Títulos en Oeste americano

BLOOD VENDETTA is a 1960s-style Acid Western — an instant cult fiction classic that’s made to order for fans of vintage Spaghetti Westerns, Japanese Samurai films, Quentin Tarantino movies, 60’s-era psychedelia, and old school guns-and-katanas-blazing action. Part Sergio Leone, part Akira Kurosawa, and part Alejandro Jodorowsky, BLOOD VENDETTA is a cinematic Far West meets Far East tale of greed and revenge, and a darkly comic (and appropriately bloody) allegory of America’s past, present, and future. Into the Western Lands come three individuals, each bent on revenge: …

Mountain Man Morgan is a name he adopts for himself after working around Morgan horses. At age 17, he heads west to the mountains. His journey is told through his meetings with both bad and good elements of typical Westerners of that time—Indians, mountain men, and outlaws. Reaching the eastern side of the Rocky Mountains in the company of seasoned mountain men, his goal is in sight—Rendezvous. An encounter with a golden eagle, held sacred by the Crow people, wins favor with a party of Crow warriors returning from Rendezvous.

Stephen Crane was an American novelist, poet and journalist. Crane is noted for his early employment of naturalism, a literary style in which characters face realistically portrayed and often bleak circumstances, but Crane added impressionistic imagery and biblical symbolism to the austere realism.

Alone on the merciless prairie, Caleb Miller faces a nightmare: his wagon train lies in ashes, slaughtered by Cheyenne warriors. With his young bride, Nettie, depending on him, he must outwit hostile tribes, master the brutal wilderness, and forge himself into a warrior worthy of the frontier. 1857, Western Prairies—Freshly married and dreaming of a homestead in the Sweet Water Valley, Caleb and Nettie’s hopes are shattered by violence. Now, survival means more than building a life—it means becoming the shield between civilization and chaos.

Klu and Shad complete the construction on the Bar TC ranch. Melody gives birth to a healthy boy and the future looks great. The Colorado Cattlemen’s Association decide that the best way to defeat the drought conditions of 1868 is to drive out all the farmers and small ranchers and use their land for grazing. First, the Lanswing ranch, the Slash L, finds themselves in the crosshairs of the Cattlemen’s Association hired guns. They refuse to sell or give in. Next in the sights of the hired gunmen is the Bar TC owned by Klu Klinger and Shad Benfold.

Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey, and Bruce Cabot. The film is about an injured gunfighter, who is nursed back to health by a young Quaker woman and her family, whose way of life influences him and his violent ways. Angel and the Badman was the first film Wayne produced and in which he starred, and was a departure for this genre when it was released. Writer-director James Edward Grant was Wayne's frequent screenwriting collaborator.

When a Wells Fargo stage is robbed outside Waco and a passenger is murdered in cold blood, Texas Ranger Pharaoh Smith is sent to track down the killers. But what starts as a manhunt quickly spirals into a tangled web of deception, double-crosses, and deadly secrets. Teaming up once more with Comanche Jack Horton, Pharaoh poses as a bounty hunter to flush out the truth—but their trail is littered with danger. The deeper they dig, the clearer it becomes: the outlaws they seek aren’t just common bandits. The robbery may have been a smokescreen, and the “murdered” man may not be dead after all.

For Caleb McRae—devout Baptist, Texas Ranger, hero of the Wild West—life is simple: lawmen bring bad guys to justice and hellfire's a sinner's fate. But Caleb's world turns upside down when he falls in love with the outlaw Henry Midnight...

Marc Challon had both money and power. His father and mother had built the majestic XO cattle ranch, a hundred-acre empire of waist-high grassland. And he had inherited it. But money and power spawn greed—and greed creates schemers. With all the responsibilities of running the XO, Marc didn’t need any more problems. But slowly he discovered he had married one: Marcy Bennett, a land-hungry temptress whose very existence threatened to tear the heart out of his family and their empire.

In the heart of the desolate landscape, the ghost of the gunslinger roamed, a spectral figure draped in the tattered remnants of a once-proud duster. His presence haunted the abandoned towns, where the echoes of gunfire had long since faded, replaced by the whispers of the wind that carried tales of his tragic end. This was no ordinary spirit; he was a remnant of vengeance, a protector of the wronged, forever bound to the land that had betrayed him. The locals spoke in hushed tones about the eerie glow that surrounded him at twilight.

