Resultados Editorial "Charles River Editors" en Compositores y músicos

America has always celebrated its star entertainers, but Frank Sinatra remains a unique American legend. A pop culture fixture for over half a century, Sinatra's music is still cherished, and his persona remains its own archetype of the quintessential American star. Sinatra transcended genres to the extent that his music stands alone as its own kind of American music, with songs like "New York, New York," "Chicago," and "Come Fly With Me" instantly recognizable among all Americans.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees?

A certain inevitability characterizes the rise to fame of Aretha Franklin. Indeed, while it is true that neither of her parents were pop singers, they were each talented vocalists - Aretha's father, C.L., was a particularly famous preacher, with a voice so melodic that his sermons effectively doubled as musical performances. Moreover, in an age in which economic opportunities were particularly limited for African-Americans, Aretha was fortunate enough to grow up in a household of relative comfort.

While performing, Louis Armstrong appeared lost in a reverie. It was a condition that imbued his performances with a kind of mythical flair, as if one were watching a man consumed by a moment of transcendence.

In the 1950s, popular music in the United States, Britain, and Europe jumped cultural tracks and went off in all directions, each form enjoying its own fan base, and its own way of overlapping with fellow genres.

By the time Willie Hughes Nelson was born in 1933, several of the genres he would later cover and dominate had already passed through an entire generation of pioneering artists. The tradition of authentic country music was handed down by such groups as the Carter family, and the boundaries of style and sound were well set by the time Nelson picked up his first guitar.

When the phrase “the King” is used in the context of American music, most people think of Elvis Presley, but Presley was just a baby when the title was first conferred upon Benny Goodman as the King of Swing in 1935. The Swing Era was a magical period in American history between the hedonism of the Roaring Twenties and the rebelliousness sparked by rock music beginning in the 1950s. Swing music was rooted in ragtime, blues, and jazz music that had long been popular in African American enclaves in Chicago, St. Louis, Kansas City, and New Orleans.

By the mid-20th century, a musical revolution was stirring, and a generation that had not fought in the wars was ready to put the sorrows of the previous 50 years away. Requiring a commentary on modern life all its own, the first post-war generation went for self-expressed rock and roll, with Elvis Presley leading the movement. Jazz, incubated within America, grew into an increasingly sophisticated harmonic and rhythmic language, even though older generations were not able or willing to so easily follow.