Resultados narrador por "Natalie Naudus" en Todas las categorias

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, Patricia Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

The stories in this anthology range from quietly strange to ambitiously speculative. Humans transform into cosmic energy or sentient algae. A man wakes up in a new body in a world with continents cut out, months absent from the calendar year, and souls misplaced. Students at a high school regularly vanish without a trace. A woman descends into the depths of the ocean and encounters all-knowing creatures who may have the answers to her deepest questions.

The third collection in the Music and Murder Mystery Series, Back in Black features one story for each song from the seminal hard rock album of the same name. This book showcases ten brilliant mystery writers at the top of their game, including Reed Farrel Coleman, Heather Graham, Tori Eldridge, Ward Larsen, and Andrew Child, among others.

Pell is an engineer and digger by trade—unearthing and repairing the fascinating artifacts left behind by the mysterious Ancients who once inhabited the sunbaked planet of Tampere. She’ll do anything to help the people of her village survive and to better understand the secrets of what came before.

The year is 1901, and Ada Byrd―spinster, schoolmarm, amateur naturalist―accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past―riddled with grief and shame―has never seemed so far away. But then Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun.

Mingshin outsmarted three princes to help the man she loved become king. But she doesn’t see Ren’s betrayal coming, not until she’s lying in a pool of her own blood on the palace steps. As she’s dying, Mingshin makes a desperate plea to the gods to turn back time and give her a chance to make things right. Mingshin wakes up two years earlier, her prayer granted, and swears two things: Ren will never become king, and she will never fall in love again. But the timeline in this life has changed.

As an expert thief from a minor moon, Cass knows a good mark when she sees one. The emperor’s ball is her chance to steal a fortune for herself, her ailing father, and her scrappy crew of thieves and market vendors. Her plan is simple: 1. Hitch a ride to the planet of Ouris, the dazzling heart of the empire. 2. Sneak onto the imperial palace station to attend the emperor’s ball. 3. Steal from the rich, the royal, and the insufferable. But on the station, things quickly go awry. When the emperor is found dead, everyone in the palace is a suspect—and someone is setting Cass up to take the fall.

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

Planning the perfect prom is one last “to do” on ultra-organized Charlotte Wu’s high school bucket list. So far, so good, if not for a decorating accident that sends Charlotte crash-landing off a ladder, face-first into her obnoxiously ripped archnemesis J. T. Renner. Worse? When Charlotte wakes up, she finds herself in an unfamiliar bed at thirty years old, with her bearded fiancé, Renner, by her side.

When Andi Edwards discovers her husband Spencer isn’t where he’s supposed to be and isn’t answering her calls or texts, a flurry of scenarios races through her mind. Is he hurt? Is he cheating? Is he dead? The truth, she soon finds out, is so much worse than she could’ve imagined. As she struggles to make sense of her new and chilling reality, she must decide whether to stand by the man she loves and help protect him or walk away and let him pay for his sins.

Gigi Rutherford loves love stories. She reads them, she sells them at her romance bookstore, and she could spend hours imagining the meet-cutes of every couple she encounters. But when it comes to her own love interests, Gigi is out of stock. Instead of enduring bad date after bad date, these days she’d rather curl up with her favorite audiobook and the only man who makes her heart skip a beat: Zane Wilkenson, the smooth-voiced narrator Gigi is convinced is her soulmate. Then, she’s presented with the chance of a lifetime: a ten-day bus tour through the English countryside.

As a descendant of the Chinese god of medicine, Elle was destined to be a doctor. Instead, she’s underemployed as a magical calligrapher at the fairy temp agency. She and her older brother are in hiding from their younger brother, who seeks their deaths to gain their god’s favor. Safety means an order of invisibility with a side of no attachments at the No Fun Allowed store. Elle only relaxes around her client Luc, to whom she’s gotten attached. Oops.

It’s March 2034, six months after D.C. police detective Jen Lu and Chandler, her sentient bio-computer and wannabe tough guy implanted in her brain, cracked the mystery of Eden. The climate crisis is hitting harder than ever: a mega-hurricane has devastated the eco-system and waves of refugees pour into Washington, D.C. Environmental lawyer and media darling Patty Garcia dies in a bizarre accident on a golf course. Of the seven billion people on the planet, only Jen thinks she was murdered.

What does it mean to be-in-kind with a nonhuman animal? Or, in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness: to see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera of a fresh kill; and, above all, to feel the belonging of the pack.

Veteran Fourth Echelon agent Sam Fisher has a new mission recruiting and training the next generation of Splinter Cell operatives for the NSA’s covert action division, including his daughter Sarah. But when a lethal assassin from Fisher’s past returns from the dead on a mission of murder, father and daughter are thrust into a race against time as a sinister threat to global security is revealed.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Sisters Nadia and Cass Brenner are heirs to Ocean House, a decades-old empire that builds superyachts for the rich and powerful: emirs, oligarchs, and titans of industry throughout America and Europe. They’re a next-generation success with the design of their soon-to-be-commissioned megayacht for a Chinese billionaire. But the sisters’ entrée into the coveted Asian market is tragically cut short when Cass falls from a fortieth-floor hotel balcony.

In the days of the Sundering, Quarabala - the Seared Lands - were cursed by Akari Sun Dragon and scorched beyond all recognition. Now a cruel place inhabited by nightmare beasts, the Seared Lands are home to a desperate few; and as fears of a second Sundering grow, these people look to greener lands. If no place is found for them, they will seize new lands from the soft hands of Those Who Dwell Above.

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.