Títulos en Gótico

El cuervo (23:38) El gato negro (5:57) El pozo y el pendulo (25.21) La casa de los Usher (18:00). Duración total: (79:50).

Después de conseguir el permiso de la priora para salir unas horas, Angeline, interna en el convento de Santa Anna, en la pequeña ciudad lombarda de Este, se puso en camino para hacer una visita. Angeline llevaba muchos meses sin abandonar los muros del convento, por lo que se sintió un tanto atemorizada cuando se vio sola en el camino aunque conocía perfectamente cada palmo del mismo. La condesa de Moncenigo había muerto al dar a luz su segundo hijo y, desde entonces, la madre de Angeline había residido en la villa, por lo que ella se había criado recorriendo aquellos caminos y vericuetos.

Will obsession be enough? I'd always believed my love was enough to save him. To protect him. I was wrong. The Copycat killer gets closer every day, and I can't help but feel his every move is in my direction.

Bram Stoker’s masterpiece, in which the instantly recognisable Count Dracula plans to sate his dreadful appetites in England only to be thwarted by an intrepid band of friends, remains an enthralling story. Exploring themes of sexuality, religion, technology and good versus evil, and told through journal entries, letters and telegrams, its cultural and literary significance is undisputed.

En esta peculiar y sorprendente novela, Izumi Kyoka pone en práctica una suerte de "gótico japonés", con la escalofriante historia de Akira, un joven obsesionado con una melodía de una canción de su infancia, el único recuerdo que aún lo ata a su madre fallecida. En su búsqueda por mantener vivo el recuerdo llegará a la Puerta Negra, una mansión encantada. Con ayuda de un monje y un anciano, entrará en la mansión en busca de su premio... aunque le esperan numerosos peligros antes de conseguirlo.

Yorkshire, 1843. When disgraced former schoolmaster John Eyre arrives at Thornfield Hall to take up a position as tutor to two peculiar young boys, he enters a world unlike any he's ever known. Darkness abounds, punctuated by odd bumps in the night, strange creatures on the moor, and a sinister silver mist that never seems to dissipate. And at the center of it all, John's new employer - a widow as alluring as she is mysterious.

Cold, heartless, and as dangerous as he is beautiful, Deimos Drakos is both Greek mafia royalty and a chameleon hiding a true monster in plain sight. No one sees the villain behind those dark, lethally gorgeous eyes. No one but me. You see, I know his worst secrets. But he knows my darkest fantasies. And he'll use them to trap me. To toy with me. To own me.

Amenazados por la Muerte Roja, una terrible plaga con síntomas espantosos que se ha extendido sobre la tierra, el príncipe Próspero y otros mil nobles se han refugiado en su fortificada abadía. Con la intención de esperar al fin de la plaga, se recluyen rodeados de lujo y de seguridad, y con una total indiferencia hacia la muerte y el sufrimiento de la población en general.

Genial selección del escritor estadounidense H. P. Lovecraft, considerado como el innovador del cuento de terror. Excelente ambientación y efectos sonoros que lo sumergirán en relatos que lo estremecerán por completo. Incluye: Las Ratas en las paredes, La Nave Blanca, La Decisión de Randolph Carter y El Clérigo Malvado.

Rage and bloodlust have been the only things fueling my soul for the last one hundred years. Revenge has been the only thing holding my sanity together. Until his shadows curl around my throat and all I can think about is his revenge. I don't want to be loved, but he doesn't know the meaning of the word no.

Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a private asylum in a remote corner of England. She has no memory of the past few weeks. The doctor Maynard Straker tells her that she admitted herself under the name Lucy Ashton the day before and then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: "Your patient must be an imposter." Suddenly her voluntary confinement becomes involuntary....

I misteri del castello di Udolfo fu pubblicato nel 1749 ed ha in se tutti gli elementi del romanzo gotico: paure , minacce fisiche e psicologiche, eventi apparentemente soprannaturali, ambientazione in castelli in rovina e ricchi di passaggi segreti, un’eroina virtuosa perseguitata. Il tutto incorniciato da descrizioni meticolose e pittoriche dei Pirenei e degli Appennini. La scrittura di Ann Radcliffe ha ispirato Jane Austen, Charlotte Bronte, ma anche Dickens e altri grandi romanzieri. Cornice musicale di Ludwig van Beethoven.

Pain is an abyss. How naive of me to think I’d already reached the very depths of it when fate shook my world with a crushing blow. It turns out there are fathomless levels of pain, like a winding labyrinth of doors leading to shadowy figures and long-forgotten secrets. The kind of inescapable descent into madness that twists nightmares into reality. What lies at the end of this obscure path I have yet to discover. But where it begins is a place called Infernium: an asylum feared by those in Nightshade and untrodden by the angels who’ve forsaken its many lost souls.

El relato "El gato negro" se publicó por vez primera en el periódico United States Saturday Post, en 1843. El gato como símbolo del mal tiene una larga tradición en Occidente. En la supersticiosa Edad Media llegó incluso a representar a Satanás al visitar la tierra; era el animal de compañía de las brujas. En el romanticismo se puso de moda como animal literario por excelencia, por su aire misterioso, sus ojos relucientes y su aparente serenidad. El propio autor del relato, Edgar Allan Poe, tuvo en casa ese animal doméstico.

Mary W. Shelley (1797-1851)Mary Wollstonecraft Godwin nació el 30 de agosto de 1797 en Londres (Inglaterra). Era hija única del filósofo William Godwin y la escritora feminista Mary Wollstonecraft. Mary creció y se educó en un ambiente intelectual y progresista, que marcaría fuertemente su personalidad.

After an eviction notice and one too many apple martinis, I wake, stripped bare and alone in a cell. No, wait, not alone. My evil garbage fire ex, Andrew, who suggested he’d let me stay with him “for a price” is here, too. He’s the whole reason I lost my job. My head is throbbing, my vision fuzzy. “Andrew, you piece of… what are you doing?” “Who’s Andrew?” My blood runs cold. That’s not Andrew’s voice. Oh god. Oh god. Oh god.

Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James' Gothic ghost tale, The Turn of the Screw. When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she's seeing? Or is something far more sinister at work?

It was supposed to be easy: one night of sin with a beautiful stranger to forever cut ties with my Bratva past. But I didn't pick a stranger. I picked him. Hades Drakos, the dark prince of the Drakos Mafia family, is a lethally beautiful psychopath with a trail of broken hearts and bloodshed in his wake. Oh, and he's my client. It doesn't matter that our one night was under darkness, disguised by masks. He knows my secret sin. He knows it was my first time. And now, he'll use that to trap me as his own personal Persephone.

La historia sigue al narrador, quien, invitado por su amigo de la infancia, Roderick Usher, llega a la ancestral mansión familiar, solo para encontrarse con que la casa y sus habitantes están marcados por una misteriosa enfermedad. Entre las paredes de este sombrío hogar, se despliegan secretos oscuros y una conexión sobrenatural entre la familia y la propia mansión, conduciendo a un clímax escalofriante que ilustra la ineludible caída de los Usher.

Laura es una joven que vive con su padre en un antiguo castillo en las tierras de Estiria, en Austria. Un día, su vida cambia cuando la carreta en la que viajan dos mujeres nobles se voltea frente al castillo. En ella van Carmilla y su madre, quien le pide al padre de Laura que hospede a su hija durante pocos meses porque debe seguir con su viaje urgentemente.