Títulos en Afroamericana

A year away helped me realize that Delgato power doesn't just apply to the males in our family. Being away showed me that the same power cruised through my blood. That same power helped me remember who I am. I am Capri Delgato… Baby Doll. A lawyer by day, and the hood's princess by night. The one who will ride for her family. Ms. Delgato, who will make sure her brother never returns to prison because I know the ins and outs of the legal system. With my niece-in-law, we gonna show 'em that the Delgatos don't just run the streets…

My brother's freedom is in jeopardy and in my hands. How could I be so happy in my life and scared at the same time? No matter what, I know what needs to be done, and that's to protect my brothers. The one person I never thought I would see was standing a foot away from me. When Tasha was sent out my life, I never thought I would see her again. I never got to handle her the way that I always wanted to, but now it was time to make sure this bitch joined her son—in the dirt. On my unborn child, I was going to make sure that the family came out on top.

In part two of Homies, Lovers And Friends, Michelle is left with the fact that her life with Tasheem just might have caused her cousin to be murdered. When taking four steps forward, she feels as if she's pushed back fifteen. Just when she thought she had gotten rid of Tasheem and his evil ways, he came back and decided to cause harm to not just her, but Miracle.

She's a homie hopper. She's confused. She doesn't take accountability for anything. She's f*cking her way through all her brothers' friends. I've heard more than a few of those when people talk about me, and I have even felt the same way my damn self. I didn't know what I wanted. I mean, I knew what I wanted. I wanted marriage, love, and the commitment that I made to my husband—ex-husband. I've found myself confused after my divorce from Naheim. It would have been easier to stay and forgive him for something that broke me. It would have been easier for him to stay and forgive me.

I'm a protector, and my family is my responsibility. When it comes to my team, I'm the same way. They are family and the reason that me and Capone are able to do us in the streets, knowing they are tucked away safe. As a man, you sometimes fall short, and something—someone—falls through the cracks. I know one thing; I put that on my grandson that I'm going to crack his uncle's skull. He has hurt his own family, tossed them out to the wolves, and has hurt mine. I don't take too kindly to people hurting mine.

NEW YORK TIMES BESTSELLER The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that...

There were a lot of things that I could live without. I had lived without freedom for the past fifteen years. My wife was someone that I couldn't live without, and I needed her. Alaia saved a lot of people with just a touch of her hand on my arm. She calmed the beast within me, reminded me what I had at home. Alaia was someone that I refused to live without, and now, they took her from me. They touched my wife and thought they would be able to live to talk about it. You didn't touch a Delgato and thought you would live. You didn't touch what was mine and think you could live.

عمل روائي جميل، فيه من فعل الإيحاء ما لا يفعله المباشر الصريح ولا واقع الحدث. طفولة تعلَّم عصافيرها الحذر كي لا تقع كل مرة في فخاخ التاريخ، وتصبح أسيرة قضبان القفص...

Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.

Estudiante de doctorado en neurociencia, Gifty explora la conducta en ratones para investigar el funcionamiento de los circuitos neuronales de la depresión y la adicción, dos enfermedades que han causado estragos entre sus seres más queridos: su hermano, Nana, era una promesa del atletismo que murió hace años a causa de una sobredosis de heroína tras una lesión de tobillo y la dependencia al OxyContin, mientras que su madre ha vuelto a caer en una depresión severa.

لم تكن مريم قد تجاوزت الخامسة عشرة عندما أُرسلت إلى كابل لكي تتزوج من رشيد. بعدها بنحو عقدين من الزمان، تنمو صداقة بين مريم وبين صبية من بنات كابل، صداقة قوية مثل...

Over one million copies sold! The Instant New York Times Bestseller! A Good Morning America* Book Club Pick! Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post! “Historical fiction at its best!”* A remarkable novel about J. P. Morgan’s personal...

Hijas de una misma madre y de padres pertenecientes a dos etnias distintas, Effia y Esi son dos hermanas de sangre que nunca llegarán a conocerse. Sus caminos están irremediablemente destinados a separarse: así, mientras Effia es obligada a casarse con un gobernador inglés y a residir en una fortaleza junto a la costa, Esi es capturada y enviada como esclava al sur de Estados Unidos.

Considerada la obra cumbre de Ralph Ellison y una de las cien mejores novelas de lengua inglesa del siglo XX, esta novela es el relato en primera persona de quien se describe a sí mismo como un «hombre invisible», no por una anormal condición fisiológica, sino porque la sociedad permanece ciega ante él; se niega a verlo.

Afrofuturism is a cultural movement that seeks to explore and transform the experience of the African diaspora. Stretching across multiple art forms and genres, the movement taps into the limitless potential of creativity and the imagination to envision Black liberation through stories, music, architecture, fashion, music, and so much more.

I'm the last of my pack to find a mate, and it's agonizing. I crave the family life I've watched my brothers enjoy for years. So, I've chosen to assist Kade in rescuing baby shifters who are victims of an underground trafficking ring run by radical humans. It's a heartbreaking mission, saving orphaned shifter children, but it's necessary. I'm tired of seeing innocent supernaturals suffer at the hands of these extremists. I suspected I might meet my fated mate on this journey, but I was still caught off guard by her sweet strawberry scent, one I'll never forget.

Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment.

Winner of the NAACP Image Award for Fiction From the uthor of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age...

Dee has always been a girl who knows how to hustle. From the time she could walk, she knew the value of a dollar--and how to work for it. You have to, growing up on the streets of Ratchet City. A natural beauty, Dee's childhood in the ghetto and a slew of foster homes has given her a hard edge that belies her appearance. Tough as nails and unwilling to take smack from anybody, she's built to survive in a world where you're either the player or getting played.

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams, too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate'—a certain word from a saleswoman, that visit to the cinema, the cruelty of a department store Santa Claus—are always there.