Resultados Editorial "Fourth Estate" en Narrativa literaria

What does it mean to take action? To bear witness? What does it cost? These stories take us into the heart of contemporary New York City and its residents’ lives. We meet children, grandmothers and even ghosts as they strive to connect, to stand up for, and to really see each other. Their relationships shape not only their own futures but those of their families and their city. In its portraits of families and friendships, Witness enacts its own testimony.

Ola Olajide, a high-profile journalist at Womxxxn magazine, is marrying the love of her life in one month's time. Young, beautiful, successful – she and her fiancé Michael are the ‘couple goals’ of their social networks and seem to have it all. That is, until one morning when they both wake up to the same message: ‘Oh my god, have you seen The List?’ It began as a crowdsourced collection of names and somehow morphed into an anonymous account posting allegations on social media.

A single mother wakes to blood in her mouth and flesh under her fingernails. A severed toe on the doorstep. A boy missing. But her child needs to get to school. There’s a food shop to be done. Parents evenings, play dates and pasta for tea. Raising her child alone, she’s done all she can to protect them. But what if she’s the thing they need protecting from the most?

In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a young Australian woman arrives to take up the antiquated role of ‘matron’. Within this landscape of immense privilege, in which the girls can sense the slightest weakness in those around them, she finds herself unsure of her role, her accent and her body. That is until she meets Mrs S, the headmaster’s wife, a woman who is her polar opposite: assured, sophisticated, a paragon of femininity.

Hurtling past the downtrodden communities of Depression-era America, painter Val Welch travels westward to the rural town of Dawes, Wyoming. Through a stroke of luck, he’s landed a New Deal assignment to create a mural representing the region for their new Post Office. A wealthy art lover named John Long and his wife Eve have agreed to host Val at their sprawling ranch. Rumors and intrigue surround the couple: Eve left behind an itinerant life riding the rails and singing in a western swing band.

The Future – as the richest people on the planet have discovered – is where the money is. The Future is a few billionaires leading the world to destruction while safeguarding their own survival with lavish bunkers. The Future is private weather, technological prophecy and highly deniable weapons. The Future is a handful of friends—the daughter of a cult leader, a non-binary hacker, an ousted Silicon Valley visionary, the concerned wife of a dangerous CEO, and an internet-famous survivalist—hatching a daring plan. It could be the greatest heist ever. Or the cataclysmic end of civilization.

The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender. In ‘Bridesmaid, Revisited,’ Marilee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In ‘Twist and Shout,’ Ericka’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In ‘Turn Back, Turn Back,’ a bedtime storxy coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in ‘561,’ Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home.

An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence. There is time now to see the human dramas within a hundred yards; to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.

LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION 'A deeply humane and genre-defying work of love and … hope’ OCEAN VUONG ‘Beautiful, brilliant’ R. F. KUANG ‘Dazzling’ OBSERVER ‘Will shatter your heart’ GLAMOUR ‘Powerful’ SUNDAY TIMES An extraordinary story of the journey of one...

THE NO. 2 SUNDAY TIMES BESTSELLER LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2025 The Times Popular Fiction Book of the Year ‘A heartbreaker of a book’ THE TIMES 'Alarmingly relatable' MARIAN KEYES ‘Hilarious and profound’ DOLLY ALDERTON The hottest debut novel of 2023 from...

In the waning days of the turbulent 1970s, in the wake of unsolved killings that have shocked Detroit, the lives of several residents are drawn together, with tragic consequences. There is Hannah, wife of a prominent local businessman, who has begun an affair with a darkly charismatic stranger whose identity remains elusive; Mikey, a canny street hustler who finds himself on an unexpected mission to rectify injustice and the serial killer known as Babysitter, an enigmatic and terrifying figure at the periphery of elite Detroit. 

Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised—the place that Fabienne helped Agnès escape ten years ago. Now, Agnès is free to tell her story. As children in a backwater town, they’d built a private world, invisible to everyone but themselves—until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune and terrible loss.

In 1933, after Hitler and the Nazi Party consolidated power in Germany, Immanuel Birnbaum, a German-Jewish journalist based in Warsaw, is forbidden from writing for newspapers in his homeland. Six years later, just months before the German invasion of Poland that ignites World War II, Immanuel escapes to Sweden with his wife and two young sons.

A writer takes residence in the illustrious but decaying Grand Hotel Europa, to think about where things went wrong with Clio, with whom he fell in love in Genoa and moved to Venice. He reconstructs a compelling story of love in times of mass tourism, about their trips to Malta, Palmaria, Portovenere and the Cinque Terre and their thrilling search for the last painting of Caravaggio. Meanwhile, he becomes fascinated by the mysteries of Grand Hotel Europe and gets more and more involved with the memorable characters who inhabit it, and who seem to come from a more elegant time. 

In the wake of first heartbreak, Nur somehow meets his perfect woman. Yasmina is bright, beautiful and, what’s most remarkable, she’s into him too. Before long, they are inseparable. But no relationship is perfect. For Yasmina, the complexities of family and cultural expectation are something she wants to navigate with Nur by her side. For Nur, the pressures of being the ‘good son’ are suffocating, and soon threaten everything he wants for his future with Yasmina. Can he find a way to offer her everything she deserves?

Èkó, the spirit of Lagos, and his loyal minion Tatafo weave trouble through the streets of Lagos and through the lives of the ‘vagabonds’ powering modern Nigeria: the queer, the displaced and the footloose. With Tatafo as our guide we meet these people in the shadows. Among them are a driver for a debauched politician, a lesbian couple whose tender relationship sheds unexpected light on their experience with underground sex work, a mother who attends a secret spiritual gathering that shifts her reality. 

Brown Girls dives deep into the lives of a group of young women of colour growing up in Queens, New York. Here, streets echo with many languages, subways rumble above dollar stores and the briny scent of the ocean wafts in from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, struggle to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life. Or so they vow.

Joe Coppock squints at the world with his lazy eye. He reads his comics, collects birds' eggs and treasures his marbles, particularly his prized dobbers. When Treacle Walker appears off the Cheshire moor one day - a wanderer, a healer - an unlikely friendship is forged and the young boy is introduced to a world he could never have imagined. 

The narrator of The Pages is not a human but a book: a first edition of Joseph Roth’s masterpiece Rebellion, rescued from a Nazi book-burning in 1933. In recounting its history, it tells a multitude of stories: of Andreas, the character who lives in its pages; of its current owner, a woman whose discovery of a hand-drawn map in the book begins a thrilling mystery; and of Roth himself, a writer on the run. Together, they form a compelling story about art, nationalism, the weight of history, and the strange connections between us. 

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.