Resultados Editorial "Charles River Editors" en Compositores y músicos

In the majority of cases, a pop or rock fan who is asked about a particular celebrity will answer in unambiguous terms.

Among the most recognizable and iconic vocal artists known to American society from the mid-20th to the 21st century, baritone Nat King Cole is indelible in the nation's consciousness for such hits as "Mona Lisa" and "Ramblin' Rose" as well as for his rendition of Mel Tormé's famous "Christmas Song", with the opening line known to millions of American households: "Chestnuts roasting on an open fire."

In 1956 Duke Ellington was featured on the cover of Time magazine after a bravura performance at the Newport Jazz Festival that summer. This remains one of his most iconic achievements and a landmark for jazz music as a whole; only four jazz musicians were ever displayed on the cover of Time. At the same time, however, this recognition stands as one of the prevailing ironies of Ellington's career, as he was deep into the latter stages of his performing life by this point.

A reaction to the likes of the previous decade's yuppies and acts like M.C. Hammer, grunge became a sound and culture for angst-ridden teens and the disaffected youth who were proud to be plain. Combining punk, metal, and hard rock, the grunge sound emanated out of Seattle from groups like Nirvana, Pearl Jam, Soundgarden, and Alice in Chains, giving the young decade its trademark sound.

America has always celebrated its star entertainers, but Frank Sinatra remains a unique American legend. A pop culture fixture for over half a century, Sinatra's music is still cherished, and his persona remains its own archetype of the quintessential American star. Sinatra transcended genres to the extent that his music stands alone as its own kind of American music, with songs like "New York, New York," "Chicago," and "Come Fly With Me" instantly recognizable among all Americans.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees?

A certain inevitability characterizes the rise to fame of Aretha Franklin. Indeed, while it is true that neither of her parents were pop singers, they were each talented vocalists - Aretha's father, C.L., was a particularly famous preacher, with a voice so melodic that his sermons effectively doubled as musical performances. Moreover, in an age in which economic opportunities were particularly limited for African-Americans, Aretha was fortunate enough to grow up in a household of relative comfort.

While performing, Louis Armstrong appeared lost in a reverie. It was a condition that imbued his performances with a kind of mythical flair, as if one were watching a man consumed by a moment of transcendence.

In the 1950s, popular music in the United States, Britain, and Europe jumped cultural tracks and went off in all directions, each form enjoying its own fan base, and its own way of overlapping with fellow genres.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

By the time Willie Hughes Nelson was born in 1933, several of the genres he would later cover and dominate had already passed through an entire generation of pioneering artists. The tradition of authentic country music was handed down by such groups as the Carter family, and the boundaries of style and sound were well set by the time Nelson picked up his first guitar.

When the phrase “the King” is used in the context of American music, most people think of Elvis Presley, but Presley was just a baby when the title was first conferred upon Benny Goodman as the King of Swing in 1935. The Swing Era was a magical period in American history between the hedonism of the Roaring Twenties and the rebelliousness sparked by rock music beginning in the 1950s. Swing music was rooted in ragtime, blues, and jazz music that had long been popular in African American enclaves in Chicago, St. Louis, Kansas City, and New Orleans.

By the mid-20th century, a musical revolution was stirring, and a generation that had not fought in the wars was ready to put the sorrows of the previous 50 years away. Requiring a commentary on modern life all its own, the first post-war generation went for self-expressed rock and roll, with Elvis Presley leading the movement. Jazz, incubated within America, grew into an increasingly sophisticated harmonic and rhythmic language, even though older generations were not able or willing to so easily follow.

Patty, LaVerne, and Maxene Andrews created their “unique sound” in part through the development of a “very bright harmonic sense,” first achieved by the older sister, LaVerne. The trio mastered a virtuosic use of close, intricate harmonies, coupled with a precise and a seemingly telepathic rhythmic sense that could be honed for performance in a short period of rehearsal time. These qualities were enveloped in a timbral sheen reminiscent of multiple trumpets.

Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres.