Títulos en Dramatizaciones

Even before the outbreak of the 'War in Heaven', Faction Paradox was regarded as the most unpredictable (and opportunistic) of the time-active powers. Aware of the precarious nature of history - but under no obligation to protect it - while the other Great Houses were still attempting to uphold a “universal order”, the Faction was following its own, far more ambiguous, protocols.

The demise of Earth was followed by a period in which there was, effectively, no such thing as the human species; a period in which humanity suddenly found itself released from its heritage, with genetic manipulation and vast tracts of space separating the survivors from everything they’d once been.

Right from its creation, the secret intelligence service of Great Britain was touched by a streak of ritual: its initiations were usually occult, its codes based on astrological or alchemical ciphers. When Faction Paradox first entered Earth history in the 1700s, the Service took an immediate interest in the new arrivals’ own ritual practices, and in the inevitable feud between British and Faction agents no single figure was as important as Sabbath.

Era: Human historical (later period). Technology: Military (self-contained), non-time-active. By the end of the fifth millennium AD, the homunculi created by the human species - clones, cross-breeds, fighting-machines and artificial intelligences of all descriptions - outnumbered humanity by more than thirteen to one: But even so, there were no creations like those of Peking. Heading a 1,000-strong army of individually-crafted automata, the 12 commanders were self-aware embodiments of the oriental zodiac, forged to a strict astrological design, and said to incorporate history itself in their operating program.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

A collection of favourite scenes from Shakespeare's Romeo and Juliet, performed by John Gielgud.

Hear the finest actors who have performed with the Royal Shakespeare Company perform some of the Bard's most treasured speeches. This recording includes world-class actors John Gielgud, Vanessa Redgrave, Peggy Ashcroft, and Edith Evans in a collection of favourite Shakespearean scenes.

For more than 80 years, the British Government has been keeping something hidden. Now it can no longer be kept secret. With a Weapons Crisis Committee standing in Geneva, Captain Alice Wells of UNIT is given the task of investigating the mysterious deaths of allied and UN troops. When her investigation leads her to an ultra secure safe house in England she discovers just what it was that the government thought too dangerous to be made public...a Sontaran!

“I bring you a message...from God.” Ganta 4, a desolate rock in a forgotten backwater of the galaxy. Here two groups of humans cling to existence in the grip of wildly differing ideologies. For the miners the motivation is Amyrillium, for the colonists the prize is nothing less than God's New Eden.

Corrigan is a throwback; a misfit; a starship captain with the heart of a seafaring mariner. His skills as an engineer and navigator are unparalleled. He's just not terribly good at being human. Perhaps that's why he plies his trade between the rim-worlds and the Vega Station with only a Clockwork Robot for company. But when his estranged daughter goes missing on the wreck of a starliner, Corrigan is faced with a stark choice - leave her to die, or attempt a rescue that would surely destroy his relationship with her forever.

In search of the legendary "Point of Stillness", the Professor and Ace find themselves in an old house, steeped in evil. Who is the ancient woman in the attic? Why are there so many clocks? And did the butler really do it?

The Professor and Ace arrive in present-day London to find the city strangely changed. England is a republic, ruled by an elderly Lord Protector more interested in a mysterious comet than the long-suppressed forces of revolution fomenting in his kingdom. As political factions vie for power, the travellers become embroiled in the plans of King Charles XIV who stands poised to reclaim the throne. Can they discover who is behind the drastic alteration of history or will the Puritan cause triumph throughout eternity?

This was to be her last day alive. The renowned criminal psychologist Ira Samin prepared her suicide thoroughly. The death of her eldest daughter had weighed too heavily on her conscience for her to carry on and she yearned for one last drink to raise a toast to oblivion. Her morbid plans are interrupted and she is called in to negotiate a gruesome hostage situation at a radio station where a psychopath is playing a morbid game. While the show is on air, he calls people from the phonebook at random. If they pick up the phone with a certain slogan, a hostage is set free. If they don’t, then the hostage is unceremoniously shot.

This was to be her last day alive. The renowned criminal psychologist Ira Samin prepared her suicide thoroughly. The death of her eldest daughter had weighed too heavily on her conscience for her to carry on and she yearned for one last drink to raise a toast to oblivion. Her morbid plans are interrupted and she is called in to negotiate a gruesome hostage situation at a radio station where a psychopath is playing a morbid game.

In this adventure, Paul Temple is called in to investigate the disappearance of the Desmond baby, and the 'Sitter-In' Miss Millicent. When they visit Mary Desmond she is, understandably, very upset, it's already been a week since her eighteenth-month-old daughter vanished. The only clue is a telephone message left in Miss Millicent's handwriting: 'A Mr. Vandyke telephoned, he left no message'.

Anton Lesser stars as a Berlin detective who stumbles upon the 20th century's most terrifying secret in this BBC Radio 4 full-cast dramatisation of Robert Harris's bestselling novel. The year is 1964, and it's a week before Hitler's 75th birthday. Nazi Germany won the Second World War...

Jenny Eclair and Julie Balloo return with a second series about being an 'older' mother. Cass Mason is finding motherhood age 47 tough. She barely has time to blog with a new baby who won't sleep; she fears she may be turning into a zombie. Not only does Cass have to deal with Florence, the rest of the family aren't much help. Will Ken ever get a job, will her designer-clad sister even offer to hold a drooling baby and are her two grown children really contemplating moving back home?

In this BBC full-cast production of Richard II, the male ego and narcissism of monarchs are hung out to dry.... Written entirely in verse, the rhythms of the language in this epic tragedy encompass its themes of dignity and kingship with fitting grandeur and pathos, as the capricious and narcissistic Richard is brought to his own destruction. Starring Samuel West as Richard II.

From 1938 to 1969 crime novelist and detective Paul Temple, together with his Fleet Street journalist wife Steve, solved case after case in one of BBC radio's most popular serials. They inhabited a sophisticated world of chilled cocktails and fast cars, where the women were chic and the men wore cravats, a world where Sir Graham Forbes, of Scotland Yard, usually needed Paul's help with his latest tricky case.

A comic and heart-warming play about teenager Michael Croxley. Michael's stammer has contributed to his fear of public speaking. But then the girl he adores, Lynne Hargreaves, reads a composition of his in double English, and discovers he's a whizz with words and his spelling is stupendous. When she asks him to be part of the school spelling-bee team, how can he refuse? He accepts gallantly.