Resultados de "G.K. Chesterton" en Todas las categorias

The first part of the novel involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael, while the rest of the narrative concerns dispute between a Jacobite Catholic named Maclan and an atheist socialist named Turnbull. Both hold fanatic opinions and prepare for a duel that is proposed but never fought, inspiring a slew of comic adventures with allegorical dimensions.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In 'The Mistake of the Machine', Father Brown pits himself against an early polygraph device to solve a highly puzzling crime.

The Flying Inn is a satirical novel by G.K. Chesterton, first published in 1914. The story is set in a future England where a repressive ideology dominates the country’s political and social life. The narrative follows the adventures of Humphrey Pump and Captain Patrick Dalroy as they travel around the country in a donkey cart with a barrel of rum in order to evade prohibition. The two men spread good cheer wherever they go on their journey, which encounters romance, revolution, and a host of memorable characters.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

A wonderful collection of classic thrillers, mystery stories, crime tales and weird accounts of uncanny events.1. Query by “Seamark” 2. The Furnished Room by O. Henry 3.The Dancing Partner by Jerome K. Jerome 4. The Squaw by Bram Stoker 5. The 19 Club by A. J. Alan 6. The Interruption by W. W. Jacobs7. Laura by Saki 8. A Descent into the Maelström by Edgar Allan Poe 9. The Diver by A. J. Alan10. The Man of the Night by Edgar Wallace11. The Burglary by Arnold Bennett

A wonderful selection of some of the most bizarre and unsettling stories ever written.

A rich collection of diverse and fascinating stories by famous classic authors. 1.The Bus Conductor by E. F. Benson 2.The Murderer by Perceval Gibbon 3.The Death Mask by H. D. Everett 4.Caterpillars by E. F. Benson 5.His Brother’s Keeper by W. W. Jacobs 6.The Secret of the Black Bag by William Le Queux 7.A Joy Ride by A. J. Alan 8.The Perfect Murder by Stacy Aumonier 9.The Furnished Room by O. Henry 10.The Squaw by Bram Stoker 11.The Dust Cloud by E. F. Benson 12.The Idiot by Arnold Bennett

A glittering collection of humorous stories by classic authors, including 'The Tremendous Adventures of Major Brown' by G.K. Chesterton, 'The Talking Horse' by Thomas Anstey Guthrie, 'The Seventh Pullet' by Saki, 'Biffin on the Bassoon' by Harry Graham, 'The Scharz-Metterklume Method' by Saki, 'The Chaplet' by Saki, 'The Facts' by Ring Lardner, 'A Dissertation Upon Roasted Pig' by Charles Lamb, 'Fur' by Saki, and 'The Lumber Room' by Saki'.

Christmas, they say, comes but once a year. In these days it seems to also last for much of that year - but this volume is not just for Christmas! For the religious amongst us, this annual celebration of the Birth of Christ must seem bitter sweet: it's acknowledgment by billions of people countered by the pervasive spread of material possessions translating the event to little more than a sales pitch for material wares.

A riveting collection of stories of ships, sailors, adventures on the high seas and maritime mysteries. The Tale by Joseph Conrad. The Saloon Passenger by E. W. Hornung. The Terrible Story of the "Mary Russell" by J. G. Lockhart. Marooned by J. G. Lockhart. A Rash Experiment by W. W. Jacobs. The Mystery of the Mary Celeste by J. G. Lockhart. Smoked Skipper by W. W. Jacobs. The Flying Dutchman by J. G. Lockhart. The Cabin Passenger by W. W. Jacobs. The Ship that saw a Ghost by Frank Norris.

In the realm of narrative literature, the appeal of the short story is that it provides nearly immediate satisfaction. Here is a collection of wonderful classic short stories by such great authors as Saki, G.K. Chesterton, Edgar Wallace and O. Henry.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Queer Feet, Father Brown pulls off an outstanding and captivating piece of deduction when he hears very odd footsteps in a most peculiar hotel in London, where a secret society is dining. As he considers the impact of these strange steps, he suddenly realises that a crime is in the process of being committed, and he quickly sets out to intervene.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Paradise of Thieves Father Brown is travelling in Italy when he comes across a strange situation. An English family on vacation is in the guidance of a local courier, and the daughter is also flirting with an Italian poet and musician who appears to be something of a lothario. But Father Brown senses that something is not right.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In "The Blue Cross" however, we are following the famous Parisien sleuth Aristide Valentin in pusuit of a master criminal in London. Valentin's problem is that he has no clue where to start looking... until in a restaurant where he has his breakfast, the salt and sugar are in the wrong containers.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

Valentin, the greatest detective in the world, travels to London on the trail of the most elusive of villains. But a strange trail of clues leads Valentin through London and out into the country. It isn't until the meandering journey's end that the short, moon-faced Father Brown sets Valentin back on his feet.

In What's Wrong With the World, G.K. Chesterton discusses big business, education, government, feminism, and more. The work draws on thousands of essays Chesterton contributed to newspapers and periodicals over his lifetime. Eloquently opposing materialism, hypocrisy, and snobbery, Chesterton was a steadfast champion of family, faith, and the working man. The work includes a discussion of humankind and its nature, the power of spirituality and the consequences of increasing secularism in the modern world, and the role of education in shaping the young to fit into the society.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.