Resultados Editorial "Little, Brown Audio" en Suspense

A young black man is arrested for murder. The case against him is strong - a mum and a teacher saw him standing over a body in a park, a knife still in hand. But his up-and-coming barrister Rosa knows how people prejudge, but most of all, she suspects something is amiss. This boy comes from her neighbourhood. From a good family. So she begins to dig. As Rosa discovers secret upon terrible secret, she moves closer to finding a testimony that could win the case - or bring the whole establishment down on her.

Thea Fox is just twelve years old when her parents are brutally slain. With Thea's help the police are able to put their murderer - a psychotic serial killer called Ray Riggs - behind bars for life. Changed forever, Thea slowly learns to come to terms with the events of that terrible night and builds a new life in a small country town where she can breathe in the smells of pine, fresh bread and her grandmother's homemade candles. But the connection that helped Thea put her parents' killer behind bars will come to haunt her.

Sheltered and naïve Carmen Darby has lived under the thumb of her father Rex, a brutal criminal businessman, her whole life. But when Rex announces his retirement and plans to leave his vast wealth to his three daughters, Carmen doesn't thank her father as effusively as he'd like, enraging him. Cast out from her home, Carmen assumes a new identity and starts her life over, but she knows she can't outrun the sins of her family for ever.

To make amends for past mistakes, the enigmatic assassin known only as Victor is now in servitude to the world's most dangerous criminal enterprise, the Russian Mafia. Although a hired gun without loyalties, Victor never picks a fight he cannot win so he intends to pay off his debt, however long it takes. Yet when his new employer is shot dead in London, Victor has both the means and the motive to make him the most likely suspect.

More than a decade ago, Madeline Wilson established herself as one of the most controversial and successful figures in modern British media. Even so many years later, she is best remembered as the figure behind a twelve-month public campaign against a man the police failed to convict of murder, which ended in a re-trial and conviction for manslaughter. Now, he has just been released. After a night out in late February with her father, Sam, and Ben, Madeline is kidnapped. What follows is a chase, as Ben and Sam seek to uncover the kidnapper, and the truth behind the original case.

Battered by floods and crushed by overtourism, the city of Venice faces an uncertain future. The election of a new Mayor, therefore, has never felt more important. As the candidates jostle for position and alliances are made and promises broken, Andrea Mazzon, a controversial writer and historian, emerges as a strong candidate. Nathan Sutherland, meanwhile, has more important things on his mind as he investigates the case of an elderly British academic who has disappeared whilst researching the fate of his grandfather during the Great War.

The cabin lies deep in the woods, where the trees are so dense it's easy to miss. On the outside it might look like it's crumbling, crawling with weeds, but on the inside it's warm and cosy. A fire crackles in the fireplace. Dinner simmers on the stove. Maya once saw this cabin as an idyllic place, like a cottage from a fairy tale, but now she knows the danger that lurks beneath. The summer she visited the cabin was the summer her best friend Aubrey died. Now, another woman from Maya's hometown has died in the same strange, unexplained way.

A series of bodies has been found along a beach close to his home and he can no longer deny that a serial killer is on the loose, and no one seems able to find the culprit. Is the failure to find the perpetrator a result of the department's oversight? Is it due to the fact the victims are prostitutes? Or is it something darker? Could the killer be someone on the inside? John Corey must root out friend and foe.

Amy jumps at the opportunity when she's offered a nannying job in picturesque West Cork. The assignment is for the welcoming Carroll family, whose stunning house is situated on a stretch of remote and rugged coastline. It's the perfect chance for Amy to start over - far away from her life in Dublin she is trying to escape. With two adorable children to oversee, a pair of generous employers and a lavish new home, everything seems wonderful. So why can't Amy shake a creeping sense of unease?

