Resultados Editorial "University Press Audiobooks" en Compositores y músicos

Guthrie kept moving throughout his life, making friends, soaking up influences, and writing about his experiences. Along the way, he produced more than 3,000 songs, as well as fiction, journalism, poetry, and visual art, that gave voice to the distressed and dispossessed. In this insightful audiobook, Will Kaufman examines the artist’s career through a unique perspective: the role of time and place in Guthrie’s artistic evolution.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

As a writer in Wired magazine puts it, Neil Young is a "folk-country-grunge dinosaur [who has been] reborn (again) as an Internet-friendly, biodiesel-driven, multimedia machine." In Neil Young and the Poetics of Energy, William Echard stages an encounter between Young's challenging and ever-changing work and current theories of musical meaning - an encounter from which both emerge transformed.

Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business.

Leonard Bernstein stood at the epicenter of 20th-century American musical life. His creative gifts knew no boundaries, as he moved easily from the podium, to the piano, to television with his nationally celebrated Young People’s Concerts, which introduced an entire generation to the joy of classical music. In this fascinating new biography, the breadth of Bernstein’s musical composition is explored, through the spectacular range of music he composed—from West Side Story to Kaddish to A Quiet Place and beyond—and through his intensely public role as an internationally celebrated conductor.

After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day in 1997. He released 16 albums during life. Since his death, several more albums have been released, both by and in honor of him.

In the late 1970s legendary pianist Bill Evans, one of the most influential jazz musicians of all time, was at the peak of his career. He revolutionized the jazz trio (bass, piano, drums) by giving each part equal emphasis in what jazz historian Ted Gioia called a “telepathic level” of interplay. It was an ideal opportunity for a sideman, and after auditioning in 1978, Joe La Barbera was ecstatic when he was offered the drum chair, completing the trio with Evans and bassist Marc Johnson.

Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.

New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the listener behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices—many sadly deceased—and reveal the changes in styles, the connections between performers, and the evolution of New York blues.

This is the first serious biography of a man widely considered one of Texas’ - and America’s - greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour.

William Vacchiano (1912 - 2005) was principal trumpet with the New York Philharmonic from 1942 to 1973. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein, and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching. Two of his better known students are Miles Davis and Wynton Marsalis.

From his dazzling conducting debut in 1943 until his death in 1990, Leonard Bernstein's star blazed brilliantly. In this fresh and revealing biography of Bernstein's political life, Barry Seldes examines Bernstein's career against the backdrop of cold war America - blacklisting by the State Department in 1950, voluntary exile from the New York Philharmonic in 1951 for fear that he might be blacklisted, and the factors that by the mid-1950s allowed his triumphant return to the New York Philharmonic.