Resultados Editorial "Audible Studios" en Psicológica

Cronaca di vita e d'amore ambientata in una cittadina della California degli anni Cinquanta, Mary e il gigante racconta la storia di Mary Anne Reynolds, una giovane donna dal carattere sensibile e intenso, e delle sue difficoltà affettive e relazionali.

Anna, in seguito a un fortuito errore durante un’operazione di neurochirurgia, non riesce più a parlare del proprio passato: ogni volta che è chiamata a farlo si esprime con un linguaggio onirico, privo di riferimenti comprensibili. Ezio, brillante neurologo responsabile dell’errore chirurgico, è colpito e amareggiato dalla patologia di Anna. I due si frequentano, si innamorano, ma il mistero della donna persiste, e diventa per il medico un’irrinunciabile ossessione: più si avvicina all’enigma, più questo si nasconde dietro una fitta rete di coincidenze.

Ora che è anziano, le giornate di Agostino, detto Gosto, scorrono l’una uguale all’altra nel podere immerso nella campagna ereditato anni prima. La moglie, cinica e pettegola, lo ha lasciato e l’unica figlia sembra interessata solamente ai soldi. Eppure, Gosto crede ancora nel bene e nella giustizia; conduce una vita appartata, ama la natura e prova a ignorare l’ostilità della gente del paese in cui, da sempre, è considerato un estraneo. Con pazienza, cerca di rimettere in sesto il terreno di sua proprietà anche se i ricordi del passato spesso tornano a tormentarlo.

È il 1951. In un piccolo casolare nella campagna del Polesine, dove i temporali ingoiano all’improvviso i cieli luminosi e il granturco cresce alto e impenetrabile, vivono Norma e Nilde, due cugine cresciute come se fossero sorelle dopo che un bombardamento durante la guerra ha ucciso le loro madri. Nilde è una ragazza riservata e timorosa di tutto e la sua ansia aumenta quando Norma inizia a comportarsi in maniera strana.

Le venti storie che compongono questo volume spaziano nel tempo dai primi racconti rarissimi degli anni '60 al recentissimo Ontalgie. Una stupenda cavalcata attraverso i mondi dell'animo umano, che rimane uguale sulle rive del grande fiume natale come nell'immensità degli spazi siderali o nelle profondità del tempo.

Umberto e Angela si incontrano. Lui alla soglia della pensione, alcolista, cresciuto al CEP – esperimento di aggregato popolare affacciato sulla laguna di Venezia – e lei poco più che ventenne, appena uscita dal carcere della Giudecca, proveniente da una rispettata famiglia ottusamente cattolica, la cui infanzia è stata scandita dalle ossessioni di un padre bigotto. Quando si incontrano per la prima volta, Umberto è il serio, scorbutico e apprezzato macellaio di un supermercato di Mestre che porta sulle spalle il peso di una terribile tragedia accaduta vent’anni prima.

Inghilterra, 1643. Il Parlamento combatte contro il re, la guerra civile infuria, il fervore puritano attanaglia il Paese e il terrore della dannazione brucia dietro ogni ombra. A Manningtree, una cittadina della contea dell’Essex privata dei suoi uomini fin dall’inizio della guerra, le donne sono abbandonate a se stesse; soprattutto alcune di loro, che vivono ai margini della comunità: le anziane, le povere, le non sposate, quelle dalla lingua affilata.

Gregorio Bajocchi è un uomo di successo: esperto di finanza, avvocato, possiede la Conventina, un’azienda agricola di oltre mille ettari adagiata sulle colline tra Po e Appennino. La tenuta appartiene alla sua famiglia da sempre ma quando Gregorio l’ha ereditata, dopo la morte prematura di entrambi i genitori, aveva solo diciassette anni. A quel tempo, erano stati i contadini, lì da generazioni, a prendersi cura della proprietà consentendo all’azienda di prosperare e a Gregorio di studiare. Ormai adulto e in grado di occuparsi della Conventina, Gregorio sposa Cora, che conosce fin da ragazzo.

