Resultados Editorial "Bolinda audio" en Narrativa literaria

Life is hard in Ireland in 1867. Eliza Carthy moves with her lighthouse-keeper husband James and sons Peter and Joseph to the remote island of Skellig Michael. When assistant keeper Edmund and his wife Ruth arrive, Eliza hopes for respite. But her new neighbours are not what she'd expected.

Meet Buffy. With three ex-wives, a failing career and only his dog George for company, Buffy's bachelorhood is looking worryingly confirmed. Until he meets Celeste. Dazzled by love, Buffy has no idea that Celeste is systematically researching his ex-wives, children and stepchildren, and unearthing secrets that will change all their lives.

A tale of intense, flickering intelligence, Tell is structured as a series of interview transcripts with a woman who worked as a gardener for a wealthy businessman and art collector who has mysteriously disappeared. The joint winner of The Novel Prize, Tell is a work of strange and intoxicating immediacy that explores money, art and industry, the intimacy and distance between social classes, and the complex fluidity of memory.

In the summer of 1914, vigneron Jerome Méa heads off to war, certain he’ll be home by Christmas. His new bride Sophie, a fifth generation champenoise, is determined to ensure the forthcoming vintages will be testament to their love and the power of the people of Épernay, especially its strong women. But as the years drag on, authorities advise that Jerome is missing, considered dead.

A spate of seemingly unconnected murders in southern England prompt a high-profile taskforce to be formed and led by DCI Jack Hawksworth, one of the Force’s new rising stars who combines modern methods with old-school instincts. The victims appear as disparate as their style of death; the only link that Hawk and his team can pull together is that the murdered are all men of an identical age. The taskforce has nothing but cold cases of decades past to comb through in the hope that they might find a clue to who is behind the savagery.

For years the boglands of Northern Europe have given up bodies of the long-deceased. Bodies that are thousands of years old, uncannily preserved. Bodies with strange injuries that suggest ritual torture and human sacrifice. When a corpse is found in a bog in Galway, Cormac Reilly assumes the find is historical. But closer examination reveals a more recent story. The dead man is Thaddeus Grey, a local secondary school principal who disappeared two years prior.

Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she's learned from her grandparents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence?

Edward is a hit man. He specialises in monsters. Vampires, shape-shifters, anything and everything. There are people like me, Anita Blake, who do it legally, but Edward doesn't sweat the legalities or, hell, the ethics. He is an equal opportunity killer. I may be one of the few friends that Edward has, but it's like being friends with a tame leopard. It may curl on the foot of your bed and let you pet its head, but it can still eat your throat out ...

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure and like a stranger to his family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul will stop at nothing to prove himself worthy of their friendship. But Julian is as volatile and cruel as he is charismatic, and Paul begins to suspect that he can never live up to what Julian expects of him.

1928. In British-ruled India, headstrong Sita longs to choose her own path, but her only destiny is a good marriage. After a chance meeting with a Crown Prince leads to a match, her family’s status seems secured and she moves into the palace, where peacocks fill the gardens and tapestries adorn the walls. But royal life is far from simple, and her failure to provide an heir makes her position fragile. Soon Sita is on the brink of losing everything, and the only way to save herself could mean betraying her oldest friend …

Over three parts, Ellen van Neerven takes traditional storytelling and gives it a unique, contemporary twist. In ‘Heat’, we meet several generations of the Kresinger family and the legacy left by the mysterious Pearl. In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.

Gerard is 12. He hates his name, but loves flying round the streets of Glasgow on his bike, or mucking about with his gang, the Broncos. He’s a bright kid, but trouble seems to follow him. No one really knows what it’s like at home for Gerard; he’s used to carrying a lot on his small shoulders. Gerard doesn’t always make good decisions. And on one April morning, in the blink of an eye, he makes a very bad one – one that will upend his whole world.

Dawn loves being a mother. No matter how Archie came into her life, or the fact he's a little different from other children, he is precious and loved. He is hers, after all. Especially because she’s never told anyone who the father of her son is. So when Dawn’s twin brother David and his wife Rebekah are struggling to have their own child, Dawn agrees to become their surrogate, as it is the one thing she can do to help.

All Fliss wants is to see two blue lines telling her she is pregnant with her much longed for second baby. But as the negative tests stack up, dreams of completing her perfect family feel more hopeless every day. After years of disappointment, Fliss’s husband Ben is spending more time at the office than in their marital bed, and Fliss finds herself wondering who could be responsible for their inability to conceive another child. Yet, where do you lay the blame when it comes to having a child – and can anyone really be at fault …

Teaching nine-year-olds on Zoom. A relationship interrupted by enforced distance. A teenaged son who cannot leave the house. Anna McCormick is already struggling to cope with the unwanted twists 2020 has served up. But when an unstamped envelope arrives overnight, her past begins to cast its own long shadow on the present. With an uncaring government compounding her woes and a hostile threat drawing closer, Anna must dig deep to keep hope alive for herself and those around her.

With visceral clarity and powerful prose, Dameron reveals the devastation of being made to feel invisible and the transformative power of being seen. Redwood Court is a celebration of extraordinary, ordinary people striving to achieve their own American dreams.

Not long after starting a new job, Neil meets Chrissie. Romance soon blossoms and together they move to a lavish flat in Edinburgh. Everything seems to be falling into place perfectly. But an innocuous, throwaway comment unintentionally causes Neil's career to collapse, and, at the same time, a cruel betrayal shatters the life he thought he knew. His only option is to escape to the secluded, remote beauty of a breathtaking Hebridean island. Here, he finds a different way of life, and new friendships develop. But he can't escape the past forever...

Unlucky-in-love zoologist Zoe King has had enough of Sydney. Seeking a fresh start, she moves to the small sugar town of Kiawa to take up an exciting new role in marine science. She is charmed by the region’s beauty – by its rivers and rainforests. By its vast cane fields, sweeping from the foothills down to the rocky coral coast. Her work at the Reef Centre provides all the passion she needs, and Zoe finds a friend in Bridget, the centre’s director. The last thing she expects is to fall for her boss’s boyfriend, cane king Quinn Cooper.

Reimagined, scattered throughout history, united by the timeless struggle of existing as women in what has always been a man’s world, these heroines, encouraged and enlivened by the pen of another woman, speak loud and clear to us today.

With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.