Resultados de "D.H. Lawrence" en Todas las categorias

A Classic Pair: Tess of the D'Urbevilles & Lady Chatterley's Lover brings together two iconic British writers from the late nineteenth and early twentieth centuries: Thomas Hardy and D. H. Lawrence. Famed for their brazen explorations of love and sexuality in their works, which challenged contemporary social norms, both authors were fiercely critical of society's rigid conventions. In this classic pair, delve into worlds of unmet desire, unexpected connections and ironically tragic fates in writing that resonates still today.

This carefully curated anthology brings together the most iconic romantic tales of all time—each filled with complex characters, sweeping emotions, and timeless narratives that will captivate your heart. From the fiery romance of Wuthering Heights to the quiet yearning of A Room with a View, these stories are a perfect blend of forbidden love, tragic endings, and tender moments of connection.

From mystery and crime to romance and tragedy, in this collection you will discover award-winning writing that effortlessly spans genre and style. Witness the excess and luxury of 1920s America in The Great Gatsby, experience profound meditations on death in The Bridge of San Luis Rey, as well as Poirot's very first murder case in The Mysterious Affair at Styles. The titles included in this collection, in order of appearance, are: The Hound of the Baskervilles, by Arthur Conan Doyle; The Call of the Wild, by Jack London; The Weary Blues, by Langston Hughes; The Great Gatsby, by F.

The Ultimate Classics Collection: Volume Four is the fourth instalment of our wide-ranging classic collections. Volume Four features 12 timeless works that largely focuses on the greats of American and British literature, with novels from Charles Dickens, Edith Wharton, Thomas Hardy, Victor Hugo, and others. Read by a cast of incredible narrators including Miranda Raison, Pearl Mackie, Adam Sims, David Rintoul, and more, this is a chance to expand your listening with some of the greatest authors of all time.

First published in 1915 and often ranked as one of the best novels of the twentieth century, The Rainbow is a passionate tale of desire, struggle and the search for personal freedom. As bold as it is lyrical, The Rainbow traces three generations of the Brangwen family as they navigate love, desire, identity and social change in rural Nottinghamshire. Centred on the spirited Ursula Brangwen, the narrative explores her struggle for independence and self-fulfilment in a world driven by traditional social conventions.

Lawrence wrote three drafts of ‘Lady Chatterley’s Lover’ between 1926 and 1928: ‘The First Lady Chatterley’s Lover', this audiobook, ‘John Thomas and Lady Jane’ and the final version, ‘Lady Chatterley’s Lover’. Although all three books have the same story line of an aristocratic woman falling in love with a working-class man, there are differences in their tone and sensibilities.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head. 

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him. 

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."