Títulos en Periodistas, redactores y editores

Su capacidad crítica, su estatura intelectual y su peculiaridad estilística. lo convirtieron en una de las voces más reconocibles del panorama cultural hispánico. De igual modo, su omnipresencia en múltiples foros (revistas, mesas redondas, programas de radio y televisión, periódicos, coloquios, museos, películas, antologías, prólogos, etc.) lo hizo una celebridad y uno de los personajes fundamentales de la ciudad de México.

Una gloria del periodismo mundial. Fue periodista y editora del diario The Washington Post desde 1963 hasta su fallecimiento en 2001. Con ella, el famoso periódico salió de la ruina, transformándose en lo que es hoy: un conglomerado mediático que incluye desde alianzas con Microsoft para la distribución de información hasta servicios de televisión por cable o semanarios prósperos como Newsweek.

Le molte pieghe dell'attualità si possono costruire come un Origami di carta, ma anche ascoltare. Appuntamento col settimanale della Stampa, come se fosse una voce.

Le molte pieghe dell'attualità si possono costruire come un Origami di carta, ma anche ascoltare. Appuntamento col settimanale della Stampa, come se fosse una voce. Nato sul modello del settimanale francese "Le 1", Origami ha preso da subito una "piega" così particolare che gli stessi francesi hanno coniato, per lui, l'aggettivo "origamiesque". Un solo foglio, un solo argomento, molti punti di vista.

Migrare significa volare via e scegliere, come fanno gli uccelli, un posto migliore, o che pensiamo tale. Francesca Paci, in ogni puntata, racconterà una storia di spostamento, di cambiamento di posizione, la storia di chi sceglie un altro luogo fisico, ma anche mentale. Buon viaggio.

Ogni lunedì, chiacchiere sull'Occidente: così Mattia Feltri aprirà una finestra sui dibattiti culturali e politici dell'Italia, incurante dei confini geografici e delle maglie strette dell'attualità. Spunti, riflessioni, vecchi libri e nuove fonti per una cavalcata intellettuale che si annuncia appassionante.

Il 16 gennaio del 1989 nasceva "Cuore", il settimanale satirico che ha segnato una generazione. Luca Bottura, che collaborò con la rivista per alcuni anni, ne parla con il fondatore Michele Serra, a partire dalla fatidica domanda: Perché non rifate "Cuore"? La conversazione è l'occasione per ripercorrere la storia del settimanale e fare il punto sulla satira di ieri e di oggi.

Giulio Einaudi è stato qualcosa di più di quel grande editore che ha rinnovato il modo di fabbricare, leggere e utilizzare i libri. Essendo un essere geniale, ha dato all'arte di pubblicare libri una funzione nuova, più profonda e rivoluzionaria. I libri dovevano cambiare la vita dei lettori e il mondo che li circondava, dando a chi li leggeva la chiave magica che apriva tutte le porte e trasformava un pastore in un uomo colto che sapeva osservare e capire la realtà. Un'utopia?

What are you going to do for the rest of your life? For David Lawrence, Jr., a brilliant newspaper editor and publisher with a distinguished, three-decade-long journalism career who retired in 1999 at the age of 56, the answer in his words was to dedicate his life to a "[N]ewly energized purposefulness: that every child have a real chance to succeed."

How much of our memory is constructed by imagination? And how does memory shape our lives? As a nine-year old, Elizabeth Farnsworth struggled to understand the loss of her mother. On a cross-country trip with her father, the heartsick child searches for her mother at train stations along the way. Even more, she confronts mysteries: death, time, and a mysteriously locked compartment on the train. Weaving a child's experiences with memories from reporting in danger zones like Cambodia and Iraq, Farnsworth explores how she came to cover mass death and disaster.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

Dan Savage’s mother wants him to get married. His boyfriend, Terry, says “no thanks” because he doesn’t want to act like a straight person. Their six-year-old son, D.J., says his two dads aren’t “allowed” to get married but that he’d like to come to the reception and eat cake. Throw into the mix Dan’s straight siblings, whose varied choices form a microcosm of how Americans are approaching marriage these days, and you get a rollicking family memoir that will have everyone - gay or straight, right or left, single or married - howling with laughter.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

When Hugh Hefner quit his job at Esquire to start a magazine called Playboy, he didn't just want to make money, he wanted to make dreams come true. In this wise and penetrating biography, intellectual historian Steven Watts looks at what Hugh Hefner went on to become and how he took America with him. Hefner became one of the most hated and envied celebrities in America, standing just barely on the wrong side of decency - with as many as seven million subscribers to his magazine.

Al Silverman, a noted figure in American publishing, has written a wonderful chronicle of book publishing for all who cherish books. The Time of Their Lives is not only a love song to the industry's golden age, an era that began after World War II and lasted for three-plus decades, but it is also a reflection of the tastes and cultural appetites of the American public.

Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken.

This dramatic story of two men's efforts to save a small Wisconsin daily from obliteration at the hands of the nation's largest newspaper chain brings together startling case histories of the dubious tactics practiced by Gannett and unsparing insights into the newspaper industry.

Un'ereditiera californiana viene rapita dall'Esercito di liberazione simbionese, diventa l'amante di uno dei terroristi e terrorista lei stessa, poi sposa la sua guardia del corpo e va a vivere con figli e cani in una casa finto-spagnola iper-blindata. Una banchiera d'affari di Manhattan mentre fa jogging a Central Park viene aggredita da sei adolescenti neri e ispanici, stuprata, torturata con dei rami e ridotta in fin di vita.

Twenty of the world's greatest novelists live again! The authors take you on a magic carpet to the homes of these titans of literature, and you not only become their intimate friend but you acquire an even greater appreciation of their masterpieces.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.