Resultados narrador por "Sarah Bacaller" en Todas las categorias

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

Ginger Mick has fallen amongst the ANZACS of Gallipoli - but not before entreating his mate Bill to take care of his sweetheart, Rose. Bill sets out with a local minister to 'rescue' Rose from a life of moral and material poverty, unbeknownst to his wife Doreen (or so he thinks!). The adventure unfolds with the humour, larrikinism, Aussie colloquialisms and pathos characteristic of C.J. Dennis.

In this collection, the authors were striving for a natural and unaffected style of verse that sought to avoid the elaborate structures and artifice that they considered had characterized much of the poetry of the 18th century. Of the 23 poems, only four are by Coleridge, including "The Rime of the Ancient Mariner", which is the most famous poem in the collection. The most notable contribution by Wordsworth is the concluding poem, "Tintern Abbey".

Here Frances Hodgson Burnett describes her delightful encounter with an English robin, who became the inspiration for Mary's little friend in The Secret Garden. Burnett's relationship with the robin, who frequently visits her outdoor writing desk in a rose garden in Kent, unfolds with affection and intimacy. "He was more than a robin," she writes, "He was a soul".

The Songs of a Sentimental Bloke is a classic Australian work of poetry composed by renowned poet, C.J. Dennis (1876-1938). This verse-novel chronicles Bill's coming-of-age through romance, love, and fatherhood. From rambunctious street-strolling youth to settled, responsible father, Bill's story unfolds with keen Aussie larrikinism and humour. This work is narrated as a duet by Denis Daly (Bill) and Sarah Bacaller (Doreen).

A Comic Wake: Extrapolations from Acts' offers two essays exploring themes from the New Testament writings known as Acts. The first essay, "Comedy of Christian Faith" explores the nature of comedy, finding parallels in many dynamics of Christian faith and identity. The second essay, "In the Wake of Acts" explores an absence of mourning as a cultural phenomenon in the early Christian community in Acts, and asks what this might indicate regarding Christian faith and hope.

New South Wales struggled as a new British penal colony, facing drought, famine, social incoherence, and the development of an intransigent military cartel which did not lose any opportunity to exploit the circumstances. Together with an entrepreneurial landowner society led by John Macarthur, they made the task of the Governor, William Bligh (of The Bounty) very difficult.

The 36 poems, many of which are written in Aussie vernacular, highlight the extraordinary, the comic, and the tragic of daily life in Australia. Quirks of culture, geography, and language are simultaneously caricatured and celebrated, while the challenges and ironies of human experience are touched upon with humor and pathos. Many of these poems first appeared in Australian periodicals during the early 20th century. As a collection, Backblock Ballads and Later Verses was first published in 1918 and includes the notorious mock anthem, "The Austra-laise".

When it was first published in 1847, Wuthering Heights was considered highly controversial for its blunt portrayal of domestic abuse, alcoholism, and the dismissal of Christian values by some of its characters. Today, this gothic novel is considered one of the greatest in English literature.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

This is a story of destruction and despair, where those living resemble the dead. It tells the tale of a decrepit race of humans for whom only a few hold the hope of all humanity in their hands. They must undertake a desperate journey to fight for their freedom and seek retribution for what they have lost. One spark can ignite a bushfire. Can one Gwaka right the injustices wrought upon her people?

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.

This is a collection of short stories by well-known Australian author, Mary Grant Bruce (1878-1958). It combines the stories previously published as “Australian Christmas Yarns Volumes I & II”, with the addition of three previously unreleased stories.

When a tiny freckle on Lexie Collins’s cheek turns out to be a rare kind of melanoma that requires surgery, she is left with a big, ugly scar across one cheek. She had just earned a spot in the state finals for public speaking, but with the scar, her confidence has vanished. She doesn’t even recognise herself anymore.

A secret. A holiday. A summer like never before. Shae knows her parents are keeping something from her and is determined to find out what. But nothing can prepare her for what they are hiding. A coming-of-age story about 17-year-old Shae, who is learning that relationships, deception, secrets, and love can all blend together and change everything.

In Year Three, earrings are everything. Shiny gold stars, diamond studs, dangly rainbows, buzzy bees. Almost everyone’s got them. Everyone except Mavey, that is. Mavey’s twin sister Beth says it’s time to join the pierced ear club. Her best friend Woody says earrings are totally silly. And Mum? She just says it’s Mavey’s choice. But if she wants to fit in, Mavey must face the ultimate horror. A giant. Crunching. Piercing. Gun. Gulp.

Take a fantastical trip to a magical world and meet four tiny sprites with attitude! In between heavy metal practice sessions and cheeky pranks, Talia, Lily, Marri, and Dawn get caught up in some scary adventures. When Lily suddenly disappears, her sprite siblings fear the worst. Who can they trust? Winston the rainbow trout? Rocket the magpie? Who is friend, and who is foe? With a clever plan and a few tricks up their sleeves, the sprites bravely face up to the dangers and risk themselves to save each other. But are they too late?

Attention Campers! Seeking maximum adventure? Looking for maximum fun? You need CAMP MAX! Tania’s all set to go on camp! She’s planned which cabin she’ll be in, what snacks to take, she’s even arranged for her best friend, Emily, to come too. There’s one small problem though: Emily’s parents gave away the money that would have bought her ticket. Luckily the town talent show offers Camp Tickets as a prize – all they have to do is win one for Emily. But even as they rehearse to win, no one’s expecting Tania’s own ticket to go missing.