Resultados Editorial "University Press Audiobooks" en Ciencias sociales

It is impossible to deny the impact of lies and white supremacy on the institutional conditions in US prisons. There is a particular power dynamic of racist intent in the prison system that culminates in what Brittany Friedman terms carceral apartheid. Prisons are a microcosm of how carceral apartheid operates as a larger governing strategy to decimate political targets and foster deceit, disinformation, and division in society.

The story of Jackie Robinson valiantly breaking baseball’s color barrier in 1947 is one that most Americans know. But less recognized is the fact that some seventy years earlier, following the Civil War, baseball was tenuously biracial and had the potential for a truly open game. How, then, did the game become so firmly segregated that it required a trailblazer like Robinson? The answer, Ryan A. Swanson suggests, has everything to do with the politics of “reconciliation” and a wish to avoid the issues of race that an integrated game necessarily raised.

In Pueblos, Plains, and Province Joseph P. Sánchez offers an in-depth examination of sociopolitical conflict in seventeenth-century New Mexico, detailing the effects of Spanish colonial policies on settlers’, missionaries’, and Indigenous peoples’ struggle for economic and cultural control of the region.

Drawing on concepts from several disciplinary fields including: semiotics, literary and narrative theory, art history, and psychology, El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image.

This book offers a much-needed new political theory of an old phenomenon. The last decade alone has marked the highest number of migrations in recorded history. Constrained by environmental, economic, and political instability, scores of people are on the move. But other sorts of changes - from global tourism to undocumented labor - have led to the fact that to some extent, we are all becoming migrants. The migrant has become the political figure of our time.

In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early 19th to the mid-20th centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts born out of poverty and unbearable working conditions.

With their unforgettable melodies, timeless messages, and stylistic indebtedness to both jazz and Broadway, American popular standards have proven to be among the most widely performed and enjoyed songs of the past century. Shaped in many ways by the technological and cultural developments of the early twentieth century, they have also managed to transcend these origins and become an enduring part of the American musical landscape.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

Border Odyssey takes us on a drive toward understanding the US/Mexico divide: all 1,969 miles, from Boca Chica to Tijuana. Along the journey, five centuries of cultural history (indigenous, French, Spanish, Mexican, African American, colonist, and US), wars, and legislation unfold. And through observation, conversation, and meditation, Border Odyssey scopes the stories of the people and towns on both sides.

Mexican drug networks are large and violent, engaging in activities like the trafficking of narcotics, money laundering, extortion, kidnapping, and mass murder. Despite the impact of these activities in Mexico and abroad, these illicit networks are remarkably resilient to state intervention.

The trials of love and desire provide perennial story material, from the biblical Song of Songs to Disney's princesses, but perhaps most provocatively in the romance novel, a genre known for tales of fantasy and desire, sex and pleasure. Hailed on the one hand for its women-centered stories that can be sexually liberating and criticized on the other for its emphasis on male-female coupling and mythical happy endings, romance fiction is a multimillion-dollar publishing phenomenon, creating national and international societies of enthusiasts, practitioners, and scholars.

In Losing It, William Ian Miller brings his inimitable wit and learning to the subject of growing old: too old to matter, of either rightly losing your confidence or wrongly maintaining it, culpably refusing to face the fact that you are losing it. The "it" in Miller's "losing it" refers mainly to mental faculties - memory, processing speed, sensory acuity, the capacity to focus. But it includes other evidence as wel l- sags and flaccidities, aches and pains, failing joints and organs. What are we to make of these tell-tale signs?

In his analysis of films, novels, paintings, photographs, popular music, jokes, and videos, Peter Lehman investigates the patriarchal culture that keeps the male body, and especially male genitals, out of sight.

The Montgomery Bus Boycott, which ignited the civil rights movement of the 1950s and 1960s, has always been vitally important in American history. This is the autobiographical account of the creation of the boycott by one of its principal organizers. With the publication of this book, the boycott becomes a milestone in the history of American women as well.

In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize - "literature" or "theatre"; "editorial" or "morality" - and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: Someone is standing in front of a group of people, talking to them directly, and trying to make them laugh.

Once a shoestring operation built on plywood sets and Australian rules football, ESPN has evolved into a media colossus. A genius for cross-promotion and its near-mystical rapport with its viewers empower the network to set agendas and create superstars, to curate sports history even as it mainstreams the latest cultural trends. Travis Vogan teams archival research and interviews with an all-star cast to pen the definitive account of how ESPN turned Xs and Os into billions of $$$.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

Charles Swett (1828-1910) was a prosperous Vicksburg merchant and small plantation owner who was reluctantly drawn into secession but then rallied behind the Confederate cause, serving with distinction in the Confederate Army. After the war some of Swett's peers from Mississippi and other southern states invited him to explore the possibility of settling in British Honduras or the Republic of Honduras. Confederates in the Tropics uses Swett's 1868 travelogue to explore the motives of would-be Confederate migrants' fleeing defeat and Reconstruction in the United States South.

As the city of Windsor, Ontario, celebrated the end of World War II and the return of its troops with parades and public revelry, the industrial city in the south of Canada was shaken by a series of brutal stabbings. The failure of the police to catch the murderer, a "blood lusting maniac" as the local newspaper described him, the turbulence of the times, and the seemingly random nature of the killings plunged the city into a panic.

This audiobook explores how the award-winning NBC drama offered a space for vibrant conversation about US politics, identity, and culture.