Resultados de "Katherine Mansfield" en Todas las categorias

The Sheridan family is preparing to host a garden party. Laura is supposed to be in charge, but has trouble with the workers who appear to know better, and her mother (Mrs. Sheridan) has ordered lilies to be delivered for the party without Laura's approval. Her sister Jose tests the piano, and then sings a song in case she is asked to do so again later. After the furniture is rearranged, they learn that their neighbour Mr. Scott has died.

In the realm of narrative literature, the appeal of the short story is that it provides nearly immediate satisfaction. Here is a collection of wonderful classic short stories by such great authors as Saki, James Joyce, Katherine Mansfield and Kate Chopin.

A collection of short stories written by some of the greatest female writers of all time including Virginia Woolf, Kate Chopin, Katherine Mansfield, and Winifred Holtby.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

The Escape is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. It was his fault, wholly and solely his fault, that they had missed the train. What if the idiotic hotel people had refused to produce the bill? Wasn’t that simply because he hadn’t impressed upon the waiter at lunch that they must have it by two o’clock? Any other man would have sat there and refused to move until they handed it over.

Mr. and Mrs. Dove is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. Reginald is returning to Rhodesia the next day; it is his last day in England. Again he thinks of Anne; then he goes to Colonel Proctor's to say goodbye, and he is greeted by Anne, her parents being away. On seeing him she laughs, then he tells her he is leaving. They both look at her pet doves. She remarks how "Mr. Dove" is always running after "Mrs. Dove".

A Dill Pickle is a 1917 short story by Katherine Mansfield. It was first published in the New Age on 4 October 1917. A revised version later appeared in Bliss and Other Stories. The characters and their relationship possibly were inspired by Mansfield's older sister Vera Margaret Beauchamp and her husband James Mackintosh Bell. A man and a woman who used to be romantically involved meet by chance in a tea-house not having seen each other for about six years.

The Young Girl is a 1920 short story written by Katherine Mansfield. Mrs. Raddick’s and her beautiful daughter waited on the steps of the casino. The daughter was incredibly beautiful with flushed cheeks, blue eyes, and golden curls. She “might have just dropped from this radiant heaven” (79), and Mrs. Raddick seemed to think so too - if her appreciative glances were any indication. The girl; however, appeared only bored as if heaven had been full of casinos and they no longer held any interest for her.

Miss Brill is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

Her First Ball is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. A young girl called Leila has come to the city to stay with her cousins. They are going to a ball. Leila is very excited: this is her first ball. Once there, she is both excited and terrified. After dancing with several young boys her own age, she dances with a wrinkly balding man who has been coming to balls for a while.

Bank Holiday is a story by Katherine Mansfield: A stout man with a pink face wears dingy white flannel trousers, a blue coat with a pink handkerchief showing, and a straw hat much too small for him, perched at the back of his head.

Life of Ma Parker is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.

The Singing Lesson, written by Katherine Mansfield, is all about a surprising day of a music teacher’s life. Taken from Katherine’s The Garden Party and Other Stories collection, it’s a short story written in third person from an unknown narrator’s perspective. - Miss Meadows, a music teacher, receives a letter from her fiancé which states quite plainly that Basil, her fiancé, isn’t ready to marry her and feels that the marriage would fill him with disgust. The word “disgust” is scratched lightly and written above it is the word “regret”. Naturally she’s filled with despair, anger & sadness.

At the Bay is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield’s best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins, she was coming to terms with her relationship with Murry and with her own origins and identity.

Revelations is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. From eight o’clock in the morning until about half-past eleven Monica Tyrell suffered from her nerves, and suffered so terribly that these hours were—agonizing, simply. It was not as though she could control them.

An Ideal Family is a 1921 short story written by Katherine Mansfield. The story circles around a man who is complimented about how perfect his family is, but he seems to think otherwise.

A garden bathed in sunlight, tables laid with fine china, the hum of polite laughter—everything is in place for the perfect afternoon. The Sheridans' party is effortless, untouched by worry, floating on a breeze of privilege. But just beyond the garden's edge, life is different—harsh, unpolished, shaped by struggle. Laura Sheridan stands between these two worlds, drawn in by beauty yet unsettled by something she can't quite name. A hat, a voice, a fleeting hesitation—small moments that carry unexpected weight. Can innocence survive once you glimpse what lies outside the gates?