Former Army brat Morgan Albright has finally planted roots in a friendly neighbourhood near Baltimore. Her friend and roommate Nina helps her make the mortgage payments, as does Morgan's job as a bartender. But after she and Nina host their first dinner party—attended by Luke, the flirtatious IT guy who'd been chatting her up at the bar—her carefully built world is shattered. The back door glass is broken, cash and jewelry are missing, her car is gone, and Nina lies dead on the floor. Soon, a horrific truth emerges: It was Morgan who let the monster in.

Laura has a husband, children, a home in a city she loves. She thinks she can be happy, despite her past. Until someone walks back into her life who she knows will shatter everything. Alexis was her first love. A love so exhilarating, it is impossible to resist. Then Alexis is found dead, and the police are knocking at Laura's door. They're asking her questions and she's telling them lies. Someone wants Laura to pay for what she's been running from. Someone with an obsession that they can't let go.

Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits. As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting. When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.

Stealing from the rich is what Cara Kendall does for a living. She's twenty-four, bold and fearless, convinced that she'll never get caught. But everyone's luck runs out eventually. When she breaks into a house in Hampstead, she gets more than she bargained for—a body in the study and the law on the doorstep. As rumours start to circulate about her part in the killing, she finds herself under increasing pressure to give up what she hasn't got and tell a truth she doesn't know. 

There's plenty of drama, of the wrong kind, when a fading pop star wanting to launch an acting career at Bath's Theatre Royal gets taken to hospital with third degree burns. In the best theatrical tradition, the show goes on, but the agony turns to murder. Bath's top detective, Peter Diamond, is on the case—but for reasons he can't understand, he suffers a physical reaction amounting to phobia each time he goes near the theatre. Before he can find the killer, he must face his own demons.

It's an early autumn day like any other as Miles Avery drives his wife, Jacqueline, to the station. Nothing remarkable crops up in conversation, nor do either of them appear anything other than their normal selves. At the station, Jacqueline gets out, takes an overnight bag from the back seat, then turns towards the platforms. This is the last anyone sees of her. Three weeks later, Miles calls the police. Enquiries are made, but there is no evidence of her boarding a train, or even entering the station.

When Victor is arrested for a murder that, for once, he didn't commit, escape must surely be inevitable for a hitman of his ferocity. Yet someone wants Victor put away, and he finds himself behind bars, incarcerated by police who have no idea of the monster they are dealing with and have, apparently, tamed. Quickly, however, his fellow the prisoners realise that he's not trapped in there with them: they are in a cage, with the most dangerous of enemies. And Victor has a traitor to find.

When journalist Rachel Carmedi is kidnapped and murdered by a Colombian drug cartel, her lover and partner Tom Chambers, racked by guilt, vows to avenge her death. Ellen Shelby and Michael McCann want to turn Rachel's story into their first Hollywood movie, whilst Chambers agrees to track down the killers. But his need for vengeance soon overrides their desires. In London, high-flyer Sandy Paul, helping to raise finance for the film, still harbours a fierce passion for Michael, and aims to remove Ellen from his life.

Jenneen, Kate, Ellamarie and Ashley are enviable women. They are desirable and powerful, with glamorous jobs in the media and the theatre and, most importantly, the closest of friendships. But each of the friends has a dark secret, and none of them can ever be entirely safe from the passion, deceit and danger which threatens to seduce and then destroy them.

Lainey Hollingsworth has spent her whole life on the outside of a secret. Her mother would never discuss the reasons she abandoned Italy when Lainey was a new born, nor has she ever stayed in touch with the family she left behind. Now Lainey's mother is dead, taking the secret with her, and leaving Lainey free to find out about her roots. Her husband, Tom, appears supportive, until he hits her with a bombshell that shatters the very foundations of their marriage. Another secret Lainey never knew anything about. 

Alisha Barba's dreams of being a detective were shattered when a murder suspect broke her back across a brick wall. Now on her feet again, with her police career in limbo, she receives a message from an old school friend, Cate Beaumont, who is eight months pregnant and in trouble. On the night they arrange to meet, Cate is mown down by a car that kills her husband instantly. As paramedics fight to save her life they discover there is no baby. Her pregnancy is an elaborate lie, a cruel deception.