Resultados Editorial "Audible Studios" en Terror

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

Originally published in 1988, Ray Garton's second novel, after his stunning debut with Live Girls, is regarded as a classic of the "splatterpunk" movement in horror fiction. Garton has a way with teenage boredom, atmospheric small-town isolation, incest, drug abuse and over-the-top violence and he has managed to create a modern re-make of the story of the Pied Piper with a sinister character, Crucifax, appearing on the scene, seducing mixed-up kids with his siren song of pleasure, power and indulgence.

Stuart will never forget the horrible thing Dr. Ferguson did to him when he was a boy. The pain, the blood and the snip-snip of those glinting scissors will live in his nightmares for the rest of his life. But now Dr. Ferguson is back and not just in Stuart's dreams. He's very real. He's determined to perform that same horrible procedure on Stuart's young son. And his scissors are nice and sharp.

Blood will curdle in Calcutta. In the most crime-ridden city, nightmares become real and evil is defined by frightening occurrences. When an American family finds themselves encircled by the terrors of this land, lurid events befall them and life takes on a new meaning - death. Winner of the World Fantasy Award, Song of Kali will chill the blood and frighten even the most jaded of horror fans.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

In her quest to find the Orb of Spirit, Wynn Hygeorht is torn between two men who hate each other - her vampire protector, Chane Andraso, and the elf Osha, who has tender feelings for her. Now a strange series of clues leads them to a remote keep built on the dark cliffs of the coast of Witeny. The young duke there has been undergoing some disturbing changes - and so have the people and livestock in the outlying villages. Wynn has no idea what awaits her at this keep - an old enemy who wants nothing more than to see her dead.

Skadi's world is shattered when an empire razes her home. Fleeing to her uncle's remote stronghold on the dreaded Draugr Coast, she vows to become a shieldmaiden and avenge her kin. But there's a truth she keeps hidden: she has already died once, only to be resurrected by a cruel goddess, and gifted with the power to weave fate itself.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon’s 1989 classic, The Wolf’s Hour. These all-new, interlinked stories offer a full measure of McCammon’s trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation.

La storia è il classico triangolo amoroso: lui, lei, l’altra. Solo che lui (Venâncio) e lei (Dalva) si adorano. Tanto che lui è di una gelosia omicida e, quando vede lei allattare il primo frutto del loro grande amore, strappa il figlio alla madre e lo scaraventa via, uccidendolo – o così sembra. L’altra (Lucy), per converso, è la prostituta più bella e più desiderata della città, ma non da lui, che dopo la tragedia continua a vivere con la moglie, la quale però fa come se lui non esistesse obbligandolo perciò ad andare al bordello per sfogarsi, con la prima che capita.

Diego es un introvertido chico que acaba de ingresar en la facultad de Bellas Artes y cuya vida familiar es un verdadero infierno. Allí conocerá a Ariel, una encantadora chica que trata de abrirse su propio camino en una sociedad que vive en constante cambio, es el año 1992, recta final del siglo XX, las televisiones mandan y la publicidad educa. Mientras, en una ciudad costera del este de España están desapareciendo mujeres sin dejar ni rastro, el miedo entre la población crece día a día....

Brian Evenson’s hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime’s imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

X doesn’t have a name. He thought he had one—or many—but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X. He’s also not as human as he believes himself to be. But when he discovers the existence of another—above ground, outside the protection of the Warren—X must learn what it means to be human, or face the destruction of their two species.

Lay provost Eldon Fochs is a happily married father of four. Based on his disturbing dreams, he may also be a sex criminal. His therapist isn’t sure, and his church is determined to protect its reputation. Written from the perspectives of Fochs, his analyst Dr. Alexander Feshtig, and the letters exchanged between Feshtig and his superiors in the church, Father of Lies is Brian Evenson’s fable of power, paranoia, and the dangers of blind obedience. It offers a terrifying vision of how far institutions will go to protect themselves from the innocents who may be their victims.

Imagine having recurring nightmares of a woman who has one normal leg and one baby leg, and then waking up to wonder if today will be the day when they—whoever “they” are—find you and kill you. Unless you’re missing the point. Maybe “they” already have “you” and the world is a great deal more grotesque than you could ever imagine. Film noir collides with virtual worlds in this dark and strange novella that only Brian Evenson could have written.

A woman falling out of sync with the world; a king’s servant hypnotized by his murderous horse; a transplanted ear with a mind of its own—the characters in these 25 stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined, revealing the breadth and depth of Evenson’s uncanny vision.

Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to listeners of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it.

When a piece of the crown prince's soul is stolen by a traitorous warlock, disgraced knight Torsten Unger makes it his sworn duty to get it back and save the last hope for the kingdom. But he can't do it alone. Self-proclaimed "World's Greatest Thief" Whitney Fierstown sits in the castle dungeon, destined for the gallows until Torsten offers this choice: rot and die in a dank cell or join him on a dangerous expedition to put his skills to good use and earn his freedom.