Resultados Editorial "Weidenfeld & Nicolson" en Ciencias sociales

Pre-war debutantes were members of the most protected, not to say isolated, stratum of 20th-century society: the young (17-20) unmarried daughters of the British upper classes. For most of them, the war changed all that for ever. It meant independence and the shock of the new, and daily exposure to customs and attitudes that must have seemed completely alien to them. For many, the almost military regime of an upper class childhood meant they were well suited for the no-nonsense approach needed in wartime.

This groundbreaking new collection addresses the burning issue of how we interpret history today. What stories are told, and by whom, who should be celebrated, and what rewritten, are questions that have been asked recently not just within the history world, but by all of us. Featuring a diverse mix of writers, both bestselling names and emerging voices, this is the history book we need NOW.

In the 60,000 years since people began colonising the continents, a recurring feature of human civilisation has been mobility - the constant search for resources and stability. Seismic global events - wars and genocides, revolutions and pandemics - have only accelerated the process. The map of humanity isn't settled, not now, not ever. As climate change tips toward full-blown crisis, economies collapse, governments destabilise and technology disrupts, we're entering a new age of mass migrations - one that will scatter not just the dispossessed but all of us. 

'Brilliant. Searching and profound' E.H. Carr, Times Literary Supplement 'When reading Isaiah Berlin we breathe an altogether different air' New York Review of Books 'Beautifully written' W. H. Auden, New Yorker 'Ingenious. Exactly what good critical writing should be' Max Beloff, Guardian The...

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.