Resultados Editorial "University Press Audiobooks" en Ciencias sociales

Every disaster is a disability disaster, argues Angela Frederick. Disabled Power tells the stories of Texans with disabilities who endured the 2021 Texas power crisis, which forced millions of Texas residents to endure a dayslong winter storm without heat or water. Frederick highlights how disabled people and those with chronic health conditions are uniquely harmed when basic infrastructure such as power and water systems fail.

If a country's Gross Domestic Product increases each year, but so does the percentage of its people deprived of basic education, health care, and other opportunities, is that country really making progress? If we rely on conventional economic indicators, can we ever grasp how the world's billions of individuals are really managing? In this powerful critique, Martha Nussbaum argues that our dominant theories of development have given us policies that ignore our most basic human needs for dignity and self-respect.

How do humans stop fighting? Where do the gods of myth come from? What does it mean to go mad? Mark R. Anspach tackles these and other conundrums as he draws on ethnography, literature, psychotherapy, and the theory of René Girard to explore some of the fundamental mechanisms of human interaction. Likening gift exchange to vengeance in reverse, the first part of the book outlines a fresh approach to reciprocity, while the second part traces the emergence of transcendence in collective myths and individual delusions.

Good Sex is the manifesto or Manisexto, if you will for this cultural revolution. Same-sex marriage is legal, the #MeToo movement has exploded, colleges nationwide now teach consent-based sexual health, the media celebrates body positivity, and transgender visibility has become mainstream. Defining "good sex" as both ethical and pleasurable, Catherine M. Roach features such topics as equity, intersectionality, and shared pleasure while offering a lively discussion that is inclusively feminist, queer-friendly, and sex-positive without being divisive.

From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies.

Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by Booker T. Washington, offered agricultural and industrial education as a strategy for Black self-determination. There—and in many other communities in the U.S. South, the Caribbean, and Central America—Black people repurposed and regenerated what had been a place of enslavement into a site for imagining alternative futures.

Vital Ties depicts an emergent form of intimacy with the dead mediated by digital technologies. In southern Australia, a game developer crafts a virtual reality experience, reuniting his best friend with an avatar of his late father. In Northern California, a woman creates a smartphone app to log moments in which her deceased mother appears. In Chicago, a high school teacher visits her late brother's Facebook page, hypnotized by the shifting content that animates and reanimates him.

In Sweatshop Capital, Beth Robinson examines the brutal sweatshop labor conditions that produced American consumer goods from the late nineteenth through the early twenty-first centuries, as well as the labor and social movements that contested them. Arguing that sweatshop labor is a persistent feature of capitalism, she shows how manufacturers used both their influence in government and their mobility to sidestep US labor laws, maximize profits, and perpetuate abuses.

In this unflinching response to JD Vance's Hillbilly Elegy, Georgiann Davis guides us through her extraordinary life, from weighing almost 300 pounds by fifth grade, to dropping out of school in the seventh and on to selling weed out of her “monkey shit green” Plymouth Neon. A tall, fat girl who only wore boy’s clothing, she grew up with a turbulent family outside of Chicago: the larger-than-life mother who looked like Farah Fawcett, the father who understood cars better than children, the brother whose drug use went unchecked, and the Greek grandparents who could only love her from afar.

Drawing on concepts from several disciplinary fields including: semiotics, literary and narrative theory, art history, and psychology, El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image.

This book offers a much-needed new political theory of an old phenomenon. The last decade alone has marked the highest number of migrations in recorded history. Constrained by environmental, economic, and political instability, scores of people are on the move. But other sorts of changes - from global tourism to undocumented labor - have led to the fact that to some extent, we are all becoming migrants. The migrant has become the political figure of our time.

In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early 19th to the mid-20th centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts born out of poverty and unbearable working conditions.

With their unforgettable melodies, timeless messages, and stylistic indebtedness to both jazz and Broadway, American popular standards have proven to be among the most widely performed and enjoyed songs of the past century. Shaped in many ways by the technological and cultural developments of the early twentieth century, they have also managed to transcend these origins and become an enduring part of the American musical landscape.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

Border Odyssey takes us on a drive toward understanding the US/Mexico divide: all 1,969 miles, from Boca Chica to Tijuana. Along the journey, five centuries of cultural history (indigenous, French, Spanish, Mexican, African American, colonist, and US), wars, and legislation unfold. And through observation, conversation, and meditation, Border Odyssey scopes the stories of the people and towns on both sides.

Mexican drug networks are large and violent, engaging in activities like the trafficking of narcotics, money laundering, extortion, kidnapping, and mass murder. Despite the impact of these activities in Mexico and abroad, these illicit networks are remarkably resilient to state intervention.

The trials of love and desire provide perennial story material, from the biblical Song of Songs to Disney's princesses, but perhaps most provocatively in the romance novel, a genre known for tales of fantasy and desire, sex and pleasure. Hailed on the one hand for its women-centered stories that can be sexually liberating and criticized on the other for its emphasis on male-female coupling and mythical happy endings, romance fiction is a multimillion-dollar publishing phenomenon, creating national and international societies of enthusiasts, practitioners, and scholars.

In Losing It, William Ian Miller brings his inimitable wit and learning to the subject of growing old: too old to matter, of either rightly losing your confidence or wrongly maintaining it, culpably refusing to face the fact that you are losing it. The "it" in Miller's "losing it" refers mainly to mental faculties - memory, processing speed, sensory acuity, the capacity to focus. But it includes other evidence as wel l- sags and flaccidities, aches and pains, failing joints and organs. What are we to make of these tell-tale signs?

In his analysis of films, novels, paintings, photographs, popular music, jokes, and videos, Peter Lehman investigates the patriarchal culture that keeps the male body, and especially male genitals, out of sight.

The Montgomery Bus Boycott, which ignited the civil rights movement of the 1950s and 1960s, has always been vitally important in American history. This is the autobiographical account of the creation of the boycott by one of its principal organizers. With the publication of this book, the boycott becomes a milestone in the history of American women as well.