Títulos en Dramatizaciones

It is a time of restoration. Ten millenia have passed since the solar flares devastated the planet Earth and now humanity has come home to reclaim and rebuild. But scientists at Mombassa Station are about to resurrect a deadly menace that was once destroyed. A menace that will stretch from the depths of the African continent, to the ancient and decaying Nerva Beacon still orbiting high above. Can a small group of Gene-techs hope to survive the rush of Race Memory?

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own ends. Cyril Cussack, Frank Silvera, and Celia Johnson star in this unabridged performance of Shakespeare's Othello.

Collinsport is broken after recent events. David Collins is intent on rebuilding the town he almost helped to destroy and enlists the help of his old friend Amy Cunningham. As these two childhood companions begin to reconnect and discover feelings they never knew existed, another woman from David's past is about to make her own timely return.

Fully recovered from her hospital stay and back behind the bar of The Blue Whale, Jessica Griffin welcomes Nate, a stranger in town claiming to be just passing through. But how come he knows so much about her, and why is he so keen to lure her back to the house she hasn't set foot in since the death of her husband? And he really is so very familiar....

An abridged version of Tolstoy's Anna Karenina, starring Ingrid Bergman and Gregory Peck. Anna (Bergman) is a wife and mother who has an affair with the handsome Count Vronsky (Peck).

The story of the world's longest running musical. Les Miserables has been a globally successful musical for 30 years and continues to delight and move audiences around the world, and there is no sign of it slowing down.

From the early days in Paris through to Cameron Mackintosh becoming involved, through to the Oscar winning movie, this marvellous story is told by the people involved; the composers, producers, singers, and actors.

Newlywed Maggie Haskell has started a life away from Collinsport with her husband, Joe. But before their honeymoon can start, Maggie finds herself trapped in a cabin in the woods with a strange man. A strange man with a familiar face. With time running out, Maggie has to buy her freedom. But her captors will accept only one thing. Who are the faceless men holding her captive, and what do they want? Where is Joe Haskell? And who is the man with the face of Burke Devlin?

'The further into the antique shop she explored, the darker it seemed to get, until Lela couldn't see the walls at all....' Lela Quick is a busy woman. She's got essays to mark, journals to edit, books to write.... But every night she is tormented by the same dream: a nightmare of pursuit through a dark forest, the air filled with haunting music. A chance meeting with Quentin Collins, the enigmatic owner of Pandemonium Antiques, adds to her growing sense of unease.

A ruthlessly ambitious Scottish lord siezes the throne with the help of his scheming wife - and a trio of witches. Anthony Quayle, Robert Hardy, Ian Holm, Stanley Holloway, and Jill Balcon star in an unabridged performance of Shakespeare's Macbeth.

Jeremiah Bourne is a boy with a remarkable gift. He can travel in time. Not by using a time machine, or stepping through a dimensional portal. It just happens to him, as though by accident. One minute he’s in the present day, the next, he’s 100 years in the past, standing in the London of 1910. Jeremiah has two questions: how did he get there - and how can he get back? On his quest for the answers, he enlists the help of Phyllis Stokes of The Society for Theosophical Research and her equally eccentric brother, Roger Allcot Standish, magistrate, spiritualist and dedicated nudist.

PRIMEra: Last thirteen million years. Technology: Military (blatant), limited time-awareness. It’s perhaps unwise to think of the Sontarans as a species, as such. A homunculus breed hatched by the million and engineered for full-engagement warfare, the Sontaran military machine is regarded by many time-active cultures as an “occupational hazard”: a force of nature rather than a race, compelled by duty and genetics to acquire new technologies for its endless war effort. It should be remembered, however, that with the backing of a higher power even the crudest of breeds can become something quite different.

It’s now acknowledged that the Great Houses were largely responsible for creating the current shape of history, not simply by interfering in major events (although they may have dabbled) but by engineering the entire framework of history as a single definite structure. What’s less well-known is just how easy it is to access that structure’s foundations. Before the War, it was usual for Great House installations to be linked to the Houses’ “records library”, buried in the framework beneath normal time.

Even before the outbreak of the 'War in Heaven', Faction Paradox was regarded as the most unpredictable (and opportunistic) of the time-active powers. Aware of the precarious nature of history - but under no obligation to protect it - while the other Great Houses were still attempting to uphold a “universal order”, the Faction was following its own, far more ambiguous, protocols.

The demise of Earth was followed by a period in which there was, effectively, no such thing as the human species; a period in which humanity suddenly found itself released from its heritage, with genetic manipulation and vast tracts of space separating the survivors from everything they’d once been.

Right from its creation, the secret intelligence service of Great Britain was touched by a streak of ritual: its initiations were usually occult, its codes based on astrological or alchemical ciphers. When Faction Paradox first entered Earth history in the 1700s, the Service took an immediate interest in the new arrivals’ own ritual practices, and in the inevitable feud between British and Faction agents no single figure was as important as Sabbath.

Era: Human historical (later period). Technology: Military (self-contained), non-time-active. By the end of the fifth millennium AD, the homunculi created by the human species - clones, cross-breeds, fighting-machines and artificial intelligences of all descriptions - outnumbered humanity by more than thirteen to one: But even so, there were no creations like those of Peking. Heading a 1,000-strong army of individually-crafted automata, the 12 commanders were self-aware embodiments of the oriental zodiac, forged to a strict astrological design, and said to incorporate history itself in their operating program.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarried to the murderer, his uncle. This is widely regarded as the definitive performance of Hamlet, starring Sir John Gielgud and Pamela Brown.

A collection of favourite scenes from Shakespeare's Romeo and Juliet, performed by John Gielgud.

Hear the finest actors who have performed with the Royal Shakespeare Company perform some of the Bard's most treasured speeches. This recording includes world-class actors John Gielgud, Vanessa Redgrave, Peggy Ashcroft, and Edith Evans in a collection of favourite Shakespearean scenes.