Resultados narrador por "Matthew Schmitz" en Todas las categorias

This is G.R.S. Mead's translation of the Pistis Sophia, the most extensive Gnostic scripture available until the discovery of Nag Hammadi texts in 1945. The Pistis Sophia is a startling blend of primitive Christianity and Hellenic Paganism, with other elements such as reincarnation, astrology, mystery religion and Hermetic magic.

The central concept of analytical psychology is individuation—the psychological process of integrating the opposites, including the conscious with the unconscious, while still maintaining their relative autonomy. Jung considered individuation to be the central process of human development.

The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs.

Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. Sanai's book, The Enclosed Garden of the Truth, a treatise on God and the seekers journey to Him, forms one part of three highly influential early Sufi works. The others being Attar's Conference of the Birds and Rumi's Masnavi. Sanai's work is considered to be the first to use poetry to express religious, spiritual and mystical ideas. Rumi acknowledges both Sanai and Attar as having a major influence on his own poetry and stated 'Attar is the soul and Sanai the two eyes'.

The New Testament tells the story of Jesus Christ and the beginning of Christianity. It starts with the four Gospels, which describe Jesus’ teaching, miracles, conflicts with religious leaders, death by crucifixion, and resurrection. Acts follows by showing how the apostles, empowered by the Holy Spirit, preach in Jerusalem and beyond, leading to the growth of the early church and the spread of the message throughout the Roman world, especially through the missionary work of Paul.

Nostradamus’s The Prophecies presents hundreds of tightly compressed quatrains that fracture time and history into symbolic glimpses of upheaval, power, and ruin. The work avoids narrative order; instead it disperses images of kings, empires, celestial disturbances, plagues, and wars across a fog of allegory, where each vision feels suspended between history and imagination. The language is deliberately opaque—layered with astrological references, classical allusions, and oblique metaphors—forcing the listener to navigate a shifting terrain of potential meanings rather than fixed predictions.

Dion Fortune’s Psychic Self-Defense is a seminal work on the hidden dimensions of psychic and spiritual vulnerability, exploring how unseen forces—whether psychological projections, unconscious influences, or genuine occult phenomena—can affect human well-being. Drawing from her own experiences as a psychotherapist and occultist, Fortune examines cases of psychic attack, obsession, and energy vampirism, offering practical methods of protection through mental discipline, moral clarity, and spiritual hygiene.

A Road to Self-Knowledge by Rudolf Steiner is a spiritual-guide structured as eight meditations, each focusing on successive layers of human being — from the physical body and etheric (life-force) body, through the elemental world and the “Guardian of the Threshold,” to the astral body, the I- or thought-body, the nature of experience in supersensible realms, and finally the remembrance of one’s repeated earthly lives.

The unabridged and enhanced 2nd edition of Zetetic Astronomy, formulated in the 19th century by Samuel Rowbotham, presents a flat-earth cosmology grounded in direct sensory observation rather than theoretical abstraction. Rejecting Newtonian and Copernican astronomy, Rowbotham argued that the Earth is a flat, stationary plane with the Sun, Moon, and stars moving in circular paths above it, asserting that empirical evidence—such as the apparent flatness of horizons and the behavior of water surfaces—supports this model.

Taylor frames the Orphic hymns as fragments of a primordial theology in which the gods are not personalities but cosmic powers, each hymn functioning as a precise invocation of a universal principle. His translation exposes an initiatory system built on purification, cosmic sympathy, and ascent through successive layers of divine order.

Brought to you by Altrusian Grace Media and narrate by Matthew Schmitz. This is the first English translation and the only one sanctioned by Rudolf Steiner himself. First published in 1916, it is based on the original 1894 German Die Philosophie der Freiheit. Other translations have been based on the 1918 revised German edition. It includes inspiring passages about individualism that were removed from the book in 1918 and are missing in later translations. The Philosophy of Freedom is the fundamental philosophical work of philosopher, Goethe scholar and esotericist Rudolf Steiner (1861–1925).

