Resultados de "Mary Wilkins" en Todas las categorias

Como fiel reflejo de la sociedad en que se desarrolla, la literatura muestra los cambios y terrenos que ha ganado la mujer a lo largo de la historia. Aún queda mucho camino que recorrer pero Medea, Sherezade, Morella, Madame Bovary e, incluso, Lisbeth Salander han ayudado a defender y...

In the hands of these classic American humorists, even the simplest household task can become a spectacular catastrophe. A cook turns a respectable home upside down. A burglar alarm causes more trouble than any burglar. Weddings descend into chaos, automobiles become runaway hazards, and the...

In a quiet New England home, three sisters find themselves haunted by an unexplained shadow that mysteriously appears on the wall. As its unsettling presence lingers, fear, suspicion, and long-buried emotions begin to surface, forcing them to confront the darkness that has taken hold of their lives. With psychological tension, supernatural unease, and Freeman's masterful portrayal of small-town life, The Shadow on the Wall is a haunting tale where conscience proves more terrifying than any ghost.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.

Ciò che rende unici i racconti di Mary E. Wilkins Freeman non sono le case infestate, i fantasmi e le misteriose presenze, che pure non mancano di tendere agguati al lettore, nascoste nell'ombra delle pagine del libro. Ciò che li rende unici nel loro genere sono le protagoniste, non fanciulle indifese in attesa di essere salvate ma donne che affrontano l'ignoto con perseveranza e determinazione.

Mary Wilkins Freeman's "The Southwest Chamber" and "Shadows on the Wall", Gertrude Atherton's "The Bell in the Fog", Charlotte Gilman's "The Yellow Wallpaper", Kate Chopin's "Her Letters", and Madalene Yale Wynne's "The Little Room" comprise this eerie collection.

This whimsical collection of Christmas stories is sure to delight children of all ages. Includes the holiday favorites "Santa Claus Does Not Forget", "The Doll's Christmas Party", "Little Girl's Christmas", "Jimmy Scarecrow's Christmas", "The First Christmas Tree", and "Mama's Happy Christmas".

In a small village, all the children gather to celebrate Christmas with a grand masquerade party. All goes well until after the party, when all of the children begin acting the part of the costumes they wear. The mayor soon discovers that the only cure for this remarkable magic is to open their hearts and accept the charitable spirit of the holidays.

Jimmy Scarecrow, feeling alone and forgotten on Christmas, is cheered up by the great kindness of Little Betsy, who makes sure that even a scarecrow gets a Christmas gift.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Mary E. Wilkins Freeman is known primarily as a "feminist" and "local color" writer, for such classic tales as "The Revolt of Mother". She wrote very entertaining stories that included clear depictions of the pressures that often silenced or devalued women and their concerns. This famous story gets that message across but not without a bit of humor.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

When Edward Glynn dies suddenly in the family home, the surviving siblings gather in mourning—yet grief quickly gives way to dread. A strange shadow begins appearing on the study wall each night, a tall and unmistakably human silhouette that refuses to fade, no matter how the room is rearranged or the light is moved. Caroline, Rebecca, and Emma Glynn struggle to hold themselves together as the tension among them thickens, suspicions grow sharper, and their brother Henry’s behavior turns increasingly frantic. What is the shadow? Why does it look like Edward?

Als Harriet Gill nach einem langen Leben stirbt, erben ihre zwei Großnichten, Sophia und Amanda Gill, ihr altes Haus in der Nähe von Boston. Doch es ist ein zweischneidiges Erbe: denn die beiden Schwestern dürfen das Anwesen erst nach zehn Jahren verkaufen und müssen so lange selbst darin wohnen, was eine teure Angelegenheit zu werden droht. Nur gut, dass die findige Sophia eine Idee hat, mit dem Problem umzugehen. Sophia und Amanda verwandeln das Anwesen kurzerhand in eine Pension. Doch sie haben nicht mit dem Widerstand der Verstorbenen gerechnet.

In a quaint New England village, the Glynn siblings gather to mourn the unexpected death of their brother Henry. As they convene in the dimly lit family home, old tensions and secrets begin to surface, intertwining with an unsettling presence that lurks within the house. The siblings soon discover eerie shadows cast upon the walls—shadows that seem to move of their own volition, whispering untold tales of the past. As the family grapples with their own guilt and grief, the mysterious shadows grow darker, revealing a truth more sinister than any of them could have imagined.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of American women authors whose time has now come again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.