Resultados de "Robert W Chambers" en Todas las categorias

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

What exactly lies beyond the treacherous and previously impassable Canadian glacier? From the collection In Search of the Unknown comes a chilling tale of the things nature can do when nobody’s watching.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.

O título da coletânea faz alusão a um livro dentro do audiolivro—mais precisamente, a uma peça teatral fictícia—e a seu personagem central, uma figura sobrenatural cuja existência extrapola a narração. A peça O Rei de Amarelo é mencionada em quatro dos contos, mas pouco se conhece de seu conteúdo. É certo apenas que o texto, em dois atos, leva o ouvinte à loucura, condenando sua alma à perdição. Um risco ao qual alguns aceitam se submeter, dado o caráter único da obra, um misto irresistível de beleza e decadência.

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”?

The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed horror stories, and the book has been described by critics such as E. F. Bleiler, and T. E. D. Klein as a classic in the field of the supernatural.

This chilling collection includes: "The Romance of Certain Old Clothes" by Henry James, "The Shadow" by E. Nesbit, "Monsieur Anastasius" by Dinah Maria Mulock, "John Granger" by Mary Elizabeth Braddon and more.

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

"The Profit’s Paradise" is a story from The King in Yellow narrated by Mark Turetsky, a collection of eight dreamlike poems by Robert W Chambers.

This short story from The King in Yellow, by Robert W. Chambers, skilfully narrated by Mark Turetsky, concerns an artist, Severn, who lives alone in the Latin Quarter of Paris who befriends a stray cat. Not an ordinary cat, but a pampered cat with a mysterious and lovely owner.

It is the turn of the last century, and Alaska is a mysterious wilderness. At the suggestion of several hundred thousand ladies desiring to revel and possibly riot in the saturnalia of equal franchise, the unnamed lakes in that vast and little known region in Alaska bounded by the Ylanqui River and the Thunder Mountains were now being inexorably named after women.

From The King in Yellow, by Robert W. Chambers, and set in the Latin Quarter of Paris, artist Jack Trent lives with his model Sylvia. The story takes place during the Seige of Paris in 1870, ending with the Germans shelling the Latin Quarter, and Trent arriving home to see a child scrawling "Here fell the first shell".

From The King in Yellow by Robert W. Chambers, this story is set in the Latin Quarter of Paris, where a young artist falls in love with a nameless girl. He has no name, so he names her by the street. Rue Barree in English translates to Road Closed. Are there connotations here, or not?

From The King in Yellow, this tale narrated by Mark Alexander begins: "The street is not fashionable, neither is it shabby. It is a pariah among streets - a street without a Quarter. It is generally understood to lie outside the pale of the aristocratic Avenue de l'Observatoire. The students of the Montparnasse Quarter consider it swell and will have none of it. The Latin Quarter, from the Luxembourg, its northern frontier, sneers at its respectability and regards with disfavour the correctly costumed students who haunt it. Few strangers go into it."

Barred from life and death alike, she waited - waited for the key that could unlock the sinister talisman that held her prisoner of eternity. Taken from The King in Yellow, often referred to in "True Detective" this is one creepy short story.

The King in Yellow is a collection of short stories - mysterious, macabre, and endearing by turns. The work has been linked to H. P. Lovecraft, with the titular entity forming a part of the extended Cthulhu mythos. The first three stories are darkly suspenseful and linked by the mysterious Yellow Sign and the malevolent King in Yellow. These will please Lovecraft fans most of all, and the ghost stories will not disappoint. Also included in this collection are a war story and a strange romance, both of which intrigue and entertain.

In the heart of Paris, amidst the bohemian world of artists and dreamers, a chilling tale of mystery and the macabre unfolds. Louis De Cressac, a gifted painter, lives a life of solitude and obsession, haunted by a dark legacy tied to the sinister Black King. When his friend, Jack Scott, visits, he is drawn into a world where art and the supernatural intertwine in terrifying ways.