I thought moving to this quiet cul-de-sac was the fresh start my husband and I needed, escaping the noise of our cramped flat in Hounslow. I left India and all that was familiar for a new life with him in England. But my husband works all hours, leaving me alone in a house that doesn’t feel like a home. Our neighbours notice the bruises on my arms. They draw the obvious conclusions. They seem kind, but they’re hiding something. I just can’t shake the feeling that someone is always watching me . . . waiting. My husband’s working late. Again. That’s when I see it.

Haunted by the loss of her cousin, Delilah has curated a world of revenge—playing judge, jury and executioner while, you know, searching for love. Maybe murdering gives her the control she craves. Maybe it fills the gaping hole that Cedar left when she disappeared. Maybe this rage is ancestral, dating back to all of the Indigenous women before her whose cases were closed without much of a search.

Then: Linda has it all: a gorgeous home, a devoted husband, two loving daughters. But she throws it all away to chase an impossible dream. Now: Linda is alone and penniless, living in a shabby rented flat. With nothing to lose, she signs up to a dating app for the over 50s. But the one man who responds to her profile, a man calling himself Tony Fortin, is not who he says he is. Linda recognises him immediately. He’s Marcus, her second husband. But that’s impossible. Marcus died eight months ago. He drowned off the coast of Corfu.

Emily has spent her life running away. She never speaks about what happened between her and her mother at her family home when she was a child. All anyone knows is that same night her father packed up the car and drove Emily away. For her safety, he said. She hasn’t been home since. When her mother dies on her 28th birthday, everything changes. She sees her mother everywhere. She catches glimpses at the corner of her eye. She haunts her dreams.

Luxury villas on hot white sand, views for miles over turquoise water. Flawless hostess Penny gathers guests to an island for her husband’s birthday celebrations. But she soon regrets inviting self-obsessed Eloise. When a child vanishes on the night of the party, their perfect island weekend is ripped apart. Even paradise harbours murky secrets… Has he been taken? Has he drowned? In the panic to find any trace, Penny casts about for someone to blame—even if that person is her own daughter, Rosie. Even clear waters descend to pitch black.

New to town and delusionally confident, Slide imagined himself living in a glossy building with doormen and sweeping views of the skyline. Instead he's landed in a creaking, stuffy apartment with two roommates: a loping giant who hardly leaves his room, and a weight-obsessed neurotic who keeps no fewer than forty-seven lamps throughout the house, blazing at all hours. Unwilling to accept this fate, Slide—a barber with an opaque past—embarks on a quest for the perfect apartment, pinballing through the sprawling, madcap city of Polis and its endless procession of neighborhoods.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

It’s Christmas Day at Wilder House, and three magical winter weddings are set to begin. But as the tables are arranged, and the food is prepared, a perfect storm hits, cutting every guest from the rest of the world. Most little girls dream of the perfect wedding. But this bride stumbles alone into the snow, her silk train dragging through dirt, her hands bloody from the murder she just committed. Now there is at least one killer roaming the unforgiving landscape surrounding Wilder House. Who else will die on Christmas Day?

Zoe didn't meet her daughter the way most mothers do. She finds five-year-old Maddie alone and dirty on a countryside road. Frightened for Maddie's safety, she picks her up and takes her back to her father, not knowing what she's about to step into. Because Maddie wasn't just lost; she was there to lure her serial killer dad's new victim. After escaping from the clutches of Maddie's dangerous father, she bonds with the little girl. Only Maddie knows what it was like to be at that house. And when no family members come forward to claim Maddie, Zoe decides to adopt her.

In a dorm room at her safety school, surrounded by corn-fed boys and contemptuous girls, Alice is losing her mind. Her first semester is spent clinging to middling grades between drunken hookups and roommate fights. The next brings sleepless nights, extreme weight loss, and effortless, compulsive energy, paused only by an unexpected summoning from the RA for evaluation.

Bicklebury is a small village of some 300 inhabitants, a church and a pub, but no shop, no school and certainly no crime - until two ex-cons decide it is the ideal location to pull a robbery. Derek Jarvis and his daughter, Hannah, are home when the two armed men break in, and Derek, fearing for their safety, urges Hannah not to resist. The tactic backfires as one of the men brutally attacks her, leaving her broken and revolted. Derek's marriage and his daughter are never the same again....

The Floating Opera and The End of the Road are John Barth's first two novels. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on human emotions. Separately they give two very different views of a universal human drama.