Resultados Editorial "Bookstream Audiobooks" en Psicológica

Bernard heard the news one busy evening in my bar on the rue des Abbesses. He heard it from Jules, who had been told by Lulu.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government.

At the edges of everyday life, on geographical boundaries and in the margins of society, certainties and realities can wear thin. And if we find ourselves in such occult and outland territory late at night, we might glimpse phenomena out of the corner of our eye that cannot possibly be there. At such times even the past, apparently fixed and unchanging in memories and dreams, cannot be relied upon. But what happens if we find ourselves passing beyond even these frayed perimeters of life? Can others follow us, or are we on our own?

When young Lucian Miller visits the house of a friend it is everything he had long fantasised about; decay and grandeur, lofty rooms, dark red shadows and dust. The evening, however, is a disaster, and Lucian finds himself apparently alone with the sophisticated but troubled Miranda Honeyman. They shut all of the doors in an attempt to keep their problems out, but it soon becomes apparent that someone else may have access to the house. On the threshold of adulthood, in a heightening atmosphere of sexual uncertainty and violence, Lucian tries to make sense of what is happening around him.

David Riley knew that he spent rather too much time watching the world go by as he worked at his desk in the window of his shabby flat. He looked down on a busy city street and in a couple of months he had come to recognise the familiar faces of those who lived and worked there.

Initially dismissed as "a dead failure" and "a bad book," and declined by Melville's British publisher, "Pierre" has since struck critics as modern in its psychological probings and literary technique fit, as Carl Van Vechten said in 1922, to be ranked with "The Golden Bowl", "Women in Love", and "Ulysses". None of Melville's other "secondary" works has so regularly been acknowledged by its most thorough critics as a work of genuine grandeur, however flawed.