zeal at the prospect of success. But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be. 

What does it mean to take action? To bear witness? What does it cost? These stories take us into the heart of contemporary New York City and its residents’ lives. We meet children, grandmothers and even ghosts as they strive to connect, to stand up for, and to really see each other. Their relationships shape not only their own futures but those of their families and their city. In its portraits of families and friendships, Witness enacts its own testimony.

Ola Olajide, a high-profile journalist at Womxxxn magazine, is marrying the love of her life in one month's time. Young, beautiful, successful – she and her fiancé Michael are the ‘couple goals’ of their social networks and seem to have it all. That is, until one morning when they both wake up to the same message: ‘Oh my god, have you seen The List?’ It began as a crowdsourced collection of names and somehow morphed into an anonymous account posting allegations on social media.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.

A single mother wakes to blood in her mouth and flesh under her fingernails. A severed toe on the doorstep. A boy missing. But her child needs to get to school. There’s a food shop to be done. Parents evenings, play dates and pasta for tea. Raising her child alone, she’s done all she can to protect them. But what if she’s the thing they need protecting from the most?

In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a young Australian woman arrives to take up the antiquated role of ‘matron’. Within this landscape of immense privilege, in which the girls can sense the slightest weakness in those around them, she finds herself unsure of her role, her accent and her body. That is until she meets Mrs S, the headmaster’s wife, a woman who is her polar opposite: assured, sophisticated, a paragon of femininity.

Sweden, late summer of 2011. Self-taught astrophysicist Petra has calculated that the atmosphere will collapse on the 21st of September that year, around 21.20 to be more precise, bringing about the end of times. Armed with this terrible knowledge, Petra meets Johan, a doomsday prophet, and Agnes, a widow of 75 who has made bank living a double life on social media as a young influencer. Together, the trio race through Europe as they plan to make the most out of the time they have left, in more ways than one. But of course, things rarely go to plan, even the end of the world.

Hurtling past the downtrodden communities of Depression-era America, painter Val Welch travels westward to the rural town of Dawes, Wyoming. Through a stroke of luck, he’s landed a New Deal assignment to create a mural representing the region for their new Post Office. A wealthy art lover named John Long and his wife Eve have agreed to host Val at their sprawling ranch. Rumors and intrigue surround the couple: Eve left behind an itinerant life riding the rails and singing in a western swing band.

The Future – as the richest people on the planet have discovered – is where the money is. The Future is a few billionaires leading the world to destruction while safeguarding their own survival with lavish bunkers. The Future is private weather, technological prophecy and highly deniable weapons. The Future is a handful of friends—the daughter of a cult leader, a non-binary hacker, an ousted Silicon Valley visionary, the concerned wife of a dangerous CEO, and an internet-famous survivalist—hatching a daring plan. It could be the greatest heist ever. Or the cataclysmic end of civilization.

The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender. In ‘Bridesmaid, Revisited,’ Marilee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In ‘Twist and Shout,’ Ericka’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In ‘Turn Back, Turn Back,’ a bedtime storxy coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in ‘561,’ Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home.

Thomas Brussig's slim novel, The Short End of the Sonnenallee, is a satire set, literally, on the Sonnenallee, the famed "boulevard of the sun" in East Berlin. Within this boulevard lives Michael, an adolescent who faces daily ridicule whenever he steps out of his apartment building and comes into view of the observation platform on the West side.

An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence. There is time now to see the human dramas within a hundred yards; to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.

Penny Rush has problems. Freshly divorced from her mobile knife-sharpener husband, she has returned home to Santa Barbara to deal with her grandfather, who is being moved into a retirement home by his cruel second wife. Her grandmother, meanwhile, has been found in possession of a sinister sounding weapon called ‘the scintilltor’ and something even worse in her woodshed. Penny’s parents have been missing in the Australian outback for many years now, and so Penny must deal with this spiralling family crisis alone. Enter The Dog of the North.

LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION 'A deeply humane and genre-defying work of love and … hope’ OCEAN VUONG ‘Beautiful, brilliant’ R. F. KUANG ‘Dazzling’ OBSERVER ‘Will shatter your heart’ GLAMOUR ‘Powerful’ SUNDAY TIMES An extraordinary story of the journey of one...

THE NO. 2 SUNDAY TIMES BESTSELLER LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2025 The Times Popular Fiction Book of the Year ‘A heartbreaker of a book’ THE TIMES 'Alarmingly relatable' MARIAN KEYES ‘Hilarious and profound’ DOLLY ALDERTON The hottest debut novel of 2023 from...

In the waning days of the turbulent 1970s, in the wake of unsolved killings that have shocked Detroit, the lives of several residents are drawn together, with tragic consequences. There is Hannah, wife of a prominent local businessman, who has begun an affair with a darkly charismatic stranger whose identity remains elusive; Mikey, a canny street hustler who finds himself on an unexpected mission to rectify injustice and the serial killer known as Babysitter, an enigmatic and terrifying figure at the periphery of elite Detroit. 

Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised—the place that Fabienne helped Agnès escape ten years ago. Now, Agnès is free to tell her story. As children in a backwater town, they’d built a private world, invisible to everyone but themselves—until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune and terrible loss.

AD 500. An island in the Thames. Isla has a secret: she has learned her father’s sophisticated sword-making skills at a time when even entering a forge is forbidden to women. Her sister, Blue, has a secret, too: at low tide on the night of each new moon, she visits the bones of the mud woman, drowned by the elders of her tribe who wanted to make a lesson of someone who wouldn’t hold her tongue. When the local Seax overlord discovers Isla's secret, there is nowhere for the sisters to hide, except across the water to the walled ghost city Londinium.