Herbert Silberer’s Hidden Symbolism of Alchemy and the Occult Arts (1917) explores the deeper meanings behind alchemical texts, Rosicrucian allegories, and mystical traditions, arguing that these works are not simply about chemical experiments but are symbolic accounts of inner transformation. Using both Freudian psychoanalysis and spiritual interpretation, Silberer demonstrates how myths, dreams, and esoteric emblems express unconscious drives as well as higher religious aspirations.

In an age where stories flicker across screens in dazzling speed, there is a special kind of magic in returning to the deep, quiet enchantments of old. The Red Fairy Book, first compiled by Andrew Lang in 1890, offers us not merely fairy tales but a tapestry of cultural memory—woven from the folklore of Norse skalds, French peasants, Russian woodsmen, and the fireside storytellers of Iceland and Japan. These are not the softened tales of modern retellings; they shimmer with peril and wonder, cruelty and kindness, cunning and grace.

Deep in the sweltering jungles of South America, two explorers — Falmer and Thone — stumble upon a forgotten ruin, hidden beneath centuries of tangled growth and silence. Within its shadowed chambers lies an ancient tomb, undisturbed, its secrets sealed in stone and time. But something lingers in the sepulchre. Something old. Something alive. Something that does not sleep. As one of the men becomes obsessed with a strange, unidentifiable seed found within the tomb, the boundary between plant and predator, dream and nightmare, begins to rot and dissolve.

H.P. Lovecraft often warned us that there are things not meant to be understood—truths too ancient, too vast, or too alien for the human mind to hold. In The Unnamable, he takes that warning a step further: some things cannot even be described. This story, first published in 1925, is part philosophical debate, part ghost story, and part quiet apocalypse.

The Crawling Chaos is a haunting, surreal tale born from the collaboration between H.P. Lovecraft and writer Winifred V. Jackson. First published in 1921, this story combines Lovecraft’s eerie prose with a dream that Jackson herself experienced, which served as the story’s foundation. In an interesting twist, the two writers published under pseudonyms, with Jackson as “Elizabeth Berkeley” and Lovecraft as “Lewis Theobald, Jun.”

There are Lovecraft stories that roar with cosmic terror — ancient gods, unknowable entities, the madness of knowledge. And then there is What the Moon Brings. This short, haunting piece is not a tale in the traditional sense, but a dream — or rather, a descent. It belongs to that strange and shadowy corner of Lovecraft’s imagination where logic erodes, and we are left adrift in a realm shaped by mood, moonlight, and the whisper of things not quite seen. First published in 1923, What the Moon Brings reads like a surreal reverie drenched in symbolism.

"The White Ship" is a horror short story by American writer H. P. Lovecraft. It was first published in The United Amateur (Volume 19) #2, November 1919, and later appeared in the March 1927 issue of Weird Tales. Basil Elton, a lighthouse keeper, engages in a peculiar fantasy in which a bearded man in robes is piloting a mystical white ship which appears when the moon is full. Elton walks across the water on a bridge of moonbeams, joins the bearded man on the ship, and together they explore a mystical chain of islands unlike anything that can be found on Earth.

"The Last Incantation" by Clark Ashton Smith tells the story of Malygris, an aging necromancer who has mastered all forms of magic but is plagued by ennui. In a bid to escape his despair, he attempts to summon his long-lost love, Nylissa, from the dead, only to discover that the reality of her presence does not fulfill his nostalgic desires, leading to a poignant lesson about the passage of time and the nature of memory.

The tales you are about to listen to are older than cities. Older than memory. They come from a land where the sun was a god, the river a lifeblood, and every stone held a secret. In Ancient Egyptian Legends, M. A. Murray gathered the fragments of a long-vanished world and gave them voice again — stories once carved in temple walls, whispered by priests, or preserved in faded papyrus scrolls.