Títulos en Periodistas, redactores y editores

Ogni lunedì, chiacchiere sull'Occidente: così Mattia Feltri aprirà una finestra sui dibattiti culturali e politici dell'Italia, incurante dei confini geografici e delle maglie strette dell'attualità. Spunti, riflessioni, vecchi libri e nuove fonti per una cavalcata intellettuale che si annuncia appassionante.

Il 16 gennaio del 1989 nasceva "Cuore", il settimanale satirico che ha segnato una generazione. Luca Bottura, che collaborò con la rivista per alcuni anni, ne parla con il fondatore Michele Serra, a partire dalla fatidica domanda: Perché non rifate "Cuore"? La conversazione è l'occasione per ripercorrere la storia del settimanale e fare il punto sulla satira di ieri e di oggi.

Giulio Einaudi è stato qualcosa di più di quel grande editore che ha rinnovato il modo di fabbricare, leggere e utilizzare i libri. Essendo un essere geniale, ha dato all'arte di pubblicare libri una funzione nuova, più profonda e rivoluzionaria. I libri dovevano cambiare la vita dei lettori e il mondo che li circondava, dando a chi li leggeva la chiave magica che apriva tutte le porte e trasformava un pastore in un uomo colto che sapeva osservare e capire la realtà. Un'utopia?

What are you going to do for the rest of your life? For David Lawrence, Jr., a brilliant newspaper editor and publisher with a distinguished, three-decade-long journalism career who retired in 1999 at the age of 56, the answer in his words was to dedicate his life to a "[N]ewly energized purposefulness: that every child have a real chance to succeed."

How much of our memory is constructed by imagination? And how does memory shape our lives? As a nine-year old, Elizabeth Farnsworth struggled to understand the loss of her mother. On a cross-country trip with her father, the heartsick child searches for her mother at train stations along the way. Even more, she confronts mysteries: death, time, and a mysteriously locked compartment on the train. Weaving a child's experiences with memories from reporting in danger zones like Cambodia and Iraq, Farnsworth explores how she came to cover mass death and disaster.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

Dan Savage’s mother wants him to get married. His boyfriend, Terry, says “no thanks” because he doesn’t want to act like a straight person. Their six-year-old son, D.J., says his two dads aren’t “allowed” to get married but that he’d like to come to the reception and eat cake. Throw into the mix Dan’s straight siblings, whose varied choices form a microcosm of how Americans are approaching marriage these days, and you get a rollicking family memoir that will have everyone - gay or straight, right or left, single or married - howling with laughter.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

When Hugh Hefner quit his job at Esquire to start a magazine called Playboy, he didn't just want to make money, he wanted to make dreams come true. In this wise and penetrating biography, intellectual historian Steven Watts looks at what Hugh Hefner went on to become and how he took America with him. Hefner became one of the most hated and envied celebrities in America, standing just barely on the wrong side of decency - with as many as seven million subscribers to his magazine.

Al Silverman, a noted figure in American publishing, has written a wonderful chronicle of book publishing for all who cherish books. The Time of Their Lives is not only a love song to the industry's golden age, an era that began after World War II and lasted for three-plus decades, but it is also a reflection of the tastes and cultural appetites of the American public.

Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken.

This dramatic story of two men's efforts to save a small Wisconsin daily from obliteration at the hands of the nation's largest newspaper chain brings together startling case histories of the dubious tactics practiced by Gannett and unsparing insights into the newspaper industry.

Un'ereditiera californiana viene rapita dall'Esercito di liberazione simbionese, diventa l'amante di uno dei terroristi e terrorista lei stessa, poi sposa la sua guardia del corpo e va a vivere con figli e cani in una casa finto-spagnola iper-blindata. Una banchiera d'affari di Manhattan mentre fa jogging a Central Park viene aggredita da sei adolescenti neri e ispanici, stuprata, torturata con dei rami e ridotta in fin di vita.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

Siamo a Ostia, nel 2013, e tra gli abitanti di quei palazzi c'è anche Federica Angeli, cronista di nera per le pagine romane di La Repubblica, che in quella periferia è nata e cresciuta. Da tempo si occupa dei clan locali e ha subìto gravi minacce. Sa quindi come è fatta la paura, ma crede che l'altra faccia della paura sia il coraggio. Se i vicini rientrano obbedienti al comando del boss, lei decide di denunciare ciò che ha visto. Dal giorno dopo la sua vita è stravolta.

"Chi fa di se stesso una bestia si sbarazza della pena di essere un uomo." (Dr. Johnson) L'inventore del Gonzo Journalism - un particolare stile di scrittura che esclude l'oggettività dagli articoli in nome della soggettività dell'autore - è un esempio difficile da seguire.

Priscilla Buckley is probably known for her long and admired tenure as managing editor of the conservative political journal National Review, founded in the 1950s by her brother, William F. Buckley, Jr. But in String of Pearls we meet a different Priscilla, young Pitts Buckley, just out of Smith, eager for the next step up from the college paper to "real" journalism.

When Anthony Shadid—one of four New York Times reporters captured in Libya as the region erupted—was freed, he went home, not to Boston, Beirut, or Oklahoma, where he was raised by his Lebanese American family, but to an ancient estate built by his great-grandfather, a place filled with memories of a lost era when the Middle East was a world of grace, grandeur, and unexpected departures.

Driven by his single mother's dreams for his survival and success, Kevin Powell became the first in his family to attend a university, where he became a student leader keenly aware of widespread social injustice. But the struggle to define himself and break out of poverty continued into adulthood, with traumatic periods of homelessness and despair. As a young star journalist with Vibe magazine, Powell interviewed luminaries such as Tupac Shakur, writing influential chronicles of the evolution of hip-hop from his eyewitness view.

On the Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's 10 years in Vietnam - beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers, the reporters, and the photographers.