Resultados narrador por "Richard Mitchley" en Todas las categorias

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge, on 28th September 1864. He was one of 4 children. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Dorothy Kathleen Broster was born on 2nd September 1877, at Devon Lodge in Grassendale Park, Garston, Liverpool. Her novels, mainly historical fiction, peaked in popularity with ‘The Flight of the Heron’, in 1925, a best-seller followed up by two sequels. As well as poetry and various articles, she also wrote several short stories, the best known of which is a classic of weird fiction ‘The Couching at the Door’, in which an artist appears to be haunted by a mysterious entity.

Algernon Blackwood was born on 14th March 1869 in Shooter’s Hill, South East London, to a religious middle-class family. Blackwood was interested in the paranormal and the supernatural at an early age, and had a thirst for anything on Buddhism, other Oriental philosophies, mysticism and occultism. The Empty House is one of his most famous ghost stories. A man accompanies his adventurous aunt to a notorious haunted house. As the two exploring its dark, empty rooms, it becomes apparent that the house has not forgotten the earlier tragedy.

Isobel Violet Hunt was born on 28th September 1862, in Durham. As a young child her family moved to London and Hunt was brought up amongst the Pre-Raphaelite circle of artists. As a writer she was comfortable and talented enough to write across several forms, including short stories, novels, memoir, and biography. Her short story ‘The Coach’ is an excellent example of her black comedy writing. This cramped setting turns into a macabre tour de force delivering literary punch and emotional heft.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

The creation of a human hybrid with our closest living relative, the chimpanzee, has not been ruled out as an impossibility, but would any laboratory want to be involved? Why invite global condemnation and raise social, moral, and legal storms? It was certainly not the intention of the Strickland family, who are innocently involved with research and a veterinary practice in rural England.

Love whether fleeting or of the ages, expressed with a look, a touch, or a thought is wanted by us all. Our classic poets did not surrender to the logic of the group or seek advice from others quick to blame but slow to embrace. Their legacy remains because it is true, because in that look, that touch, that thought, that display of words the heart remembers us and treasures us. Here are words and verse of love. For your ears, your loved one’s ears and hearts everywhere.

Whilst writer Charles Dickens needs no introduction, his Haunted House anthology might, not least because in his role as editor he introduces a formidable array of known and lesser-known literary talents.

Between then and now poets have written verse, both serious and humorous, in attempts to keep a poetic track both of feelings and as a tribute to our four-legged friends and their adventures.

In 1274, Edward the First ruled England having inherited the crown from his father, Henry the Third. Across the border to the west, the smaller country of Wales was ruled by Prince Llewellyn ap Gruffydd, a direct descendant of Llewellyn the Great. Tensions were strained between the two countries and minor conflicts were commonplace between the lesser nobles, but when Edward found out about Llewellyn’s proposed marriage to Eleanor du Montfort, he was incensed, and in 1275, arranged for her ship to be intercepted as she travelled from France to be with the Welsh prince.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.

George Robert Gissing was born on November 22, 1857, in Wakefield, Yorkshire. He was educated at Back Lane School in Wakefield. Gissing loved school. He was enthusiastic with a thirst for learning and always diligent. By the age of 10 he was reading Dickens, a lifelong hero. In 1872, Gissing won a scholarship to Owens College. Whilst there, Gissing worked hard but remained solitary. Unfortunately, he had run short of funds and stole from his fellow students. He was arrested, prosecuted, found guilty, expelled and sentenced to a month's hard labour in 1876.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.

Sometimes we just want the best. But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. Even more so with poetry. Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats? And ’If’? Surely Kipling wrote something else? So difficult to decide. This one or that? Is it easier to choose your 50 favourite poets or your 50 favourite poems?