A brand new Mountain Man sequel from Charles Ray! Caleb’s new wife, Spring Flower, who now calls herself Flora in order to fit into Bear Creek society, finds a bear cub whose mother’s been killed by wolves. She takes it home and nurses it back to health, something that Caleb, uneasy about at first, comes to accept. They even give the cub the name Snuffy, and delight in how it becomes close with Dog. Later, while shopping in Bear Creek, Flora is accosted by three ruffians, and Caleb gives them a drubbing.

A brand new Western adventure from Paul L. Thompson! Mary Coats sent U.S. Marshal Shorty Thompson a hand carried message by the stage driver Smokey Joe. ‘Shorty, Mallard should have been back at least five days ago. He drove twenty-five head of cattle down to Silver City. He told me it would take three days going and just over a half day coming back. When he didn’t return, I waited two days then saddled my horse and went looking. I found nothing of him, his horse or our cow dog, Brownie. Shorty, he has to be dead or he would be home by now.

John Grady Cole sella il cavallo e insieme all'amico Rawlins si mette sull'antica pista che conduce alla frontiera e più in là al Messico, inseguendo un passato nobile e, forse, mai esistito. Attraverso la vastità di un territorio maestoso e senza tempo i due cowboy, cui si aggiunge il tragico e selvaggio Blevins, intraprendono un viaggio mitico che li porterà fin nel cuore aspro e desolato dei monti messicani.

Dan Cochran, the foreman of the Circle H Ranch, is in El Paso jail and will soon have to face trial for the murder of Judge Isaac Larkin in San Angelo. Only when he confesses the murder U.S. Marshal Jim Kennedy will no longer be hunted as an outlaw. But rancher Jonathan Hancock won't allow that. He wants to get his foreman out of jail and eliminate the man who has been causing him and the El Paso Ring major problems: U.S. Marshal Jim Kennedy. Hancock and his men are riding to El Paso, and they have only one goal: Kennedy must die!

Blood on the Tracks kicks off the Tales of the Old West series with a gritty tale of courage, justice, and survival in the face of lawlessness and danger. It’s 1868, and the construction of the Union Pacific Railroad is a grueling task carried out by a workforce as diverse as it is determined. Germans, Irishmen, Swedes, and countless others labor together under the relentless leadership of General Jack Casement. But when the railroad’s progress reaches Julesburg—infamously known as “hell on wheels”—the crew faces a new threat beyond the elements and back-breaking work.

Bounty hunters were generally viewed as little better than the men they hunted. Ted Shepard usually didn't pay any mind to what others thought. He was good at what he did. But now, he was trailing a body to his hometown of Wilmore. He might change his mind.

Our tale begins in the year 1869 with a young boy named Harley Heck. Harley isn't like most boys his age, mostly because he's a full-blown psychopath. After killing his Ma and Pa, Harley sets off to find his own way in the bowls of the wild west. After being apprehended by a do-good sheriff, Harley must share his story. A story so chalked full of senseless violence, you wont believe it.

It was a beautiful spring day in 1836, and Texas had just won its independence from Mexico. Across the wild frontier, Texans—including the Parker family—were celebrating in grand fashion. The Parkers had traveled 1,000 miles from Illinois to Central Texas, quickly building a strong fort to protect themselves from the feared Comanche. Yet, on this day, for some reason, they did the unthinkable and left the main gate wide open.

With a baby on the way, Sierra Jackson is uncertain about the dog with the "spooky looking" eye her husband, Jordy, returns home with to their house on the Lucky Five Ranch. Their Uncle Rudy's health appears to be failing, ranch operation funds are tight, and a family new to the ranch brings with them a host of complications. With all of life's current challenges, Sierra just has reservations about the other new addition to the Jackson family.

It was a world of sword and sorcery, but that was a thousand years ago. When the gods turn their backs, true adventurers are needed more than ever. For centuries, the Empire of Tiraas has surged forward in the name of peace, commerce, and political power, evolving from its early days of heroes, quests, and reckless abandon in favor of a more refined, industrious existence. Today, rails connect cities and outposts. Religion is power—even if the gods have gone silent. Magic is a commodity. Dwarves and elves are carefully discouraged from exhibiting any unwanted behaviors.